Britney`s Top

21/09/2016 03:12

Britney`s Top


Although `top` is an underworld expression meaning `to murder`, and doesn`t properly emerge into Britney Spears` lyricists` consciousness until the Femme Fatale release, that is, `woman of death`, and the single from that album, `Criminal`, the previous Circus (2008) album represents the notion of the `big top` as a metaphor for `circus`, which was what the Romans called the huge amphitheaters they built during their period of Empire and where people watched others being killed as entertainment. In the 20th century the term `circus` was used for `spy rings`, that is, the term `spy master` meant `director` of spies, for example, the director of the United States of America`s Central Intelligence Agency (CIA), or Russia`s KGB, corresponded to the role of the `ring master` in the `big top`, which was the name for the `cover` under which the members of the circus performed. The performers were supervised by a `ring master` cracking a whip to keep the animals obedient. Consequently, the term `big top` is translatable as meaning murder on a larger scale, but nevertheless within the purview of a `spy ring` and its `spy master`, which is why Britney Spears has the role of ring mistress in the promotional video material for the tracks released from the Circus album as singles. For her songwriters and video makers, she`s the `woman of death`.

 It was the ancient Romans that introduced the emblem of the fasces to civilization, culture and art. The Latin word, fasces, means `bundle`, and the axe in the center of a bundle of wood, which was usually thought of as `rods`, signified strength through a united administration of rulers; each with their own `rod`. Although a bundle with an axe in the center was how the fasces was most often emblematically depicted, the bundle without the axe was used to indicate the presence of a more peaceable nature and so the success of fascist rule. The origination of the symbol derived from the Roman planners who`d construct a hide behind which they`d design an encampment during the period of expansion outward from Rome as the Empire grew. The planners would chop wood and build a hide behind which they`d plan an encampment that would grow to become a place of popular inhabitation. As a means of controlling local populations like animals, the Romans built huge amphitheaters inside which the indigenous people were killed for the entertainment of the criminals, which is what circus meant in Latin. Consequently, there`s a theme to Britney Spears` Circus album and the subsequent Femme Fatale which has a darkness at its center following on from the release of the album, Blackout (2007), which featured the single, `Piece Of Me`, and Britney in the place of Jesus on the sleeve of the disk recording, and that could include the video of the singer performing the song; if the buyer wanted it too. The obvious meaning to `Piece Of Me` is that the Romans attempted to `blackout` Jesus` teaching: `Love your neighbor as you love yourself.` (Mk: 12. 31) Because the Romans were fascists.

 After Benito Mussolini became dictator in Rome after the election of 1922, the German National Socialist leader, Adolf Hitler, adopted the fasces emblem and became dictator of Germany after the election of 1933, which resulted in Hitler`s resuming the Romans` antipathy towards Jesus` people, the Jews, who`d resisted the Roman Empire`s occupation of Palestine along with Jesus, who was accused of being a `dissident` rabbi preaching against fascism. The Jews were described in the Old Testament of the Bible, that is, the Talmud and Torah, which is the history and law of the Jews, as the `chosen people` of God, whereas the Christians accepted Jesus` teaching as the New Testament of the Bible, which superseded the Old Testament of the Jews, and the Nazis were Christians, which is why they built `death camps` after the model of the Roman planners inside which they secretly killed upwards of 20, 000, 000 Jews, while the European nations and the United States of America fought the Second World War (1939-45) to stop fascism. Nazism was the Christian belief system that the Jews should be exterminated because the Old Testament had been superseded by the New Testament of Jesus. In `death camps` like Belsen, Dachau, and Auschwitz, etc., the Nazis poisoned the Jews with gas, stacked them in piles like logs, and incinerated them, because that`s what the fasces `bundle` meant. The axe had removed the brains of the `chosen people` as a threat to fascism, which is why they killed Jesus, who was born from his mother, the Virgin Mary, uncontaminated by male semen. In Christian iconography the Virgin Mary is depicted crushing the head of the serpent with her foot, because Jesus` brains weren`t contaminated. In Jewish tradition a man can only be born from a Jewish woman, which means that Jesus` mother, the Virgin Mary, was a Jewish mother.

 Because human futanarian women have penis` semen of their own, they`re the foot of Jesus` mother, that is, Jesus represents `woman`s seed`. When Jesus was taken by the Romans to the hill of Calvary outside the city of Jerusalem, and nailed to a cross of wood where he died, he had Resurrection and Ascension to heaven in prefiguration of that of `woman`s seed`, which would colonize the planets amongst the stars of heaven above the Earth after she`d sexually reproduced her own brains` powers with her own species` `seed`. Consequently, in the Old Testament book of Genesis, the first woman, Eve, and the first man, Adam, created by God, are depicted being tempted by the serpent, Satan, who`d been an angel transformed by the creator, God, into a serpent for rejecting God`s plan that the human host should be greater than the angelic. Giving Eve the `fruit of the tree of the knowledge of good and evil, which it was death to taste, Satan told her: `You shall be as gods.` (Gen: 3. 5) Because death meant impermanent knowledge and generations born in ignorance who`d die having learned only a little of how to escape slavery in parasitism upon the human host womb imposed by the `serpent`s seed` of men, Eve was told  her `seed` would have `enmity` with the serpent`s: `You shall crush the head of the serpent with your foot, but he will bruise your heel.` (Gen: 3. 15) Eve`s futanarian foot would prove stronger than the brains of unredeemed men in Satanist enslaving of the human host womb for the power it conferred to wage war for the fascist`s entertainment. In parasitology, a parasite that emerges from the host womb to kill it is termed `parasitoid`, and the description fits the full grown serpent of Jesus` disciple John`s Revelation: `The dragon was wroth with the woman and went to make war on the remnant of her seed.` (Rev: 12. 17) Because the apocalyptic prophesy of the end of the world in John`s Revelation describes a continuing war against `woman`s seed`, that is, human futanarian women`s species, the eternal unendurable pain of perdition, given to the evil by God as a punishment, and the new heaven and Earth for the `remnant`, is explicable as resulting from unredeemed men`s waging war against women`s human futanarian race.

 In ancient Greece women`s host wombs were enslaved for institutionalized homosexuality in pederasty for the spread of war against `woman`s seed`: `Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11) By the late 20th century men`s rejection of women had resulted in the spread of the `incurable killer disease`, HIV/AIDS, through mixing blood, shit and semen in each others` anuses. Functioning as a `biological weapon` HIV/AIDS kept women in fearful faithfulness to men`s ring slavery, and the mass media industry promulgated propaganda imagery assuring women that theirs was a species that couldn`t sexually reproduce independently of men: `Let he that has wisdom have understanding. The number of a man is the number of the beast and his number is six hundred three score and six.` (Rev: 13. 8) Because men and women are 66.6% in relation to human futanarian women`s 33.3%, men and women are the beast of Revelation preventing women`s race form running through its own sexually reproduced brainpower: `The second beast was given power to give breath to the image of the first beast, so that the image could speak and cause all who refused to worship the image to be killed.` (Rev: 13. 15) John`s prophetic Revelation extrapolates from the Romans` manufacturing of men and women as a single male brained creature wearing each others clothes in `TV` transvestism before the invention of the `TV` television machine for transmitting pictures of killing for the entertainment of the parasitoid devourer watching the theater at home. Britney Spears` figure on the cross of Jesus for the cover of the CD single and video performance of her song, `Piece Of Me`, represents the role of Jesus as the prefiguration of the Resurrection and Ascension to heaven of `woman`s seed` through the sexual reproduction of her own brains` powers for liberation from host womb slavery to men`s parasitism: `I'm Miss bad media karma; another day another drama.`1 The bad media karma is men`s `blackout` on `woman`s seed`, which results in more `TV` drama repeats, that is, men and women as a single male brained transvestite `TV` creature reincarnated to repeat what has gone before for the entertainment of the parasitoid. Britney Spears` role is to be the woman crucified by the media for her belief in women.

 Modernity`s Greek is the `geek`, who devises `bad machine code` to kill the computer brain assisting the human futanarian species of `woman`s seed` to learn and remember, that is, to store the information needed to escape slavery. The modern day `geek` uses the HIV/AIDS virus paradigm, which is derived from the ancient Greek siege of Troy, whereby a huge hollow wooden horse was incautiously admitted into the Trojan city containing Greek besiegers. The Greeks emerged to enslave the host wombs of the women for homosexuality in pederasty and spread their contagion of conquest through war against `woman`s seed` further. As an aspect of that contagion, HIV/AIDS is a `biological weapon`. Modernity`s `geek` uses it as a paradigm for its model of a `Trojan horse` virus, that is, `bad machine code` infecting the brain of the computer`s system to kill it and prevent the human user from escaping slavery. Because intelligence gathering is ostensibly what the `circus` spy rings are for, the virus paradigm is an aspect of the circus` aim to prevent humans from being able to think about or see what will help them to escape from slavery. Consequently, there`s a `blackout` on the disseminating of information for women about `woman`s seed`. Britney Spears` Circus album is then a continuation of the theme of `blackout` and spying, that is, although the `spy circus` is depicted as an intelligence gathering circle of agencies, in fact the aim is to kill the intelligent for the entertainment of the evil, who want slavery for humanity: `There's only two types of people in the world. The ones that entertain, and the ones that observe.`2 The entertaining are the killed and the killers, and the parasitoids are the watchers.

 When Femme Fatale (2011) was released the album`s featured song was `Criminal` which featured Britney Spears holding up a store with a handgun, while the lyric celebrated her character`s parasitoid relations with a killer: `He is a villain by the devil's law. He is a killer just for fun, fun, fun, fun.`3 The `devil` is the name given to the serpent, Satan, who becomes a dragon of war in the New Testament of Jesus` disciple John`s Revelation, that is, Britney`s lyricist identify her character as a Satanist, who engages in killing for entertainment, which is what Roman fascism promulgated through its amphitheaters that were subsequently emulated by the movie theaters of Hollywood, which was called `Babylon` after `a woman` of the Bible, whose name is described as being associated with the capital city, Babylon (c. 4000 B.C.), of the Persian Empire, which also practiced the host womb enslavement of women in homosexuality and pederasty for war`s conquest: `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5) The first film in the district of Hollywood, city of Los Angeles on the west coast of the state of California in the USA, was made by director, D. W. Griffith, Old California (1910), but by 1930, and labeled `Babylon`, the movie making capital of the Earth banned pictures of human futanarian women from being seen to be capable of sexually reproducing their species` brainpower when the President of the Motion Picture Producers and Distributors of America (MPPDA), Will Hays, introduced the `Hays code`: `... women, in love scenes, at all times have `at least one foot on the floor` (in other words, no love scenes in bed).`4 Two fasces emblems flank the speaker in the House of Representatives on Capitol Hill, Washington, D.C., which is supposedly the heart of Western democracy, whereas if women can sexually reproduce with each other they`d out produce men who can`t, that is, men are keeping women`s voting power artificially low in order to maintain dictatorial rule over the human race.

 Although the nations of Islam and its Moslem people, where `Islam` means `accept` God, and `Moslem` means `submit` to God, are depicted as dictatorships by Western democracies, they`re in line with Judeo-Christian tradition in that their families can contain four wives, which affords the possibility of futanarian sexual reproduction between women within the family. Consequently, the polygamous Moslem marriage in Islam, with its optimum of 80% women, is potentially more democratic than Western monogamous relationships. The basis for Islam`s polygamy is Abraham`s relationship with Sara, his wife, who bore Isaac, founder of Judaism. After Isaac`s birth, Sara was barren and so gave her maid, Hajer, to Abraham. Hajer bore Ishmael, who was the founder of Islam through his descendant, Mohamed, who received the Koran (610-30 C.E) from the angels, according to Islamic tradition, who`d been told by God that the human host should be greater than the angelic. Although Judeo-Christianity perceived the four wives of Islam as an attempt to legitimize Ishmael`s birth from an unmarried woman, Hajer, the polygamous Moslem marriage was actually in accordance with the Jewish futanarian tradition, which the Christian Nazis rejected in favor of Roman parasitoid evil when they built the `death camps` of the 1930s as an extension of Rome`s fascism imposed on the Jews in Palestine during the period of Jesus` teaching and crucifixion followed by his Resurrection and Ascension to heaven in prefiguration of that of `woman`s seed`, which the Nazi fascists sought to prevent by extinguishing the `chosen people` of God.

 Britney Spears` appearance on the cross of Jesus on the cover of the video single for the song, `Piece Of Me`, from the album, Blackout, precedes her songwriters` lyrical description of what her video directors depict as the consequences of the Earth`s acceptance of fascism, which is ultimately Satanical, because it promotes killing for the entertainment of an increasingly non-human parasitoid audience: `You wanna piece of me?` Although the video age was lauded as affording the opportunity to people to own and buy the movies and pop video recordings that they wanted to see over and over again, recorded film was also the medium of the `snuff` genre, which was the recording of real life killings to be shown as entertainment to the parasitoid audience: `Your candle burned out long before your legend ever did.`5 Elton John`s lyric to `Candle In The Wind` (1973) originally lamented the death of Marilyn Monroe, the Hollywood sex symbol found dead in the nude in 1962, but it was used to lament the death of the English Princess, Diana, whose car crashed in the Pont D` Alma tunnel in Paris, France, pursued by paparazzi trying to get a shot in 1997. Monroe`s death was linked to her affair with US President, John F. Kennedy, although her killing wasn`t proven: `Even when you died, oh the press still hounded you. All the papers had to say was that Marilyn was found in the nude.` The `snuffing` out of life, `like a candle`, is the premise of the `snuff` entertainment genre, which Bernie Taupin, Elton`s lyricist and partner, would have known. Consequently, `Candle In The Wind` wasn`t an appropriate elegy. Diana`s death was a sensational news story entertaining to the parasitoid mass mind, that is, a few good shots were what the paparazzi got for their `torn apart` employers and readers amongst the `snuff` genre aficionados. Though largely independent of Britney, Spears` lyrical and video output can be seen as promoting the `snuff` movie genre, while the pop video per se represents a medium of communication between `snuff` aficionados` gloating over their victims` struggles to escape slavery and death in the parasitoid`s `big top` circus.


1 Åhlund, Klas, Christian Karlsson, and Pontus Winnberg, Britney Spears, `Piece Of Me`, Blackout, Jive, 2007.

2 Gottwald, Lukasz, Claude Kelly and Benjamin Levin, Britney Spears, `Circus`, Circus, Jive, 2008.

3 Amber, Tiffany, Max Martin, and Shellback, Britney Spears, `Criminal`, Femme Fatale, Jive, 2011.

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5 John, Elton (music), and Bernie Taupin (lyrics), `Candle In The Wind`, Goodbye Yellow Brick Road, MCA, 1973.