End Dog Amy
Britney Spears` `If You Seek Amy` single from the album, Circus (2008), isn`t ostensibly about a circus dog, which are traditionally dressed in colorful costumes and made to jump through hoops, etc., although the pop star addresses the subject in her lyrics to the song, and the scenes from the promotional video bear witness to her preoccupation with the concept of endogamy popularized by the developmental psychologist, Carl Gustav Jung (1875-1961), who observed that the term for marriage outside the family was `exogamy`, while marriage within the tribe was termed `endogamy`, and was sometimes identifiably incestuous: `Have you seen Amy tonight?` Most critics have interpreted `if you seek Amy` as F*U*C*K me, which relates to the concept of sexual reproduction within the extended family, or with a stranger from a different locale. The drama Oedipus Rex (c. 429 B.C.) by the Greek Sophocles is illustrative. Oedipus, whose name mean `swollen foot`, has to answer the riddle of the Sphinx, a half-animal, half-woman, who asks: `What goes on four legs in the morning, two in the afternoon, and three in the evening?`1 Oedipus answers, `Man.` The Sphinx allows him to enter the Egyptian city of Thebes where he meets the widowed queen, Jocasta, and marries her. The drama is about blindness. Oedipus kills his father unbeknownst, Laius, at the beginning of the play. When he discovers that he`s unwittingly married his mother, he blinds himself, because of the incest taboo, and his daughter, Antigone, agrees to lead her blind father`s steps onward, that is, in the evening he walks with a stick and has a dog to guide him, which is The End, dog Amy.
At the commencement of the drama, Laius and Jocasta, after hearing a prophecy that Oedipus will kill his father and marry his mother, expose him on a hillside to die. Consequently, he`s lame, which is why he`s named, Oedipus. The `foot` is mentioned in the Bible several times, for example, God tells Eve her `seed` will prevail: `You shall crush the head of the serpent with your foot, but he will bruise your heel.` (Gen: 3. 15) Because women can sexually reproduce as futanarian, the `foot` is symbolic. In Christian iconography, Jesus` mother, the Virgin Mary, is depicted crushing the head of the serpent with her foot, because Jesus was born uncontaminated by male semen, that is, he was `woman`s seed`. The Jewish Messiah in Roman occupied Palestine taught: `Love your neighbor as you love yourself.` (Mk: 12. 31) He was accused of being a dissident and taken to the hill of Calvary outside the city of Jerusalem where he was nailed to a cross of wood and died. Experiencing Resurrection and Ascension to heaven, Jesus prefigured that of ``woman`s seed` able to raise herself through the sexual reproduction of human brainpower. Oedipus is `a lame excuse for a man` after his self-blinding, because men stand between women to prevent their species` family from sexually reproducing, that is, they`re the host womb slavers of the human race, which means that Oedipus` acceptance of men`s taboo against incest is lame-brained.
As a single independent futanarian species of `woman`s seed`, sex between women is a family affair, which men have made taboo in order to slave them. Consequently, although endogamy, that is, incest, is taboo, women`s endogamy is exogamous, that is, they must escape from men to sexually reproduce humanity: ``Cause I have been waiting here forever.` Britney Spears` lyrics to `If You Seek Amy` relate the plight of a guide dog for the blind Amy, who is waiting to see her home: `I've seen her once or twice, before she knows my face. But it's hard to see with all the people standing in the way.` Women are guide dogs for the blind, that is, Britney Spears` Amy is The End dog, who`s made to work for them:
`Oh, but can't you see what I see?
All of the boys and all of the girls are
begging to if you seek Amy.`2
Begging is what circus dogs are trained to do, that is, they sit on their hindquarters and bark until the trainer gives them food; for example. The lyrical imagery is of dogs begging to `fuck Amy`, because endogamy and exogamy is a `game` for an alien, who doesn`t want the `gamey` human race to gamely run and escape from its killing of it. The term for alien biology is `exobiology`, so exogamy means marriage with aliens. In short, men are aliens to women, and The End dog, Amy, represents the `dog end` of the cigarette, that is, the secret is that the woman`s penis has been smoked down to the butt by homosexuality, which Jesus` disciple, John, warned of in his apocalyptic Revelation of the future: `Men cursed the God of heaven for their pains and their sores, but refused to repent of what they had done.` (Rev: 16. 11) In ancient Greece women`s host womb enslavement in homosexuality and pederasty for war was institutionalized. By the late 20th century, the `incurable killer disease`, HIV/AIDS, spread by men`s mixing blood, shit and semen in their anuses, in mockery of women`s human mode of sexual reproduction, had emerged as their `biological weapon` designed to keep women in fearful faithfulness to men`s ring slavery, which is what the lyrics from Britney Spears` `Circus` are about, `All eyes on me in the center of the ring. Just like a circus.`3 At the center of the ring, there`s no escape from the trainer for The End dog, Amy, who perforce has to guide the blind alien that`s whipping her.
1 Apollodorus, Library Apollod, 3. 5. 8.
2 Kronlund , Alexander, Max Martin, Savan Kotecha, and Shellback, `If You Seek Amy`, Circus, Jive, 2008.
3 Gottwald, Lukasz, Claude Kelly, and Benjamin Levin, `Circus `, Circus, Jive, 2008.
Television`s Towering Silence
`If You Seek Amy` is the song by pop star Britney Spears from her Circus album that has variously been interpreted as meaning `fuck me`, a transvestite `TV` anthem for transgender people, because of the lyric, `All of the boys and all of the girls are begging to if you seek Amy` (fuck me), but almost no attention has been given to the meaning of the name, Amy, other than to suggest that it`s a reference to homosexuality, that is, `gay me`, or the 21st` century`s primary preoccupation with games, that is, `game me`. Britney Spears isn`t unfamiliar with gaming. In her video for the song, `Oops! … I Did It Again!` pitched at winning Music Television`s (MTV) `spaceman award` for best video, etc., she sings: Oops! ... I did it again. I played with your heart, got lost in the game.`1 The MTV award is a statuette parodying the June 21st 1969 (2. 56 UTC) moon landing of Apollo 11, when astronaut Neil Armstrong became the first man to walk on the surface of Earth`s satellite, `One small step for a man, one giant leap for mankind.` The MTV spaceman holds an `MTV` flag, whereas Armstrong`s was `Old Glory`, the `star spangled banner` of the United States of America. Britney`s spaceman, called `Mars lander` by `Mission control`, who are seen in the video monitoring the astronaut`s movements on the surface of the red planet of Mars, discovers a cameo of the star in the sand shaped like a `cookie`, because it corresponds to those coded pieces of information that website operators give to their customers in order to provide access to the domains for whatever purpose has been previously agreed upon; especially gaming.
Britney`s stage set emerges from the sand of the desert of the red planet of Mars activated by her `cookie` image, and the `game` begins. Placing a hook in the back of the back of the spaceman, Britney in her red pilot`s jump suit winches the spaceman up to where he can look down upon her wearing a white bikini dress atop a white star resembling a compass rose used by navigators to steer the course of a ship: `All aboard!` The lyrics of the song are in tune with the concept of the video as a `game`, which is based on the notion that the gift subsequently proferred to the star by the spaceman is the `heart of the ocean` blue diamond worn by Kate WInslet in the movie Titanic (1997) as Rose, who`s wooed away from her fiancee, Carl, by a new lover, Jack, aboard the Titanic. When the ship is sinking after hitting a larger piece of ice, Jack drowns after helping passengers to the lifeboats, while Carl lives after being among those who threw women and children from the lifeboats to win their own safety adrift upon the sea before eventual rescue.
When Britney`s spaceman gives her the unknown gift in the black box, she says: `But I thought the old lady dropped it into the ocean at the end?` Because Rose, an old lady at the beginning of the movie, Titanic, and before her story begins with actress Kate Winslet in the role of the young Rose, drops the diamond into the sea at the point where the Titanic is being salvaged many years after its sinking on April 15, 1912, upon its maiden voyage from Southampton to New York, U.S.A., in the North Atlantic Ocean. In Britney`s `Oops! … I Did It Again` video, the spaceman replies to her astonishment at receiving the `heart of the ocean`: `Well, baby, I went back down and got it for you.` Britney`s wearing a white blouse with black skirt and boots, but moments before she was wearing her red jump suit as she somersaulted through the air to stand in front of the spaceman from the place at which she`d left him looking down upon her wearing a white bikini dress upon the compass rose with the camera attached to his space helmet filming her discomfort beneath him: `The dragon stood before the woman who was about to give birth so that it might devour her child the moment it was born.` (Rev: 12. 4) There are two Britneys in the video, and one becomes transformed in the course of the action. The `game` centers upon the fact of women`s capacity to sexually reproduce as a single species independent of men, which futanarian women with their own penis` semen are able to do. Without the viewer having any knowledge of such a possibility, it`s a `game` played by the censor to see how much the ignorant audience can be `gamed` into believing the slave-ringer. At one point in the video, Britney descends onto her emerged stage set inside what looks like a giant`s ring, because that`s what men are; a giant slave ring keeping the human futanarian species of `woman`s seed` ignorant of their own capacity to sexually reproduce brainpower to take them to colonize the planets and stars of God`s heaven above the Earth and so escape men`s slave rings of wedlock.
Britney didn`t win the MTV spaceman award that year of 2000, and had to wait until the release of the `Piece Of Me` video single from the album Blackout (2007), which was a protest song about censorship keeping women as host womb slaves to men`s parasitism:
`I'm Mrs Most Likely To Get On The TV For Strippin' On The Streets,
When gettin' the groceries; no, for real, are you kiddin' me?
No wonder there's panic in the industry, I mean, please:
Do you want a piece of me?`2
The cover of the compact disk of the recording of `Piece Of Me` featured the star on the cross as Jesus crucified to underscore her role as a woman betrayed for a few pieces of silver CD. Jesus `Christ`, `the chosen`, had been taken to the hill of Calvary outside the city of Jerusalem by agents of the Roman Empire then occupying Jewish Palestine, where he was nailed to a cross of wood and died as a `dissident` for teaching: `Love your neighbor as you love yourself.` (Mk: 12. 31) Jesus` mother was Mary, a virgin, to underscore the Jewish Messiah`s subsequent Resurrection and Ascension to heaven as a prefiguration of that of `woman`s seed` to the stars through the sexual reproduction of futanarian women`s brainpower that afforder their species escape from slavery to a host womb parasite. Caught by his disciple, Judas, with a woman anointing his feet with the expensive perfume, spikenard, Jesus answered Judas` spy canard suggesting that the `perfume` be sold to raise money: `Leave her alone.` (Mk: 14. 6) Jesus wasn`t acquiescent, whereas Judas was a queer sent from Satan.
Satan was the angel who, rejecting the first man, Adam, and the first woman, Eve, created by God, because God said that the human host would be greater than the angelic, was turned into a serpent by God and placed in the paradise of heaven on Earth where Eve and Adam dwelt. Eve was created by God from the side or rib of Adam, according to the Old Testament of the Bible, that is, the Talmud and Torah of the Jewish `chosen people`, which is their law and history, a euphemism for the self-fertilizing species` survival trait of the human futanarian race of `woman`s seed`, that is, Adam was futanarian. The serpent, Satan, persuaded Eve and Adam to `eat of the fruit of the knowledge of the tree of good and evil`, which it was death to taste, that is, Eve and Adam were being tempted to accept ephemerality and ignorance in host womb slavery to parasitism: `You shall be as gods.` God expelled the pair from Eden with the promise to Eve that her `seed` would be redeemed: `You shall crush the head of the serpent with your foot but he will bruise your heel.` (Gen: 3. 15) The mother of Jesus Christ, `the chosen` Jew, was depicted in Christian iconography crushing the head of the serpent with her foot, because Jesus was born from her, a virgin, uncontaminated by male semen, that is, as a prefiguration of the ascendance to heaven of women`s futanarian `foot` after its superior brainpower had crushed that of the evil `serpent`s seed` of unredeemed men engaged upon slaving the human race.
In ancient Greece homosexuality in pederasty for war against the nearby Persian Empire of Xerxes was institutionalized, that is, women were host womb slaves for the production of soldiers for war, and Babylon, the capital city of the Persian Empire founded c. 4000 B.C., was itself described in the Bible as evil for that same reason: `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5) Manufactured as a single male brained creature wearing each others clothes in TV transvestism, the people of the Earth, that is, men and women, constituted a TV waiting to be transmitted before the invention of the television machine by Scot, John Logie Baird, in 1926. By 1983 the single male brained creature`s `incurable killer disease`, HIV/AIDS, had emerged in the African Congo as a virus mutated from the simian immune deficiency virus, SIV, transmitted by homosexuals as the human immune deficiency virus during anal mockery of the human mode of sexual reproduction, and the resultant acquired immune deficiency syndrome (AIDS) which, passing from the base of the spine to collapse the organs of the victim`s body, finally killed the brain, because that`s what the transmissions of the `serpent`s seed` were for.
Even before the German National Socialist (Nazi) Party elected in 1933 began to pogrom the Jews, whose futanarian tradition it was that Jews were born from women because women were Jews, Will Hays, the President of the Motion Picture Producers and Distributors of America (MPPDA) in the west coast district of the capital of the global mass media industry Hollywood, `Babylon`, city of Los Angeles, California state, U.S.A., had sought to remove any sign that might give humans some knowledge of how they sexually reproduced from cinema screens: `... women, in love scenes, at all times have `at least one foot on the floor` (in other words, no love scenes in bed).`3 Consequently, the Nazis extermination of 20, 000, 000 Jews in death camps inside which their corpses were incinerated was directly supported by Hollywood, Babylon, because Jesus Christ`s chosen people were humanity.
When Al Qaeda, `the base`, a terrorist group operating under the auspices of the notoriously misogynist Taliban regime of Afghanistan hijacked civil airliners to crash into the Twin Towers of the World Trade Center on September 11, 2001, it was an act of `rough trade` designed to precipitate that `brutality and violence` associated with homosexuality in pederasty for war against `woman`s seed`. Although Moslem Islam was identified as an enemy of the Christian west, in fact the history of Judaism belies that. Judaism was founded by Isaac, son of Abraham and his wife Sara who, barren after Isaac`s birth, gave him Hajer her maid, who bore Ishmael, whose descendant, Mohamed, received the Koran (610-30 C.E.) dictated by the angels of God, according to the tradition of `Islam`, which means `accept`, while `Moslem` means `acceptance`. Christianity perceives Islam as illegitimate because Hajer wasn`t married, and the four wives permitted the Moslems are perceived as a retroactive attempt to legitimize Ishmael`s birth, and therefore Islam`s. However, the four wives within the families of the Moslems afford the opportunity of futanarian sexual reproduction between `woman`s seed`, which is Godly from a Judeo-Christian perspective. In short, the terrorist attack upon the Twin Towers of the World Trade Center by Al Qaeda, `the base`, was a homosexual virus transmission watched by billions across the globe through the medium of television designed to kill the brain of `woman`s seed` in the Middle East where, appearing publicly beneath the one-piece coverall of the burka, the women of Islam`s breeding with each other secretly constituted a threat to misogynist enslavement of the human race.
The television towers transmitting images of slavery to the ignorant audiences globally corresponded to the ancient Sassanid `towers of silence` of the Zoroastrian religion of the MIddle East before Islam, whose god was Ahura Mazda. The Sassanid Caliphate (224-651 A.D.) was that of Ardashir I of Iran, whose house was named for his grandfather, Sasan, and he was its first Shah. In the Zoroastrian religion corpses were taken to towers where they were picked clean by carrion birds. Although the Shah of Persia was believed to have his seat in Iran, the ruins of the ancient capital city of the Persian Empire at the time of the Greek wars with Xerxes are in Iraq, and Saddam Hussein, Iraq`s dictator could see them from his summer palace at Hillah during his fall from power after the United States` invasion resulted in his execution by hanging on December 30, 2006. Saddam Hussein`s own invading army had been ejected from Kuwait by the US in 1990, and the presence on Akkar island in the bay of Kuwait city of a tower of silence was an indication of the prevalence of the Sassanid religion of Zoroastrianism before Islam. Although, for example, Moslems pilgrimage to the Ka` Ba in Mecca during what`s called Haj after Hajer, Abraham`s concubine, the Ka` Ba was a centre of pre-Islamic worship of three goddesses, the al-gharānīq, that is, ‘bird women’: `Have you then considered al-Lāt, and al-'Uzzá? And the other, the third, al-Manāt? What? For you, the male sex, and for him the female? Are yours the males and his the females? That indeed were an unfair division.' Sura 53, ‘An Najm' (The Star), vs 19-22. Because of the correlation between angels and saurians, the al-gharānīq, `bird women`, was the meaning behind the `towers of silence` of the Sassanids, because it was there that the corpses were picked clean by carrion birds.
In evolutionary terms, SIV was a genetic legacy of the slaving of the hominid host womb by the earlier saurian evolution of the Mesozoic period in the Earth`s history, 248 m.a., after the first hominids began to appear in the Jurassic period, 220 m.a., and the virulence of avian influenza, that is, `bird flu`, in the early part of the 21st century, was a further sign of an emerging saurian `biological weapon`, because bird evolution, which is described as the `winged angelic host` in the Judeo-Christian tradition, and `bird women` in the pre-Islamic Sassanid religion of Zoroastrianism, was saurian. Because the absence of the `seed` of futanarian women`s humanity weakens the human brain, it`s susceptible to `biological weapons` launched against it by the `serpent`s seed`. Possessed by a male brain engaged in promoting homosexuality in pederasty for war against `woman`s seed`, humanity degenerated into a self-devouring winged dragon soaring above the cities of the Earth dropping its clutches of exploding eggs, and conflict with (and between) the nations of Islam, AIDS, and `bird flu` were signs and symptoms of a human brain weakened by the `biological weapons` of the `serpent`s seed` of men`s denying of `woman`s seed` the right to reproduce her brains, which effectively amounted to alien invasion.
In the ancient religion of Egypt, `Ka` means `spirit`, and `Ba` means `soul`, that is, Ka` Ba` means the place where the people of `the Egyptian woman`, Hajer, complete their pilgrimage, the Haj, because Hajer`s the woman who persuaded the Moslems to allow more than one wife within a marriage, so that her human futanarian species of `woman`s seed` could sexually reproduce within the family of man. Satan`s `seed` were the saurians of pre-hominid evolution. Although the angels of God are depicted as being in heaven, the fallen were the saurians of the Mesozoic period of the Earth`s history 248 m.a., who slaved the hominid host womb of `woman`s seed` when she appeared 220 m.a., and before she could reproduce the brainpower needed to ascend to colonize the planets among the stars.
Although Saddam Hussein`s successor, Abu Bakr Al Baghdadi, adopted the male white moon as the symbol of his rebel independent state of Iraq and Syria (ISIS), it`s ironically symbolic of the sterility of homosexuality in pederasty for war. The winged Isis was a sun goddess of resurrection, and her winged status suggests her role as being similar to the al-gharānīq of pre-Islamic worship at the Ka` Ba in Mecca. In Hajer`s Egyptian tradition, Isis restores the sun god, Ra, after Ra incarnates upon the Earth as Osiris, who has been dismembered by his evil brother, Set. Isis has to give Osiris a new penis, because the original can`t be found, and Osiris re-ascends as `the sky god`, Horus. The narrative is similar to Jesus` who was born from his mother, the Virgin Mary, uncontaminated by male semen, and so had a new penis, which was a matrilineal symbol of the future of the race of women underscored by Jesus` death, Resurrection and Ascension to heaven.
The TV set of modernity is the enemy of Isis, who`s the angel, that is, the Ka` Ba wasn`t a centre of worship of the al-gharānīq, but a place of `woman`s seed`, whereas the winged `serpent`s seed` of men was visible to modernity as the B1 bomber dropping its egg-clutch of bombs upon human remains: `The dragon was wroth with the woman and went to make war on the remnant of her seed.` (Rev: 12. 17) The telecommunications` towers transmitting TV pictures of the virus are the new `towers of silence` for the `bird women`, whose human futanarian species of `woman`s seed` is being exterminated, while the false guards endeavour to look reassuring: `Thou shalt have no false gods.` (Ex: 20. 22) Some few women, notably the pop stars of modernity, made attempts to enlighten the public, for example, `If You Seek Amy` by Britney Spears (fuck me) was a cryptic reference to the role of the brain eating amoeboid in the development of the HIV/AIDS virus: `I can't get her off of my brain.`4 A `War On Terror` was declared by US President George W. Bush in 2003 after the destruction of the Twin Towers of the World Trade Center by the terrorist group Al Qaeda, `the base`, which hijacked civil airliners and crashed them into the WTC, and the HIV/AIDS virus was the second level biological terror weapon of the exponents of `rough trade` in homosexuality and pederasty for war against the human species of `woman`s seed`. Without penis` semen of their own, women like Britney Spears` Amy are amoeba, that is, Amy`s `Ba`, because she`s a woman`s soul in need of a woman`s spirit body, or Ka, to fertilize her with `woman`s seed`:
`Toity poiple boids
Sittin on da koib
A-choipin an’ a-boipin
An’ eatin doity woims.`5
For Britney Spears` expounding upon the New York dialect after 9/11, it`s `If You Seek Amy` (boid), because it`s the birds` seed that the winged dragon of war goes for, and `gay` HIV/AIDS victims are especially susceptible to granulomatous amoebic encephalitis (GAE), an amoebae destroyer of the central nervous system, which corresponds to the second phase terror weapon deployed against `woman`s seed` by homosexuality in pederasty for war after 9/11, because it`s a bisexual brain eater of both men and women`s `doity woims`.
In the Middle East, Al-Gol is the term for `ghoul`, and alcohol is `haraam` or forbidden, because it`s associated with ghoulishness, while in western culture the desire of the woman`s Ka for her Ba has degenerated into the search for a bar by the occupants of a car. In science fiction, the central alien invasive character is described as the bug-eyed monster (BEM), which neatly fits the picture of the car with its single-eye screen. Eyes see BEMs everywhere, because ICBMs are what the bug-eyed monster`s preparing to launch with nuclear warheads, and alcohol is how it fuels its Al-Gol ghoulishness. What the bug-eyed monster sees through its single eye are `birds`, that is, women. The car driven by the demon Al-Gol drinker`s quest for alchohol at a bar is a perversion of the desire of the woman`s Ka for her Ba, which is what ghoulishness is. In parasitology, the parasite that emerges from the host to kill it is termed `parasitoid`, which is what men are towards `woman`s seed`. If women sexually reproduced brainpower of their own, medical science might develop rejuvenation technologies capable of making their species of futanarian `woman`s seed` immortal, but the ghouls would rather watch the human race die with its wings clipped, and imprisoned by the bars of its birdcage.
Pop star Miley Cyrus` first major hit single as a singing star was `Can`t Be Tamed` (2010). In the promotional video she appeared inside a birdcage while a compère (MC) prepared an assembled audience of women with birdcages as headgear to witness the performance of the US` songbird, wearing a basque, and flapping a huge pair of black wings: `Ladies and gentlemen. Welcome to the museum. Tonight we are proud to reveal our greatest exhibit yet. A creature so rare it was believed to be extinct. Well tonight we shall see. In captivity for the first time, the rarest creature on Earth. Ladies and gentlemen! Avis Cyrus!`6 After the raunchy show with her dancers, Miley`s back in her cage, because the Earth is women`s prison and men keep her there as the human futanarian species of `woman`s seed` near to extinction:
`If you're gonna be my man, understand;
I can't be tamed, I can't be tamed.
I can't be blamed, I can't, can't.
I can't, can't be tamed.
I can't be changed, I can't be tamed.
I can't be, be, I can't be tamed.`6
The existentialist stuttering of the lyric at the point of identifying wildness with non-existence is typical of the woman who futilely seeks escape from the men of the `serpent`s seed` death camp with its false guards. Miley`s energetically proclaiming of her wild winged independence ignores the true status of the penisless woman trapped behind the bars of her cage with no prospect of sexually reproducing the human species which is hers. The term for a freak of nature is `sport` and, sporting a pair of wings as a `bird woman`, Miley`s a `game bird`, which is what hunters like as they look to breed from a few pairs to provide them with enough pleasure in the kill.
1. Martin, Max, and Rami `Oops! … I Did It Again`, Britney Spears, Oops! … I Did It Again, Jive, 2000.
2. Åhlund, Klas, Christian Karlsson, and Pontus Winnberg `Piece Of Me`, Britney Spears, Blackout, Jive, 2007.
4 Kotech, Savan, Alexander Kronlund, Max Martin, and Shellback `If You Seek Amy`, Britney Spears Circus, Jive, 2008.
5 Quinlan, Heather, If These Knishes Could Talk: A Film About The New York Accent, https://newyorkaccentfilm.com .
6 Armato, Antonina, Miley Cyrus, and Tim James, `Can`t Be Tamed`, Miley Cyrus, Can`t Be Tamed, Hollywood, 2010.
The Starship Allah
When Saddam Hussein, the dictator of Moslem Iraq, invaded Kuwait in 1990, not much attention was given to the Islamic phenomenon of the Caliphate, which is the term used for Emperor in the Middle East and was used by pre-Islamic peoples also. After the fall of the Iraqi capital, Baghdad, to the invading United States` army and the global coalition forces in 2003, Saddam Hussein was executed and his compatriot, Abu Bakr Al Baghdadi, declared himself the new Caliph of a new Islamic Caliphate claiming a vast territory stretching as far as North Africa and Spain from his base in rebel Syria and Iraq, which was named the Independent State of Iraq and Syria (ISIS) in ironic salute to the ancient sun goddess, Isis, of Egyptian mythology, who was associated with resurrection among the Egyptians.
Egypt is important for Islam because the mother of Ishmael, Hajer, was an `Egyptian woman`, the concubine of Abraham, whose wife, Sara, bore Isaac, who founded Judaism, and gave Abraham Egyptian Hajer after Sara was barren through the birth of Isaac. Much of Judaic-Christianity has been encouraged to view Islam as illegitimate, because Ishmael was born from a woman not Abraham`s wife, Hajer, although the four wives of the Moslems, who are permitted by the Koran (610-30 C.E.) of Islam, given to the Prophet, Mohamed, by the angels of God, according to tradition, evidences a matrilineal society unsympathetic to Judaic-Christian monogamy.
In the Old Testament of the Bible, which is the Torah and Talmud of the Jews, that is, their history and law, Eve is tempted by the angel, Satan, transformed by God, the creator, into a serpent for refusing to accept that Eve, the first woman, and Adam, the first man, would be greater than the angelic host through their progeny: `On your belly you shall go, and you shall eat dust all the days of your existence.` Eve was tempted by the serpent, Satan, to `eat of the fruit of the tree of the knowledge of good and evil` in the garden of paradise, Eden, which was heaven on Earth: `You shall be as gods.` (Gen: 3. 5) God told Eve and Adam that they`d die if they didn`t eat only of the `fruit of the tree of life`, a metaphor for the evil that would befall those who preferred ignorance in slavery to the `serpent`s seed`, rather than intelligent ascent to the planets and stars above the Earth and colonization there through the building of starships together with the development of medical science to confer immortality: `You shall crush the head of the serpent with your foot, but he will bruise your heel.` (Gen: 3. 15) God`s words to Eve follow upon Eve and Adam`s expulsion from Eden by God with the promise that the slavery in ignorance to the `serpent`s seed` will end when the human brainpower of Eve`s human `seed` is stronger.
In the New Testament of the Christians, Jesus Christ, `the chosen`, is born from a woman who is a virgin, Mary, who is depicted in Christian iconography crushing the head of the serpent with her foot, because futanarian women sexually reproduce women as a separate and distinct species from men. Jesus was a Jew, who are called `the chosen people` of the Old Testament and, during the occupation of Jewish Palestine by the Roman Empire, his teaching was passive resistance: `Love your neighbor as you love yourself.` (Mk. 12. 31) Taken to the hill of Calvary outside the city of Jerusalem, Jesus was nailed to a cross of wood and left there to die as a `dissident`. Subsequently he experienced Resurrection and Ascension to heaven in prefiguration of that of `woman`s seed`. Consequently, the four wives permitted the Moslem peoples in Islam`s matrilineal society reflect the true Judeo-Christian tradition of `woman`s seed`, that is, sexual reproduction between women. Jesus was crucified after his disciple, Judas, found him alone with a woman. When Judas`s spy canard was that the woman should stop anointing Jesus with the expensive perfume `spikenard`, and sell it for money, Jesus` reply was: `Leave her alone.` (Mk: 14. 6) For Judas women were slaves and he didn`t want Jesus, who was `woman`s seed`, to sexually reproduce human brainpower to facilitate women`s escape.
At the foot of the cross were three women, Jesus` mother, Mary, her sister, Mary, and Mary Magdalene, because a futanarian woman with `seed` of her own is able to fertilize a woman without semen of her own, but she needs a woman with penis` semen of her own to fertilize her, that is, the three Marys are a description of Jesus` future species of `Man` without the `serpent`s seed` of unredeemed men promoting ignorance in slavery to maintain their power over the human race to the stars. As the `Second Adam`, Jesus` role as `woman`s seed` suggests that Eve, created by God from the side or rib of Adam, was a futanarian birth from `woman`s seed`, that is, Adam represented the human species` survival trait of self-fertilizing women, before they were the host womb slaves of the `serpent`s seed` represented by the angel, Satan, transformed into a serpent by God for rejecting humanity.
Because saurian evolution in the Mesozoic period of Earth`s history 248 m.a. preceded that of the hominids by 28 million years in the Jurassic period 220 m.a., it seems likely that the saurians host womb slaved the new futanarian race of women, that is, unredeemed men are the `serpent`s seed`. As man born of woman, Jesus prefigured the Resurrection and Ascension of the human race to the stars above the Earth through sexual reproduction between women, which men would have to accept or remain serpent-brained and seeking to prevent the species from escaping slavery in ephemeral ignorance to its host womb slaver for the negligible reward of hosts of many armed demons, that is, armies, devastating the Earth for what they could steal: `The dragon was wroth with the woman and went to make war on the remnant of her seed.` (Rev: 12. 17)
Before Mohamed, the descendant of Ishmael, received the Koran from the angels of God, the pre-Islamic Caliphate of the Persian Shah of Iran was termed `Sassanid` (224-651 A.D.) after Sasan, the ancestor of its founder, Ardashir I, and `towers of silence` were at the center of its belief system. When Saddam Hussein`s army invaded Kuwait city, a feature of the bay area was a tower of silence in the north of the island of Akkaz. When the terrorist group, Al Qaeda, `the base`, hijacked civil airliners on September 11, 2001, to crash into the Twin Towers of the World Trade Center in New York city, U.S.A., to precipitate war in the Middle East, it was an act of `rough trade`,1 that is, that `brutality and violence` associated with homosexuality in pederasty for war of the `serpent`s seed` against `woman`s seed` to maintain host womb slavery in ephemeral ignorance for the human race: `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5) From his summer palace at Hillah in Iraq, Saddam Hussein could see the ruins of the ancient city of Babylon, `a woman` of the Bible corresponding to what occurred in ancient Greece where, to battle the Persian Empire of Xerxes, homosexuality in pederasty for war through the host womb enslavement of women was normative. In other words, homosexuality has been the norm upon the Earth since Eden, which many biblical scholars identify as located in Iraq at the head of the Persian Gulf, where its rivers flowed into the sea: `A river flowed from Eden to water the garden, and from there it divided to make four streams.` (Gen: 2. 10) Because the district of Hollywood, capital of the global movie Empire of the U.S.A., is also called `Babylon`, centered as it is on the west coast in the city of Los Angeles, state of California, war with Islam in the Middle East and elsewhere is discernibly `Babylonian` insofar as its a war of the homosexual `serpent`s seed`.
In Judaism a Jew can only be born from a woman, that is, women are Jews, that is, Jesus `Christ` was `the chosen`, because he was chosen to explain that the `chosen people` were `woman`s seed`. When the German National Socialist (Nazi) Party of Christian Germany pogromed 20, 000, 000 Jews after its election in 1933, the President of the Motion Picture Producers and Distributors of America (MPPDA), Will Hays, had already sought to ban women`s mode of sexual reproduction from the mass media Empire of the U.S.A. through the 1930 `Hays code`, which sought to prevent women from raising their human futanarian `foot` race from the floor of the Earth`s bedroom to keep it as a host womb slave for homosexuality in pederasty for war against her species for its entertainment: `... women, in love scenes, at all times have `at least one foot on the floor` (in other words, no love scenes in bed).`2 With the futanarian species` foot on the floor, there`d be no escape from the demon armies of host womb slavery for ephemeral ignorance in war and parasitism.
In parasitology, the parasite that emerges from the host womb to kill it is termed `parasitoid`, which is what men of the `serpent`s seed` are. Soaring overhead to drop clutches of bombs onto the `remnant` of `woman`s seed` upon the Earth is what oviparian saurian evolution amounts to. The ancient Sassanid Caliphate erected towers of silence as places where the corpses of the dead were picked clean to the bone by carrion birds, who were the descendants of the oviparian saurians. In the Bible angels are represented as winged, because saurians were. Although the angel, Satan, is depicted as being transformed into a serpent by God for rejecting the human host, which would be greater than the angelic, the angelic host are still depicted as remaining in God`s heaven, that is, they correspond to what terrestrial humans have been taught are extraterrestrial intelligence. As humans have been taught through the Hollywood `Babylon` ass media Empire of homosexuality that extraterrestrials correspond to alien invaders, human intelligence has been defined as alien, where `human` is definable as `intelligence`, because intelligent people don`t drop bombs. Although extraterrestrial `angels` are often represented as invading the Earth in the mass media movie entertainment industry, etc., it`s clear that men of the `serpent`s seed` are the aliens who`re slaving the human futanarian species of `woman`s seed` to just the point of extinction to keep the cameras rolling.
In Islam pilgrims travel to the city of Mecca in Saudi Arabia, a journey which is called `the Haj` after Hajer, the concubine of Abraham, who gave birth to Ishmael, whose descendant, Mohamed, received the Koran from the angels of God, according to Moslem tradition, and they travel to the shrine of Abraham, the `Ka` Ba`. In Egyptian mythology, `Ka` means `spirit` and `Ba` means `soul`, because `Ka` denotes the `seed` of the woman and `Ba` the womb. Consequently, Hajer`s role in Islam is matrilineal, that is, the Koran permits four women living together as one woman within a sexually reproductive unit termed `family`, because Hajer shouldn`t have been husbanded by Abraham, but rather women need shepherding from a realistic socio-historical perspective, which was Jesus` role. In Egyptian mythology Isis was the goddess that remembered the sun god, Ra, who was dismembered by his evil brother, Set, after he incarnated as Osiris. The myth is characterized by Isis` giving of Osiris a new penis, because she couldn`t find it. Consequently, Abu Bakr Al Baghdadi`s ISIS and his declaration of himself as the Levant`s Caliphate subsequent to the events of the 11th of September, 2001, was a mockery of the role of the goddess Isis in Egyptian mythology, who corresponds to the Virgin Mary of Christianity`s restoring `woman`s seed` after its demoniacal possession by the `serpent`s seed` of men.
Manufactured as a single male brained creature wearing each others` clothes in`TV` transvestism, the `remnant` of the human race corresponds to a homosexual television actor waging war in pederasty`s host womb slaving of the futanarian race for the stars to prevent it from developing brainpower to escape to colonize the planets of heaven above the Earth: `The dragon stood before the woman who was about to give birth, so that it might devour her child the moment it was born.` (Rev: 12. 4) When John Logie Baird invented the television in 1926, it was the medium for the transmission of `TV` pictures, that is, the transvestite was presented as normative to a futanarian human species denied all knowledge of its own mode of reproduction between women, so that the pederast could mock it as it died.
The central figure of Zoroastrianism was the winged god Ahura Mazda, because breeding was the activity of the saurian slavers, that is, husbanding. The towers of silence were where they got rid of their experiments. In Islam the Mutawah is a religious zealot who proscribes activities not in accordance with Islamic rule, and the Mabaakhur is a household incense burner constructed in the form of a tower, that is, a Mutawah is an arm of a burning tower, because the towers of burning are prescribed by a Mutawah in Islam, whereas in Zoroastrianism the tower was where the corpses were devoured by meat-eating birds, who were the ancestors of the winged saurians, that is, the angels fallen into slaving. In simple terms, the Twin Towers of the World Trade Center destroyed by global `rough trade` in its war of homosexuality upon `woman`s seed` were them Mutawahs` Mabaakhur designed to herald the destruction of humanity as an experimental race, a process that had been going on long before Germany`s `Nazi` leader, Adolf Hitler, began his `towers of silence` pogroms in the 1930s against the Jewish `chosen people` in the death camps patrolled by the `false gods` God had warned the Jews against worshiping in the shape of the guards atop their towers armed with machine guns to deter the detained from attempting to escape the poison gas and the incinerators prepared for a failed breeding experiment by the alien husbanders.
In Judaism the Shekinah is `the female spirit of God`, who is depicted as dwelling within the `meeting tent` (Ex: 29. 43) during the Jews` exodus from slavery to the Egyptians during the reign of Pharaoh Thutmose III. She is depicted as a `cloud` (Ex: 40. 34), and it is a cloud providing light by night that leads the the Jews to Palestine, and that stands between the Jews and the pursuing army of the Egyptians, because the Jews were `woman`s seed`, that is, the cloud represents `the female spirit of God` seeking to become incarnate, and Jesus` mother, the Virgin Mary, was the type of such a woman who prefigured the Resurrection and Ascension to heaven of `woman`s seed` through the birth of `the son of man`, Jesus Christ, who was called the `Second Adam`: `Surely this was the son of God.` (Matt: 27. 54) The Roman guard, Longinus, pierced the side of Jesus with his spear at his death upon the cross, because Eve was born from the side or rib of Adam, that is, a futanarian self-fertilizer. The Roman Empire didn`t want the `the female spirit of God` to sexually reproduce human brainpower as `woman`s seed` to escape host womb slavery to a parasitoid devourer, that is, men of the `serpent`s seed`. In Islam `Shekinah` is translated as `tranquility`, because war brings death and the battlefields are tranquil. Consequently, the Shekinah is `the female spirit of God` who reigns in the invisible realm when the spirit is liberated from the body, which explains why the `towers of silence` and the Mabaakhur incense burners of the Mutawahs are associated with Saddam Hussein`s invasion of Kuwait and the terrorist attack upon the Twin Towers of New York city prior to the establishment of ISIS. The flag of Al Qaeda, `the base` of the new Caliphate of Abu Bakr Al Baghdadi, was the moon, rather than the sun, which is the symbol of the goddess of resurrection, Isis, in Egyptian mythology, that is, ISIS is a sterile misogynistic symbol of hatred for the human futanarian species of `woman`s seed` and therefore an abomination deliberately conceived as an insult to human intelligence.
Emerging from beneath the auspices of the notoriously misogynist Taliban government of Afghanistan, Al Qaeda was representative of the triumph of Islam insofar as western ideograms had already accepted the non-existence of women`s `seed` in global mass media terms and education. Without images of human sexual reproduction between women the human species was extinguished, which was what the Nazi death camps had been for. Concealed beneath the one-piece coverall of their burka in public, the women of Islam looked askance at the western media`s denial of the human race`s capacity to sexually reproduce, that is, Islam`s victory was palpable. When Al Qaeda, `the base` of the Levant`s Caliphate, precipitated the US invasion of Iraq to remove the Middle Eastern dictator, Saddam Hussein, it was to provoke war against `woman`s seed`. During the 1992-5 war in Eastern Europe`s Bosnia, Christian Serb militia set up `rape camps` in which upwards of 70, 000 Moslem women were inseminated to prevent human futanarian brains from being born so that slavery of the human host womb was maintained by men of the `serpent`s seed`. In simple terms, the global conflict between Islam and Judeo-Christianity is based on the false premise that women are protected, whereas the objective of the slavers is to ensure that they remain host womb slaves for parasitoid entertainment, that is, devouring in wars and as food, which is why they`re husbanded, and the incinerators of the Nazis were called `ovens`.
In the United Kingdom there`s a little known legend about the ravens at the Tower of London. If the ravens ever leave the Tower, the monarchy would fall, and that`s understandable if the flesh-eating birds correlate with those of the Sassanid `towers of silence`, because the `serpent`s seed` of men devour the human race in order to maintain their power over the Earth. As birds are the descendants of saurians, and the serpent, Satan, who was an angel, becomes a winged dragon in the course of the description of the future by Jesus` disciple, John, in his Revelation, so ravens are a metaphor for the need of the parasitoid ruler to devour the `remnant` of humanity in order to rule as its alien master. The Tower of London was where those who were deemed `dissident` were imprisoned before execution; usually by beheading. As a method, beheading is familiar from the narrative of Scheherezade in the 8th century collection of tales, 1001 Nights, in which the `framing device` is the beheading of the Mogul ruler Shah Jehan of his wife, Mumtaz, for alleged unfaithfulness, which is proven to be false. Scheherezade arrives to tell tales to Jehan whose practive it has become to take a new wife each day and behead her each evening. Scheherezade`s tales are so entertaining that Jehan marries her and keeps her; so she`s the savior of the women. In simple terms, Jehan is a parasitoid saurian maintaining his power by preventing the women from sexually reproducing their own species` brainpower among each other and repressing all knowledge of it, which is what men of the `serpent`s seed` do. Consequently, contrary to the pulpit militant Christians` asseverations, Satanism already won in the west. Greek democracy, for example, which epitomizes the democratic principle, was actually the vestiges of a state mobilized for war, and using institutionalized homosexuality in pederasty as a means to survive and rival its neighbor; the Persian Empire: `The number of a man is the number of the beast and his number is six hundred three score and six.` (Rev: 13. 8) 33.3% of the human picture is missing without futanarian `woman`s seed`, and so the number of the `TV` beast is 66.6%.
During the period known as the Reformation, Henry VIII rejected the authority of the Christian Pope in Rome, who was the direct successor of the first papal authority, Jesus` disciple, Peter, because the English didn`t want to be ruled from Italy. Henry`s story is revelatory because of the succession of wives he espoused, so embodying the dilemma of the unredeemed `serpent`s seed` of men. Henry`s first 1509 marriage to Spain`s Catherine of Aragon was annulled and he married Anne Boleyn, whose sister, Mary, he`d been having an affair with during his marriage to Catherine. Mary was Catherine`s maid, and Henry married Anne in 1532. Accused variously of conspiracy, adultery, witchcraft and incest, Anne was executed in 1536 at the Tower of London in typically homosexual style. The human species of futanarian `woman`s seed` is a single race unadulterated by anything but men of the `serpent`s seed`, who define sex between women as incest, because it`s sex within the species` family. Depicted riding broomsticks, witches were condemned by men of the `serpent`s seed`, because the broomsticks represented the capacity of the futanarian race of `woman`s seed` to escape through their own penis` semen`s power to develop technological means of flight, which is why Anne was deemed a `conspirator` against the monarch. Henry married Jane Seymour, Anne`s maid, ten days after Boleyn`s execution. Jane died after giving birth to the future king Edward VI, and Henry married Germany`s Anne of Cleves, but that marriage was annulled so he could wed Catherine Howard, Anne Boleyn`s cousin, and she was beheaded in 1542 for adultery, before Henry married for the last time, Catherine Parr, in 1543. The chronicle of his six wives epitomizes the approach of the `serpent`s seed` of men. Beheaded, women can`t trouble the ruler, because they can`t reproduce a rival to the throne if they haven`t a codpiece of their own.
During the ante-bellum period of slavery in the Southern states of the U.S.A., the women wore voluminous gowns often supported by a framework of iron to disguise their erection, which is what the voluminous gowns were for; to disguise what the experimenting alien husbander was doing with its livestock. In the same way, Moslem slavers in Islam didn`t want anyone to guess what women looked like, which was the origin of the burka. According to the Koran, before Islam, the `Ka` Ba` in the city of Mecca had been a seat of worship for three goddesses; the al-gharānīq, that is, ‘bird women’: `Have you then considered al-Lāt, and al-'Uzzá? And the other, the third, al-Manāt? What? For you, the male sex, and for him the female? Are yours the males and his the females? That indeed were an unfair division.' Sura 53, ‘An Najm' (The Star), vs 19-22. Because of the correlation between angels and saurians, the al-gharānīq, `bird women`, were what the Sassanid `towers of silence` contained, that is, the corpses picked clean there by birds was the means whereby `the female spirit of God` was liberated. When Jesus died, Longinus pierced the corpse with his spear, because Eve emerged from the side or rib of Adam, that is, `the female spirit of God` as the `Second Eve` was what Longinus` spear attempted to birth, which was why the al-gharānīq, `bird women`, were thought of as goddesses, because they effected the emergence of `the female spirit of God` from the corpses of the `serpent`s seed` of men at the pre-Islamic Sassanid `towers of silence`.
The European settlers of North America, who by 1880 had largely exterminated the indigenous North American Plains Indians, by the simple expedient of having buffalo hunters kill the 60, 000, 000 herd that was the food and clothing resource of the `red Indian`, had imported black African slaves largely through the English seaport of Liverpool, before the government of Abraham Lincoln decided to fight the Civil war (1861-5) to manumit them. However, it seems more likely that the war was fought to prevent futanarian white women from engaging in miscegeny with black women to facilitate the reproduction of human brainpower to escape from the slavery of men of the `serpent`s seed`, who`d already pogromed the North American Plains Indians to institute homosexuality in pederasty for war against `woman`s seed` in the Americas.
Although the concept of the carrion birds seems a part of myth and history irrelevant to the modern era, the theme continues in the mockery of the `serpent`s seed` of men towards the almost extinct human futanarian species of `woman`s seed`, for example, Carry On Henry (1971) was just one of the English comedy films made by the `Carry On Team` of comedic actors, and actresses featuring Barbara Windsor, in an era of cinema in which England`s queen Elizabeth Windsor II ascended the throne in 1953 before the first in the series of `Carry On` films was released in 1958. Although Henry VIII mightn`t have been taught differently, it`s clear that it was perfectly feasible for the modern era`s mass media to educate the people, but they preferred to ridicule and despise. In Carry On Henry, actor Sid James has his wife, Patsy Rowlands, beheaded so that he can marry Marie of Normandy, that is, actress Joan Sims: `Thousands of men have been carried away after only one hour with me, my lord.`3 However, Marie reeks of garlic, so the marriage is unconsummated amid much misogynist hilarity. Henry pursues the charms of Bettina, that is, actress Barbara Windsor, in a `running joke` about the brainlessness of the victims of the alien parasitoid devourer, because that`s what it is: `Carry on, executioner!`
In pop star Britney Spears` video for the song `Toxic` (2003) she appears in what appears to be a Thunderbirds (1965-6) uniform from the English TV21 supermarionation television series about International Rescue based on Tracey Island from whence the rescue team of the Tracey family operate with their Thunderbirds` vehicles; the Thunderbird 1 rocket; the Thunderbird 2 transporter; the Thunderbird 3 spaceship; the Thunderbird 4 submarine carried in the pod of Thunderbird 2 to be dropped into the ocean; and the Thunderbird 5 Earth orbiter and communications` center. As the air stewardess aboard the passenger airplane, Britney is a Thunderbirds` `Carry On` bird. The plot of the video is that a serum has to be taken from a top secret laboratory and Britney, the air hostess, takes a man into the lavatory on board the plane where she picks his pocket for the key to the facility where the serum is kept while the middle-aged man is revealed to be wearing a rubber mask that he takes off to show the face of youth, a metaphor for the inability to detect who has the HIV/AIDS virus spread by homosexual men`s mixing blood, shit and semen in each others` anuses in mockery of the human futanarian mode of sexual reproduction between members of the race of `woman`s seed`, and whose homosexual acts were commonly supposed to proliferate among men using public conveniences: `With a taste of a poison paradise, I’m addicted to you. Don’t you know that you’re toxic.`4 Transformed into a superheroine character, Britney is seen entering the facility to steal the serum, before bird-like climbing an apartment block to administer the serum to a man astride him on his bed: `Your toxic. I`m slipping under.` The video then shows her dropping out of the air metamorphosized once again onto the plane`s deck wearing her Thunderbirds` uniform as the scene shifts to the outside of the plane where it`s followed by large black birds representing the carrion birds.
HIV/AIDS was the `biological terror weapon` of the late 20th century discovered to have been transmitted from apes to humans after the SIV simian immune-deficiency virus mutated into the human immune-deficiency virus, HIV, which resulted in death after the onset of what was termed acquired immune-deficiency syndrome whereby all of the organs of the victim`s body collapsed after the virus entered through homosexual coitus with the anus at the base of the spine and rose through the spinal column to eventually kill the central nervous system, because that`s what men of the `serpent`s seed` were for. Because the slavers of the host wombs of the hominids in the Jurassic period of human evolution 220 m.a. were saurian, it`s possible either that it`s a saurian sexually transmitted disease (STD) originally, or that the SIV virus was a result of apes asserting their independence from slavery, and that it reemerged as HIV/AIDS in the black African Congo in 1983 for reasons similarly to do with independence assertiveness among men. HIV/AIDS victims are susceptible to granulomatous amoebic encephalitis (GAE), an amoebae destroyer of the central nervous system. A disease screamingly created for and about `gay` people, the `blood plague`(Rev: 11. 6) of Revelation was usually associated with the `incurable killer disease` virus, HIV/AIDS, which religious believers were told was sent by God as a punishment on men of the `serpent`s seed`: `Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11) What they`d done was kill the human race by defining its mode of sexual reproduction as alien, and thereafter install themselves as a de facto alien ruler of host womb slaves in parasitism to be devoured for the alien`s entertainment `live` as `TV` for practicing the supposed immorality of species` sex between members of a single species of `woman`s seed` that didn`t want to be a ringed slave in wedlock to its slayer.
The rock group, The Mission, produced a track from their album Children (1987), `Tower Of Strength`, which owed something to the bass guitarist, John Paul Jones, who`d been at the heart of the sound of Led Zeppelin along with drummer, John Bonham, until his death in 1980, before agreeing to produce The Mission`s Children. Led Zeppelin were perhaps the most celebrated rock group of all, and their album Houses Of The Holy (1973) had artwork on the inside of the sleeve that showed a naked man holding a child`s body aloft towards a tower: `From the door comes Satan's daughter, and it only goes to show. You know.`5 The imagery suggestive of a corpse from the track, `Houses Of The Holy` (1975), which was written in 1972 for Houses Of The Holy, but was delayed release until the 1975 Physical Graffiti album, is being offered to a Sassanid `tower of silence`, and it`s strikingly apparent; especially in hindsight: Will you heed the master`s call? Oh … Satan and man.` Lead singer Robert Plant`s son, Karac, died mysteriously in 1977, and the band were self-avowed Satanists. John Paul Jones` production of Children and `Tower Of Strength` particularly were very similar to Led Zeppelin at their zenith: When I lay in your embrace and heaven is in your kiss, Salvation lies just a touch away.`6 The basic problem is that humans have been taught to associate adultery with morality, whereas men are the `serpent`s seed` that have adulterated the futanarian species of `woman`s seed` to make of it a host womb slave in parasitoid warfare against itself, which is genuinely immoral because palpably evil.
In Islam Mutawahs declaim against pornography, which western moralists also do, although the absence of media representations of human futanarian socio-sexuality is the basis for the extinction of the species from the Earth. In short, it`s explained to the animals that they`re men; if they despise women. Consequently, the alien `serpent`s seed` maintain their power through men`s willing obedience to what they`re told to do in order to be accepted by the breeder: `... no one could buy or sell unless he had the mark, which is the name of the beast or the number of his name.` (Rev: 13. 17) Although it`s contrary to received wisdom, Christian church leaders have the same role as Mutawahs insofar as adultery is the basis of morality and pornography is blamed for the occurrence of adultery within society, whereas it`s the absence of pornographic representations of human futanarian `woman`s seed` mode of sexual reproduction that`s responsible for the absence of humans from the scene, while adultery is the sign and evidence of the `serpent`s seed` triumphing in mockery over the species, which has been falsely educated into the belief that the poisons of the `serpent`s seed` derive from Eve.
Eve`s son, Cain, slew Abel, because Abel was more able, that is, he could cook. Abel`s death was a sign that the boy sons were taking hold after Eve and Adam were expelled from the paradise of heaven on Earth that was Eden for being stupid enough to accept slavery in ephemeral ignorance for their descendants. Abel`s murder was symptomatic of the alien`s desire that the human race shouldn`t escape from its slaving through the sexual reproduction of the brainpower of the species of futanarian `woman`s seed`. Britney Spears` release of the single, `If You Seek Amy`, from the album Circus (2008), was interpreted as `fuck me`, while her appearance on the cross in the place of Jesus crucified for the cover of the CD single, `Piece Of Me`, from the album protesting against censorship, Blackout (2007), is interpretable as a reference to the fact that `woman`s seed` is a single species: `… with a kid on my arm I'm still an exceptional earner and you want a piece of me.`7 Amy Boid, however, is what happens when a woman falls victim to a a parasitic unicellular organism:
`Toity poiple boids
Sittin on da koib
A-choipin an’ a-boipin
An’ eatin doity woims.`8
Despite what Britney`s evidently schizophrenic character says about Amy, she`s amoeboid, that is, she`s a `boid` (bird) to parasitoid men of the `serpent`s seed` who, having become the winged `red dragon` of Jesus` disciple John`s Revelation, have devoured her species` penis, that is, the `woim` of the anonymous New Yorker in the poem, `Toity Poiple Boids`, and the men are now the equivalent of an `amoeboid brain-eater`9 through their biological terror weapon, HIV/AIDS: `I can`t get her off my brain.`10 As men are parasitoid, they`re Amy Boid, because they`ve effectively beheaded her futanarian race by breeding with it, and expunging her penis from the annals of their revisionist history: `I just wanna go to the party she gon' go. Can somebody take me home? Ha, ha, he, he, ha, ha, ho.` They`ve eaten the brain of women to make it more tractable, although Britney`s unnamed character in the video remains humanly resistant to what she doesn`t comprehend consciously, which is that women are taught they don`t have penis` semen of their own, so to behead their race in host womb slavery to unredeemed men of the `serpent`s seed`:
`Love me, hate me, but can't you see what I see?
All of the boys and all of the girls are begging to if you seek Amy.`
The dilemma for women is that their own species of futanarian `woman`s seed` are the girls that want to sexually reproduce (fuck me) with them, that is, it`s the instinct of the penisless woman to want her own race, whether she can reproduce physically with it or not. Consequently, men`s role as a parasitoid is to incarcerate, which is why the Jews were pogromed by the Nazis in the 1930s, and why Hollywood, `Babylon`, banned scenes of human futanarian sexual reproduction from the media entertainment industry; to make of women a Jewish ghetto. Because women were the human race, men are its coffin worms. For the `serpent`s seed` it`s all about penetration, whereas women`s mode is the shield. If the shield is strong enough, there`s no penetration. In conventional warfare, as in conventional marriage, the shield is reduced in terms of its effectiveness, so that there can be penetration, and so to prevent escalation into an exchange of missiles with nuclear warheads that can penetrate. In simple terms, if the women`s hymen is too strong, the coffin worms of the men`s penises can`t get penetration, so nuclear warheads are launched, because men want what the host womb slaves have produced. Theoretically, a starship with an all-woman crew could raise its shields and ignore men`s requests to be on board (boid) with them, which is why the television series, Star Trek (1966-68), and its many subsequent TV and filmed variants, presents men as women`s false guards defending them against alien penetration of what, in reality, would likely be impregnable shields designed to escape Earth, and flee its slavers into a cosmos indifferent in its total acceptance of the human futanarian race of `woman`s seed` as it colonized the planets among the stars of God`s heaven.
`Toxic` was from the Britney Spears` album In The Zone, while the putative character, Amy Boid, appears in `If You Seek Amy` (fuck me) from the Circus album, where `circus` in Roman times meant the place where people were killed for the entertainment of the crowd, and in modern times governments who paid men to kill were described genrally as part of a global circus, which also included the mass media, because of its censorship blackout on dissemination of information about the killing of the human race by the alien paymaster. In Star Trek: The Original Series, `The Immunity Syndrome`, a `zone of darkness` is discovered by Captain James T. Kirk and the crew of the starship Enterprise: `You mean to tell me that that thing is a giant single-celled animal?`11 Dr `Bones` McCoy tells Kirk: `… that thing can apparently perform all the functions that qualify it as a living organism. It can reproduce, it can breathe, it can eat, although I don't know what.`12 It`s just eaten the starship Intrepid, because that`s what men do, and Britney Spears` Thunderbirds` character in her International Rescue uniform aboard the passenger plane in the video for `Toxic`, from the In The Zone album, penetrates a top security facility to obtain a serum to save a life, that is, she`s Amy Boid endeavoring to educate the human futanarian species of `woman`s seed` into knowing that they should only succumb when they`re in the erogenous zone with the other women of the species; or the intelligent equivalent.
3 Sims, Joan Carry On Henry, Rank Organization, 1971.
4 Dennis, Cathy, Christian Karlsson, Henrik Jonback, and Pontus Winnberg, `Toxic`, Britney Spears In The Zone, Jive, 2003.
5 Page, Jimmy, and Robert Plant `Houses Of The Holy`, Physical Graffiti, Swan Song, 1975.
6 Adams, Craig, Mick Brown, Simon Hinkler, and Wayne Hussey `Tower Of Strength`, Children, Mercury, 1988.
7 Åhlund, Klas, Christian Karlsson, and Pontus Winnberg `Piece Of Me`, Blackout, Jive, 2007.
8 Quinlan, Heather, If These Knishes Could Talk: A Film About The New York Accent, https://newyorkaccentfilm.com .
10 Kotecha, Savan, Alexander Kronlund, Max Martin, Shellback `If You Seek Amy`, Circus, Jive, 2008.
11 Shatner, William as Captain James T. Kirk in Star Trek: The Original Series, Season 2, Episode 18 (# 47), `The Immunity Syndrome`, January 19, 1968.
12 Kelley, DeForest as Dr Leonard McCoy in Star Trek: The Original Series, Season 2, Episode 18 (# 47), `The Immunity Syndrome`, January 19, 1968.
The Crew See Fiction: Britney Spears` Toxic
Science fiction writer, Robert A. Heinlein (1907-88), in his novel Job: A Comedy Of Justice (1985), observes that an airplane is a flying cruciform,1 that is, it represents the aspirations of technology since the crucifixion of Jesus `Christ`, `the chosen` who, during the occupation of Jewish Palestine by the Roman Empire, was taken to the hill of Calvary outside the city of Jerusalem and nailed to a cross of wood where he died, but experienced Resurrection and Ascension to heaven above the Earth. Consequently, the cruciform shape of the airplane is a symbol of the aspirations of humans to escape slavery, which was what the Romans represented for the `chosen people` of the Jews, whose ancient history was the Old Testament of the Bible called, in Hebrew, the Torah and Talmud, and superseded in Christian thinking, by Jesus` New Testament teaching: `Love your neighbor as you love yourself.` (Mk: 12. 31) Usually, Jesus` supposedly celibate situation prior to his crucifixion is associated with the need to use the brain rather than the sex drive in order to rise from the Earth to heaven, which is represented by the cruciform airplane in modern times. However, Jesus didn`t recommend the cross. Appearing from inside the tomb where a stone had been rolled across the entrance to where the body was entombed, Jesus more properly corresponded to a television `TV` transmission from the aerial atop the hill of Calvary, where his crucifixion took place. Crews` see fiction is the modern translation for passenger airplanes, wherein new vistas are opened for those who can afford to travel. The danger is that enforced celibacy in slavery will prevent humans from colonizing the planets amongst the stars of heaven above, because airplanes are the zenith of technological aspiration in an era in which the B2 `Spirit` bomber is capable of delivering nuclear destruction across huge swathes of the planetary surface of the Earth, and the United States of America`s capacity for waging war is more than equaled by Russia, with its `Satan` intercontinental ballistic missiles (ICBMs), China`s arsenal, and those of many other nations. In simple terms, the age of the plane is likely to be the last, because it isn`t proselytized in Christianity that Jesus` birth from his mother, the Virgin Mary, represented the prefiguration of the Resurrection and Ascension to heaven of `woman`s seed`, that is, futanarian women, with their own penis` semen for the sexual reproduction between themselves of their own brains` powers to escape from Roman crucifixion which, as a punishment, wasn`t recommended as a method by the supposedly celibate Jesus, but it was implemented in slavery as castration; or the worship of celibacy to give the slaves nothing to do other than work for their master.
Although Jesus is called `Master` by his disciples, it`s a title more in keeping with that bestowed upon science fiction writers; for example, Robert A. Heinlein, was awarded the first `Grand Master` title in 1975 by the Science Fiction and Fantasy Writers of America (SFWA), after the completion of Time Enough For Love (1973), a novel whose protagonist, Lazarus Long, takes his name from the New Testament Lazarus, who appeared resurrected by Jesus after the stone was rolled away from in front of the tomb: `Lazarus come out.` (John: 11. 43) Heinlein`s Long is all but immortal although, barring unforeseen accidents, due to advanced developments in medical science and rejuvenation technology, his continuance would be assured. Jesus` own Resurrection and Ascension to heaven in prefiguration of that of `woman`s seed` defines him as a science fiction `Master`, because he represents the perception that characters, like Lazarus Long, live in a false paradigm created by slavers. Consequently, science fiction writers support slavery, because of the absence of `woman`s seed` in literature per se. What literary texts describe is the penetration of the female by the male, which extends to the launching of ICBMs to destroy the Earth. In parasitology, the parasite that emerges from the host womb to kill the host is termed `parasitoid`, which is what men do: `The dragon stood before the woman who was about to give birth to devour her child the moment it was born.` (Rev: 12.4) The child of the Earth is `woman`s seed`, which is why Jesus` mother, the Virgin Mary, is depicted crushing the head of the serpent with her `foot` in Christian iconography, that is, her futanarian species of `woman`s seed` produces stronger brains than the `serpent`s seed` of unredeemed men. The concept of Redemption is important because those who accept `woman`s seed` are redeemed, according to Jesus` teaching, that is, man born of women, which is why Jesus says there aren`t any slave rings in heaven, because in nature women are a single unowned species: `At the resurrection people will neither marry nor be given in marriage; they will be like the angels in heaven.` (Matt: 22. 30) Originally, the dragon was the serpent that grew after poisoning Eve, the first woman created by God, according to the Bible, which brought death to her descendants in exchange for the power offered by Satan, the angel turned into a serpent by God for rejecting God`s plan that the human host be greater than the angelic. As saurian evolution 248 m.a., preceded human evolution, which began 220 m.a., the `serpent`s seed` of Satan were parasites on the human host womb, which capacity to sexually reproduce its own species of `woman`s seed` brainpower, was extinguished by the slaving race to entertain itself with human extinction in war: `You shall be as gods.` (Gen: 3. 5) In other words, the poisons of the serpent were the boy sons of Eve`s daughters who, as saurian enslavers, exterminated woman`s own futanarian species of `woman`s seed`, through their demoniacal possession of the human host`s womb. The reason for the Bible being presented as a difficult text is because it can`t be understood without the simplest of explanations, which is that it`s about the extinction of the human race prior to its Resurrection and Ascension to the planets amongst the stars above the Earth through brainpower liberated after slavery to the saurians: `The dragon was wroth with the woman and went to make war on the remnant of her seed.` (Rev: 12. 17) Or, in other words, Satan`s `serpent`s seed` is the science fiction narrative that Jesus began to compete against as an unacknowledged `Grand Master`, before his screws` e-fiction, that is, the prison slavers` electronic fiction, which is that ICBMs electronically launched at the press of a button aren`t aimed at destroying the `remnant` of the human species of `woman`s seed` to keep her in slavery and ensure that she won`t escape.
The science fiction video for the pop song, `Toxic`, from the album In The Zone (2003), and featuring music and lyrics sung by their performer, Britney Spears, neatly encapsulates the biblical narrative, which is that of a species succumbing to further contamination by the `serpent`s seed`. Launching its `biological weapon`, HIV/AIDS, the `incurable killer disease` of the late 20th century, spread by men`s mixing of blood, shit and semen in each others` anuses in mockery of women`s human mode of sexual reproduction, the `serpent`s seed` of men ensure the fearful faithfulness of `woman`s seed` in ring slavery to her parasitical enslaver: `Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11) What they`d done was institutionalize homosexuality in pederasty for war in host womb enslavement of `woman`s seed` since at least ancient Greece, which was after held to be `the model of democracy`: `Let he that has wisdom, have understanding. The number of the beast is the number of a man and his number is six hundred three score and six.` (Rev: 13. 8) The voting capacity of the human race, without `woman`s seed`, is reduced to 66.6% contaminated by the brain slaver, which results in the brain hemorrhaging of warfare perpetrated by alien minds upon a human race forever degenerating without `woman`s seed` to restore it. Britney Spears` `Toxic` video features the star as a red haired super heroine who infiltrates a top secret laboratory to appropriate a phial. She then climbs the side of an apartment building to pour the liquid into the mouth of a man on the bed there. The implication is that it`s a serum for HIV/AIDS, that is, an anti-toxin for what`s toxic. What`s curious is the translation Britney Spears undergoes from air stewardess aboard a passenger airliner to black leather clad pillion seat passenger wearing shades on her way to the facility where the serum is kept. It`s similar to what happens in Heinlein`s Job: A Comedy Of Justice where unforeseen sudden dislocations in the space-time continuum rock the protagonist`s perceptions of the nature of reality:
`Taste of your lips
I'm on a ride
You're toxic I'm slippin' under
With a taste of a poison paradise
I'm addicted to you
Don't you know that you're toxic?`2
Science fiction, and literature generally, mocks men, like gods, because its premise is that men want women and success, whereas they destroy those who do, which results in the parasitoid devouring of nations and, ultimately, planets. Heinlein`s Job: A Comedy Of Justice spoofs men`s lack of progress without `woman`s seed`, because genre conventions, determined by the alien mind seeking to make human activity taboo, deny progress to the species. As Heinlein`s protagonist, Alex, approaches success in his life with partner, Margaret, there`s an inconveniently timed insertion into a new `alternate reality`, which is described by the omnipotent author as a `world change`. The repeated misfortunes adjudged to be engineered by a malevolent entity identify the hero, Alex Hergensheimer, with the biblical Job, who was victimized by God, because Satan tempted God to victimize him. In fact, Satan appears in the novel as `Jerry from Texas`, who plays `cat and mouse` with Alex, along with the other gods of the Earth, including Loki and Odin of Nordic mythology, because Margrethe believes in the ancient Norse gods and goddesses. It`s as if someone is gaming with a mouse`s curser using a computer, that is, Alex and Marga are cursed by the `gamer`. In the Mexican Empire, for example, they make money but, after a `change`, it`s the Mexican Republic, where their money is valueless. Britney Spears` `Toxic` postulates that finding a cure for HIV/AIDS is thwarted by the gods, because it facilitates slavery. The biblical Job is victimized by God, according to developmental psychologist, Carl Gustav Jung, in his Answer To Job (1952), because he`s forgotten something, and that`s why Satan`s laughing. Although Jesus isn`t a repeat of Job`s victimization by God, it does represent what God forgot, that is, `woman`s seed`. In simple terms, Satan reminds God of the `enmity` he said Eve`s `seed` would have with the serpent`s until Redemption would occur: `You shall crush the head of the serpent with your foot, but he will bruise your heel.` (Gen: 3. 15) Eve`s futanarian `woman`s seed` produces better brains, which will facilitate her escape, although the `serpent`s seed` will endeavor to prevent her leaving Earth. The passenger airliner in Britney Spears` `Toxic` is cruciform, that is, the `crew` can `see` she has `form` as an air stewardess, while the cover for the single, `Piece Of Me`, from the album Blackout (2007), emphasizes Britney`s role in the place of Jesus, whose crucifixion was arranged by his disciple, Judas, for `thirty pieces of silver`, because Judas saw Jesus with a woman, and suggested the `perfume` be sold to raise money, while Jesus demurred: `Leave her alone.` (Mk: 14. 6) Judas had Jesus killed for being `woman`s seed`, so a threat to the male brained Empire of slavery through war, and host womb parasitism in institutionalized homosexuality in pederasty, which is what western civilization had been since ancient Greece`s supposedly `democratic` institutions were adopted as normative by the planet. The serpent`s seed`s crucifixion of Jesus meant that the slaving crew`s fiction would be seen, rather than Jesus`, which is what Heinlein`s Job: A Comedy Of Justice spoofs:
`Guess I can't see no harm
In working and being a mama;
And with a kid on my arm
I'm still an exceptional earner:
And you wanna piece of me?`3
If the `serpent`s seed` of unredeemed men and women, wearing each others` clothes in male brained `TV` transvestism for the parasitoid alien to watch itself kill the human species of `woman`s seed` in televised warfare, don`t accept Jesus` teaching of Redemption, that is, acceptance of man born of women, Satan`s bamboozled God. Aboard Britney Spears` airliner is a man, who she reveals is wearing a latex rubber mask in the toilet, where she takes him for an anticipated liaison, but she exposes him, and secretly steals the device that will later give her super heroine access to the lab, after the transition sequence reminiscent of a `world change` from Heinlein`s Job: A Comedy Of Justice. The difference is that Britney`s `world change` is helpful, so it`s Christian, that is, God`s remembered, and Redemption is a fact, but only if `woman`s seed` is accepted. In the promotional video for the song, `Lucky` (2000), from the album Oops! … I Did It Again, Britney appears several times with what appear to be her selves, which is at least suggestive of the possibility of human reproduction, so she`s a proselytizer within a genre that has made `woman`s seed` taboo to maintain her in host womb slavery for the production of men`s wars against her `remnant` upon the Earth. At the outset of the 21st century, terrorists hijacked cruciform passenger airliners to crash into the Twin Towers of the World Trade Center in New York city, United States of America, which suggested that homosexuality in pederasty`s reestablishment of `rough trade` with the Islamic states, represented by the notoriously misogynist Taliban regime of Afghanistan`s support for Al Qaeda, `the base`, terrorist group which, operating under their auspices, was led by the Saudi Arabian business heir, Osama Ben Laden. The US` response was to deploy B2 `Spirit` bombers which, using the stealth technology contained within their manta ray shaped fuselages, represented an improvement on the B1 `Bones` built in 1973, and commented upon by Jesus` disciple, John, in his prophetic Revelation of the future apocalypse: 'The second beast was given power to give breath to the image of the first beast, so that the image could speak and cause all who refused to worship the image to be killed.' (Rev: 13. 15) Although John could be interpreted as referring to TV`s power, invented in 1926, to stimulate cinema, which emerged as a global power, after the film Old California made by director D. W. Griffith in 1910 in the district of Hollywood, city of Los Angeles, on the west coast of the state of California, to promote war as entertainment, the second beast could quite as easily be the B2. Seen on TV and cinema screens, the B2 inspires the makers of the B1 to improve, and that Satan`s crew see fiction, rather than Jesus`. Although Judeo-Christianity might be concerned with `woman`s seed`, so is Moslem Islam. Abraham`s son, Isaac, was the founder of Judaism, while his second son, Ishmael, was the founder of Islam through his descendant, Mohamed, who received the Koran (610-30 C.E.) from the angels, according to tradition, and is cited as the basis of the permission for Moslems to have four wives, so affording the possibility of human sexual reproduction between women and `woman`s seed` within the Islamic family. Christianity is taught that Islam is illegitimate, because Isaac was born of Sara, who was barren thereafter, while Ishmael was born of Sara`s maid, who Sara gave to Abraham, `the Egyptian woman`, which means that the Christians view the four wives of Islam as a retroactive attempt to legitimize Ishmael`s birth from an unmarried woman, whereas it`s an attempt to reestablish `woman`s seed`, and so avoid the crucifixion that`s the future Satan`s crew see for her in their `Grand Master` fiction.
1 Heinlein, Robert A., Job: A Comedy Of Justice, Del Rey, 1984.
2 Dennis, Cathy, Henrik Jonback, Christian Karlsson, Pontus Winnberg , `Toxic`, Britney Spears In The Zone, Jive, 2003.
3 Åhlund, Klas, Christian Karlsson, Pontus Winnberg, `Piece Of Me`, Britney Spears Blackout, Jive, 2007.
2 Åhlund, Klas, Christian Karlsson, and Pontus Winnberg, Britney Spears, `Piece Of Me`, Blackout, Jive, 2007.
It`s A Lumber Party
Britney Spears` `Slumber Party` song and video from the album, Glory (2016), is interesting for several reasons. In the lyrics and video to the song, `Criminal`, from the Femme Fatale (2011) album, she flirted with the `underworld` of crime, and in `Slumber Party` we see the fruits of a relationship succinctly captured in the refrain to `Criminal`, `He is a killer just for fun, fun, fun, fun.`1 The video to `Slumber Party` commences with the singing star arriving by night at the gates of a stereotypical Gothic style Hollywood mansion with a large red plastic wrapped sweet outside the front door prominently displayed as she gets out of the car in a red dress to go to the `slumber party`, which is a term for partyies where children sleep afterwards, and often much of the party takes place when the partygoers are wearing their bedtime clothing, because the rationale is that the kids are allowed to stay up late at someone else`s place. The notion of a child being given a sweet to persuade them to do what it is that the adult wants is an aspect of the video, that is, Britney`s the kid being offered a sweet. Of course, in gangland a sweet is a euphemism for a suite, that is, a suite of rooms made available as a `consideration` to a visiting gangster:
'Cause we got them candles hanging;
Hanging from the ceiling low.
We use our bodies to make our own videos;
Put on our music that makes us go fucking crazy, oh
Go crazy, oh.`2
Criminal videos are `snuff films` in which people are killed for real to entertain gangsters, who make them. The term `snuff` derives from the device used to douse the flame form a candle, and candle light is often used as a euphemism for life. Consquently, the snuffing out of a candle flame using a snuffer is a euphemism for killing. Perhaps the most famous lyric about life being snuffed out nefariously is Bernie Taupin`s lyric to `Candle In The Wind`, which was a song adapted by Taupin`s pianist songwriting partner and pop music legend, Elton John, after the car crash in the Pont D`Alma tunnel in Paris, France, in which Diana, Princess of Wales, died somewhat mysteriously while being chased by paparazzi on motorcycles ostensibly looking to get a shot at the British royal with cameras. The lyrics to the song were originally written about Hollywood, Babylon, actress superstar Marilyn Monroe, who died in similarly msysterious circumstances and was found naked after an ostensible drug overdose in a period in which she`d reputedly beein having an affair with US President John Fitzgerald Kennedy (JFK), while he was married to the former Jaqueline Bouvier, and Monroe had reportedly been passed on by John to his brother, Robert Fitzroy (RFK). Both `Jack` and `Bobby`, who was shot by a Palestinian, Sirhan Bishara Sirhan, on June 6, 1968, while going through the kitchen of the Ambassador Hotel, Los Angeles, California, shortly after midnight, because he`d been told it was a short cut to a press conference during his own Presidential campaigning, were assassinated. JFK had been killed by a sniper`s bullet as he`d been travelling in a motorcade in Dallas, Texas, at 12. 30 pm on Friday, November 22, 1963, which led many people to believe, as they believed United Nations` Ambassadress, Princess Diana, was killed by a British establishment upset by her divorce from future king, Prince Charles, and her affair with Egyptian heir to Harrods` department store in London, Dodi Fayed, who also died in the car crash, that sex symbol Marilyn Monroe, was similarly killed by the US establishment as another embarassing woman at the centre of a `lumberjack party` in the life of a political body given over to the axes of fascism:
`And it seems to me you lived your life
Like a candle in the wind.`3
Although fascism isn`t usually associated with the United States of America, the Roman fasces, which was adopted as the emblem of fascist authority after the election of Italian leader, Benito Mussolini, in 1922, because his assumption of dictatorial authority inspired the leader of the German National Socialist (Nazi) Party to declare himself fascist dictator after the election of 1933, is prominent in US political life where fasces flank the speaker in the House of Representatives on Capitol Hill, Washington, D.C., the ostensible heart of Western democracy. Out of 435 votes, 8.2 % are voted by the Hollywood, Babylon, state of California, that is, 53, which is a reflection of the power that the capital city of the world`s media Empire has from that district of the city of Los Angeles where Bobby was killed in a nation comprising 50 states. Although the hijacking of the civil airliners, and their crashing them into the Twin Towers of the World Trade Centre on September 11, 2001, was seen as an act of the terrorist group, Al Qaeda, in fact it was an `offshoot` of the 1933 Hollywood, Babylon, movie King Kong, in which a giant ape climbs to the top of the Empire State Building in New York city to defend itself from an air attack. In 1976 the film was remade with the Twin Towers centre stage, and again in 2005 after `the events of 9/11`, while World Trade Centre, the movie, was released by Hollywood, Babylon, on August 9, 2006, made at the studios of Paramount Pictures New York`s WTC was attacked by air because Hollywood, Babylon, programed it to happen. Jack, Bobby, Marilyn, Diana, and Dodi died for the same reason: `snuff films` are what gangsters make.
Adolf Hitler`s fascists went on to kill upwards of 20, 000, 000 Jews in `death camps` where they were stacked like logs and incinerated. The European settlers of North America paid bufalo hunters to kill the 60, 000, 000 herd by the 1880s so that the North American Plains` Indians would starve to death on `reservations`. Despite the US` involvement in the war against fascism (1939-45), its decision to drop atomic bombs on August 6 and 9 on the cities of fascist Japan, Hiroshima and Nagasaki, to end the war in the Pacific theater was criticized. Moreover, in 1930 the establishment of the `Hays code` by President of the Motion Picture Producers and Distributor of America (MPPDA), Will Hays, meant that the tradition of Japanese `foot binding` was upheld by Hollywood, Babylon: ` ... women, in love scenes, at all times have `at least one foot on the floor` (in other words, no love scenes in bed).4` In Japan the tradition of binding women`s feet to cripple them so that they couldn`t run and escape from the practice is reflected in Christian iconography where Jesus` mother, the Virgin Mary, is depicted crushing the head of the serpent with her foot. The serpent is the angel, Satan, turned into a serpent by God for rejecting the plan that the human host should be greater than the angelic. God warned Eve her `seed` would have `enmity` with the serpent`s. However, God also tells her: `You shall crush his head with your foot but he will bruise your heel.` (Gen: 3. 15) Because `woman`s seed` is futanarian and can sexually reproduce the brainpower she needs to escape slavery in Satanism, that`s Mary`s foot. Jesus` teaching was: `Love your neighbor as you love yourself.` (Mk: 12. 31) Because the Roman Empire didn`t want Jesus` `seed` to sexually reproduce, he was taken to the hill of Calvary outside the city of Jerusalem in Roman occupied Palestine and nailed to a cross of wood where he died but experienced Resurrection and Ascension to heaven in prefiguration of that of `woman`s seed`.
Because Britney Spears` `Slumber Party` is a gangland production, it`s a lumber party, that is, it`s about the slaving of `woman`s seed` in fascism. In ancient Greece, women`s host wombs were institutionally slaved in parasitism by homosexuals for pederasty and war. In parasitology, the parasite that emerges from the host to kill it is termed `parasitoid`: `And the dragon was writh with the woman and went to make war on the remnant of her seed.` (Rev: 12. 17) Jesus` disciple John`s prophecy is that the `serpent`s seed` will grow to become a `red dragon` of war against `woman`s seed`. In Judaism it isn`t possible for a Jew to be born from anyone other than a Jewish woman, which is why Jesus` birth form his mother, the Virgin Mary, as Christ, `the chosen`, is heralded as that of the perfect human, because he`s `woman`s seed`. Consequently, the Nazis` Roman eagles and fasces symbolism during their attempted extermination of the `chosen people` of God was because the Jews were `woman`s seed`. Moreover, although Christians percieve the four wives of the Moslem peoples in Islam as a retroactive attempt to legitimize the birth of Ishmael, the son of unwed Hajer, concubine of Abraham, whose other son, Isaac, founded Judaism, in fact the polygamy practiced by the Moslems is in keeping with the sexual reproduction of `woman`s seed` within the human family. In short, the WTC was targeted to provoke that `rough trade` associated with that `brutality and violence` promulgated in homosexuality and pederasty for war, because the enemy of `woman`s seed` is irredeemably parasitoid men.
The lesbian scenes between Britney and fellow pop singer, Tinashe, are because gangsters don`t want women to be seen getting it in. The `Hays code` prohibiting such scenes in mainstream media in 1930 was followed by the movie, King Kong (1933), which featured the giant ape defending the Empire State Building from air attack. According to science, homosexual in pederasty`s `biological weapon` of HIV/AIDS, that is, the `incurable killer disease` spread by men`s mixing blood, shit and semen in each others` anuses in mockery of women`s mode of human futanarian sexual reproduction, began as SIV (simian immuno-deficiency) in apes, and surfaced in central west Africa. Consequently, the attack by the terrorist group, Al Qaeda, on 9/11 was a simian virus, which by the late 20th century had beocme the human-immuno deficiency virus (HIV) and acquired immuno-deficiency syndrome (AIDS) that enters the anus at the base of the spine (`Al Qaeda` means `the base`) before climbing the spinal column, collapsing the organs of the body, and so killing the brain, which is what parasitoid men want for humans: `Men cursed the God of heaven for their pains and their sores, but refused to repent of what they had done.` (Rev: 11. 6)
King Kong is a metaphor for men`s virus, which ultimately attacked the `world`s tallest building` it was ostensibly defending, because that`s the parasitoid program. Gangland wants the penisless `babes` of Babylon, `a woman` of the Bible enslaved in host womb parasitism, who gave her name to the capital city of the Persian Empire, Babylon (c. 4000 B.C.), and later, Hollywood, where the `babes` are ubiquitously penisless and representative of their brainless human species of futanarian `woman`s seed` made so by gangsterism`s molldom: `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5) Brainless in parasitoid devouring, `woman`s seed` can`t sexually reproduce, because there`s no mainstream media education for young women. Britney and Tinashe`s covert video lesbianism in `Slumber Party` is the best that educated women can do, as molls slaved by gangsters, who ridicule women`s desire for sexual union with each other, as an already snuffed species, which is brainless because it can`t maintain its erection in the face of alien invaders.
1 Amber, TIffany, Max Martin, and Shellback `Criminal`, Britney Spears, Femme Fatale, Jive, September 30, 2011.
2 Fredriksson, Robin , Mattias Larsson, Julia Michaels, and Justin Tranter `Slumber Party`, Britney Spears, Glory, Jive, November 16, 2016.
3 John, Elton and Bernie Taupin `Candle In The Wind`, Goodbye Yellow Brick Road, MCA, 1973.
4 https://tvtropes.org/pmwiki/pmwiki.php/Main/FootPopping/ .
The Yeah Pods That Go With Pod`s Eyes
Robert A. Heinlein (1907-88) was the science fiction writer who wrote the juvenile novel for girls, Podkayne Of Mars (1963), at the end of a period in which he`d largely written for an adolescent juvenile boys` audience beginning with Rocket Ship Galileo (1947) about Nazis on the moon defeated by American perseverance in the right, and Starship Troopers (1959), which ended the cycle of educational children`s books with a description of an Earth society paradoxically demonstrating fascism as the basis for defeating a fictional enemy in an interplanetary war waged by alien arachnoid `bugs`. Starship Troopers, which was made as a 1997 film with actress, Denise Richards, as a member of a cadre of pilots called `mothers`, begins with Juan `Johnnie` Rico`s joining the Mobile Infantry (M.I.) after the destruction of the Argentine city, Buenos Aires in South America. Although the enemy is presented as a given, in terms of the novel`s structure it`s fascist, that is, people die, which is what fascism and Nazism represent. Or, in other words, Heinlein`s aliens are an extrapolation of what fascism is, that is, people fight and are killed, because that`s what fascists want. The enemy is incidental to the ideology, which only requires a target, and anybody will do. In terms of the novel`s avowed sense of public duty, everyone serves, and everyone is served, because the monster eats.
Heinlein`s juvenile for girls, Podkayne Of Mars, features a girl, Poddy, whose avowed intention is to be a `pilot`: `Poddy Fries, free citizen of Mars, female. Future pilot and someday commander of deep-space exploration parties. Watch for me in the news.`1. She doesn`t want to be a `mother` amongst the pilots of Starship Troopers; foremost amongst whom is Denise Richards in the film Starship Troopers who, as Carmen Ibanez, drops her boy sons, that is, her poisons, onto the `bug world` of Klendathu in a symbolic `biological warfare` against a fictional enemy extrapolated from fascism, that is, everybody fights, everybody dies, because that`s what fascism wants: `When you battle 6 trillion enemies that will eat you alive, there are only two rules ... EVERYONE FIGHTS. NO ONE QUITS.` What the `tagline` for the movie advertising doesn`t say is that it`s fiction, that is, there aren`t any alien enemies, whereas the fascist ideological perspective is that everybody dies, because fascism won`t stop wanting them to, and Starship Troopers describes what fascist pograms are. After the 1933 German election of the National Socialist (Nazi) Party the fascists built `death camps` in which upwards of 20, 000, 000 Jews were killed by poison gas before being stacked like logs and burned in incinerators. It wasn`t an accident that the fascist symbol was the ancient Roman Empire`s fasces bundle of wood with an axe, which made a cross of wood for Jesus Christ during the Empire`s occupation of Jewish Palestine, and nailed him to it, where he died for teaching: `Love your neighbor as you love yourself.` (Mk: 12. 31) Jesus was killed because he wasn`t a recognizable fighter, that is, he couldn`t be killed by encouraging him to die, although he accepted that, when he went to Jerusalem, Roman fascism sought to kill him. Consequently, Jesus` role wasn`t as a suicide, but the Romans made it look like that, because suicide missions are a part of fascist ideology, that is, it`s martyrdom for a cause, although the truth is it`s being killed as a fighter, which is what fascism, as the ideological perspective of the pogromer, wants.
Jesus` subsequent Resurrection and Ascension to heaven defeats the pogromer, whereas in Starship Troopers the pogrom continues, that is, `the bug war` is incidental to the pogromer, who seeks the extinction of the human race, because fascism is an alien. The M.I. fighting to the death of the human species against `the bugs` is what an alien pogromer programs its pogromed race for. In simpler terms, the human race is programed by the alien pogromer to pogrom itself to extinction. The human species has accepted the program, and the pogromer`s warrings against it, as necessary to its defining of itself falsely as a species fighting to live, whereas it`s a race killing itself through acceptance of an alien pogromer`s programing its self-murder. Jesus` murder was made to look like the suicide of a martyr, because thereby the fascist Roman Empire could encourage more suicidal martyrs, who`d believe they were killed for a cause, whereas they were being killed, because killing is what fascism is for. The difficult part of the exposition is to explain why the Jewish `chosen people` of the Old Testament of the Bible, which is the Torah and Talmud, that is, their law and history, were pogromed by fascism. Because Jesus` mother was the Virgin Mary, that is, he was born uncontaminated of the `serpent`s seed`. In the book of Genesis, which is the first book of the Old Testament, before Jesus` teaching was accepted by Christianity as the superseding New Testament, the angel, Satan, was transformed by God into a serpent and placed in the paradise of Eden that was heaven on Earth where he tempted Eve, the first woman, to `eat of the fruit of the tree of the knowledge of good and evil`, which it was death to taste, saying to her and the first man, Adam, also created by God, and whom Judaism depicts as a hermaphroditic anthropos, that is, a male woman with `seed` of her own, `You shall be as gods.` (Gen: 3. 5) God tells Eve her `seed` will have `enmity` with the serpent`s: `You shall crush the head of the serpent with your foot but he will bruise your heel.` (Gen: 3. 15) In Christian iconography Jesus` mother is depicted crushing the head of the serpent with her foot, because Jesus uncontaminate is `woman`s seed`, that is, futanarian humanity. Consequently, Jesus` Resurrection and Ascension to heaven prefigures that of `woman`s seed` through the sexual reproduction of her own brains` powers to restore to her immortality in medical science and the technology to colonize the planets amongst the stars of heaven above the Earth.
In Britney Spears` promotional video for her pop song, `Oops! ... I Did It Again` (2000), she appears in a red pilot`s suit on the red planet of Mars where she`s visited by an astronaut wearing something very like the North American Space Administration (NASA) Apollo space program spacesuit worn by the first man on the moon, Apollo 11`s Neil Armstrong, on July 21, 1969, UTC: 2. 56, `One small step for a man, one giant leap for mankind.` She`s Heinlein`s Podkayne on Mars, `the Poddy beautiful,` whose song begins, `Yeah yeah yeah yeah yeah. Yeah yeah yeah yeah yeah yeah. I think I did it again. I made you believe we`re more than just friends.`2 She`s an advertisement for the Apple company`s `i-pods`, a brand of `phone, whose users were introduced to the `air pods`, that is, wireless earphones to listen to music and watch Britney Spears` videos on, a few years later. To Heinlein readers, the science fiction setting of a girl in a red pilot`s suit on Mars is obviously Poddy, and the video, which features `Mission Control` looking through the eye of the camera attached to the spaceman`s space helmet is a part of the `i-pod` advertising for Apple, although there was a brand of wireless earphone called Apollo 7, which is indicative of brand competitors competing through a pop video singing star`s audience, that is, `Oops! ... I Did It Again`, is consistent with Apple, and Apollo 7 wireless earphone advertisements, because of the appearance of the Apollo astronaut, who Britney Spears winches up above herself, after placing a hook in his backpack, to where `Mission Control` can see herself in a white bikini dress beneath. She`s clearly the `apple of her eye`, which is spiritual idiom for what should be most delighting to Eve`s `seed`.
Descending to her stage set for her song and dance routine in `Oops! ... I Did It Again`, Britney Spears is inside what looks like a giant`s earring, that is, she`s heir to the years of the giant, Heinlein, which suggests that, although her foot is smaller than Neil Armstrong`s, the step she`ll take isn`t. The lyrics of the song are about the relationship between men and women, which is conceived as a `game` in which men and women feign friendship: `I played with your heart, got lost in the game.` The reason for that is because men have been host womb slaving `woman`s seed`, which is called `futanarian`, at least since the days of ancient Greece where homosexuality in pederasty for war was the institution. Consequently, Britney Spears` `foot` is like Eve`s and Mary`s crushing the head of the serpent, Satan, because there`re two Britney Spears in the video. In her red pilot suit she winches the spaceman up as her `i-pod` camera to where he can see her Poddy in the white bikini dress, which suggests women can double, that is, reproduce without men. In her red pilot`s suit Britney somersaults through the air. Air Pod is transformed to stand in front of her spaceman wearing a white blouse and a black skirt with black boots. The spaceman gives her a gift, and Britney replies: `But I thought the old lady dropped it into the ocean in the end.` The allusion is to betrayal by men.
In the film Titanic (1996) Rose is 100 years old and appears at the beginning of the movie to drop the blue diamond pendant, `the heart of the ocean`, into the sea at the point where the oceangoing passenger liner, Titanic, sank on April 15, 2012, after hitting an iceberg. The story is of how the young Rose, actress Kate Winslet in the film, jilts the lover, Carl, she embarks with, and takes another, Jack. Jack finds the diamond in his pocket and Carl accuses him of stealing it from Rose. When the ship sinks, Jack drowns saving passengers, while Carl escapes with the men who`ve taken the places of the women and children. Because the women are the humans, the story is a figure of betrayal. When Jesus was caught by his disciple, Judas, being anointed with expensive perfume, Judas, who was known for stealing from the collection plate after a sermon, suggested the oil be sold to raise money, but Jesus demurred: `Leave her alone.` (Mk: 14. 6) Judas subsequently gave Jesus over to the Jewish religious police, the Pharisees, for `thirty pieces of silver`, because Jesus was `woman`s seed` and Judas didn`t want Jesus to sexually reproduce, which was why he was killed. In short, Britney Spears` `Oops! ... I Did It Again` is an explanation of why men are treacherous, that is, it`s a `game` played by men against `woman`s seed`, so it isn`t to be taken as anything other than something to be seriously escaped from. Britney`s Pods are the heir to the years of Heinlein`s impatience with the publishing industry`s promulgating ignorance of women.
The human species of `woman`s seed` has been manufactured as a single male brained creature wearing each others` clothes as a `TV` transvestite for making war to entertain the `serpent`s seed` since the first womb slaver, Satan, was described in the Bible as a male brainer for slavery in ephemerality and memoryless ignorance. In parasitology, the parasite that emerges form the host to kill it is termed `parasitoid`, which is what men are. Although the first television machine for the receiving of broadcast `TV` pictures to entertain the alien parasitoid devourer at home wasn`t invented by John Logie Baird until 1926, `woman`s seed` had by then been largely suppressed by Hollywood`s `Hays code` established by the President of the Motion Picture Producers and Distributors of America (MPPDA), Will Hays, in 1930: `... women, in love scenes, at all times have `at least one foot on the floor` (in other words, no love scenes in bed).` Although the `serpent`s seed`, that is, the `seed` of the fallen angel, Satan, is described as the womb slaver, Jesus` encounter with a man on the road near Gadarene is indicative of a further problem. The man told Jesus, `My name is Legion.` Legion was a figure of the Roman legions then occupying Jewish Palestine. Before Jesus cast the demon legion out of the man, it asked Jesus to be allowed to go into a herd of pigs, and Jesus agreed. The pigs ran off a cliff and into the water and drowned, because that`s what demon drivers do with their slaves. In other words, the Roman legions were demon driven, which is a consequence of host owmb slavery for parasitoid devouring by the `serpent`s seed` of men who embrace slavery, that is, they`re demoniacally possessive of their food.
Because the spirit of `woman`s seed` isn`t men`s, men`s spirit is demoniacal, which is why Jesus` teaching was that a Holy Spirit would teach after him. When Britney Spears raises her spaceman above her by means of a hook and pulley, it`s because he`s a wireless Apollo 7 earphone. The camera beside his space helmet is used by `Mission Control`, and in puppetry basic controls resemble Jesus` cross with strings attached to the hands and feet where the nails made the holes. Consequently, Britney Spears` hook in his backpack is a puppet control, that is, he`s wired, whereas before that he was a wireless earphone, Apollo 7, but with a controller`s voice, `Mission Control`. Britney`s descent inside her giant`s ear ring is by wires, which is a technique employed by puppeteers, like Gerry and Sylvia Andersen in the British TV puppet series, Joe 90 (1968-9), for example. Joe is a nine year old, who emerges from a spinning sphere with preternatural knowledge gleaned hypnagogically from the technology enclosed inside the sphere, which is to be used in his role as a secret agent.
Puppet `controls` are a metaphor for men`s control of `woman`s seed`, which doesn`t want to be wired, so Britney`s Pod`s heir to the hearing and eyes of the human species, and doesn`t want to be the eaten host of the alien parasitoid devourer, which in Christianity is symbolized by the cross upon which Jesus was nailed to make the holes in his hands and feet to which the control would be attached by strings for the puppeteer to use to control him. In short, Christianity is a puppets` religion in which the believers have faith that their strings will be cut, and then they`ll be free, which the secret agent character, Joe 90, satirizes. The Apple i-pod `phone with its wireless air pods is a metaphor for freedom from slavery to controls and wires. Britney Spears is the Poddy of Heinlein`s work in `Oops! ... I Did It Again`, because Pod didn`t want to be Carmen Ibanez, that is, amongst the `bunnies` eyed by the men in their cars, who want mothers to be spaceship pilots who`ll take their boy sons and drop them where they`d be killed in fascism so they won`t face the threat of having a rival for the women`s host wombs. Or, in other words, the men in their `buggies` are `the bugs` of Heinlein`s extrapolated `bug war`, that is, `spyware` attached to `woman`s seed` ensuring the continuance of the alien parasitoid`s devouring of the race before it can run and escape to colonize the planets amongst the stars far away from the speeders after them.
1 Heinlein, Robert A. Podkayne Of Mars, Putnam`s, 1963, Ch. 1, p. 3.
2 Martin, Max and Rami, `Oops! ... I Did It Again`, Oops! ... I Did It Again, Jive, 2000.
3 https://tvtropes.org/pmwiki/pmwiki,php/Main/FootPopping/ .
Oops I Wolfed It Again
In her clinging red body suit descending onto the stage set of her single release, `Oops! ... I Did It Again!` (2000), Britney Spears is a modern day `Little Red Riding Hood`. Surrounded by what seem to be wolves` claws, she descends in what appears to be an upturned ring bearing a sigil, which can be but vaguely discerned. Although the candles that surround what looks like a giant`s superbowl ring occlude, rather than illuminate, whatever legend is borne, `The hypersigil is an immensely powerful and sometimes dangerous method for actually altering reality in accordance with intent.`1 The tale of little red on her way to grandma`s house beset by a wolf,2 who courts her before attempting to eat her, is the paradigm for Britney Spears` encounter with the spaceman, `Mars lander`, who arrives on the red planet, Mars, and `discovers` her. The scene is like that of the singer, stereotypically discovered by an agent from a record company, who`s been sent to record a set by the management, who`re visibly watching through the camera lens attached to the space helmet of the astronaut as the eye of `Mission Control`. The observers resemble the North American Space Administration`s (NASA`s) supervisory personnel during the Apollo 11 moon landing that put the first human onto Earth`s satellite, Neil Armstrong, on July 21, 1969 (UTC: 2. 56): `One small step for a man, one giant leap for mankind.` The spacesuit is designed to look `retro`, because Britney Spears and her dancers don`t need equipment to help them breathe, which is the meaning of the `Little Red Riding Hood` tale.
It`s Britney`s thesis that men are ruled by instinct, because they can`t breathe, which is why the title of her 2007 album was Blackout and featured the single release, `Piece Of Me`, which was promoted with a picture of the singer on the cover of the CD single upon the cross of Jesus` crucifixion. From the perspective of the Roman Empire, then occupying Jewish Palestine, Jesus was inflated with a sense of his own importance, which is why he was killed, that is, deflated, as if a baloon was being punctured, for his `dissident` teaching: `Love your neighbor as you love yourself.` (Mk: 12. 31) Although Jesus isn`t usually represented as a `love god`, desire, that is, inflation, is basic to Jesus` teaching after God`s promise to Abraham: `I will surely bless you and make your descendants as numerous as the stars in the sky and as the sand on the seashore.` (Gen: 22. 17) Without human sexual reproduction of a very high numerical value the planets amongst the stars of heaven above can`t be colonized, which means that humans kept at an artificially low level of sexual reproduction are deflated, that is, they haven`t enough of what the Germans called lebensraum, `living space`, because the evil don`t want them to breathe.
Before the Apollo space program there was a spaceplane program to fly a plane to the moon called the X-15 which crashed on several occasions after the pilots experienced `blackout`, that is, the title of Britney Spears` album Blackout featuring her single, `Piece Of Me`, on the cross of Jesus crucified, symbolizes what humans have to do in order to overcome `blackout`, which is loss of consciousness through the evil`s desire to deflate. In fact, the Roman guard, Longinus, thrust his spear into the side of Jesus upon his death to puncture the baloon publically: `Surely, this was the son of God.` (Matt: 27. 54) Jesus` disciple, Judas, who was known for stealing from the collection plate after a sermon, saw Jesus with a woman anointing him with expensive perfume, and suggested that it be sold to raise money. Jesus demurred: `Leave her alone.` (Mk: 14. 6) Judas subsequently betrayed Jesus to the Jewish religious police, the Pharisees, who gave Jesus over to the Romans, who took him to the hill of Calvary outside the city of Jerusalem where he was nailed to a cross of wood and died, but experienced Resurrection and Ascension to heaven. Because Jesus` mother was the Virgin Mary, his `seed` was special, which is why Judas had him killed, because he didn`t want `woman`s seed` to sexually reproduce; as it could breathe amongst the planets and stars without experiencing `blackout`.
The rationale for the `woman`s seed` interpretation is Old Testament Judaism from the history and law of the Jews, that is, the Torah and Talmud in which the angel, Satan, is depicted as being transformed into a serpent by God for rejecting God`s plan that the human host should be greater, that is, more prolific in its intelligence, than the angelic. Satan gives Eve, the first woman, `fruit of the tree of the knowledge of good and evil`, which it is death to taste`, because it`s ephemerality in memorylessness to confer power upon a host womb enslaver for power through war against `woman`s seed`, which is Eve`s, and God tells her: `You shall crush the head of the serpent with your foot, but he will bruise your heel.` (Gen: 3. 15) In other words, her `seed` will colonize the planets amongst the stars despite men`s enslaving of women`s host wombs for war against `woman`s seed`. Although there`s a `blackout` on knowledge of `woman`s seed`, Jesus` mother, the Virgin Mary, represents the truth which sets free. Futanarian women have penis` semen of their own which means that women can sexually outproduce men who can`t sexually reproduce with each other.
Satanism is the suppression of the human species to prevent it from colonizing heaven above. Or, in other words, the human race is killed to maintain slavery in unconsciousness without brainpower derived from sexual reproduction. In simpler terms, the human penis is killed to prevent women from reaching the planets through their numerical superiority, which is defined by the evil as `inflation`. In socio-economic terms, the model of democracy established by men is `Greek`, because in ancient Greece women`s host wombs were enslaved for homosexuality in pederasty and war, which is a denial of the franchise to humans: `Let he that has wisdom have understanding. The number of the beast is the number of a man and his number is six hundred three score and six.` (Rev: 13. 8) `666` is 66.6%, which is the numerical value of the possible electoral register of the human race without the 33.3% futanarian humanity that would exponentially reproduce enough voting power to rule and, because `woman`s seed` is indupitably more attractive to humans, men and women constitute the `beast` that would die out. Consequently, Jesus is described in the Bible as he `who will rule the nations with a scepter of iron`, that is, he was a `love god` for `woman`s seed`. Whoever seeks to extinguish `woman`s seed` is a `beast`: `And the dragon was wroth with the woman and went to make war on the remnant of her seed.` The `red dragon` of Jesus` disciple John`s prophetic Revelation is the serpent, Satan, grown since its days in the paradise of heaven on Earth that was Eden.
Since ancient times Empires have been manufacturing men and women as a single male brained creature wearing each others` clothes in `TV` transvesitism, and although the evil had to wait until 1926 before they could watch it at home, after the invention of the television `TV` machine by John Logie Baird in 1926, the Bible describes its male and female role perfectly: ``The second beast was given power to give breath to the image of the first beast, so that the image could speak and cause all who refused to worship the image to be killed.` (Rev: 13. 15) `TV` war has been manufactured, at least since the Persian Empire, with its capital city, Babylon, named for a woman of the Bible, because she`s its symbolic host womb slave: `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5) Depicted as a woman riding upon a beast with many heads, Babylon represents the fate of the human futanarian species womb slaved for war in homosexuality and pederasty. By the late 20th century, Jesus` disciple John`s prophesied `blood plague` (Rev: 11. 6) was discernible as the `biological weapon` of homosexuality; keeping women in fearful faithfulness to their ring slavers. The emergence of the `incurable killer disease`, HIV/AIDS, fulfilled John`s biblical prophesy: `Men cursed the God of heaven for their pains and their sores but refused to repent of what the had done.` (Rev: 16. 11) What they`d done was prefer men to `woman`s seed`.
Britney Spears` `foot` on Mars` red planet is a symbol of women`s futanarian future colonization of the planets amongst the stars if men`s `blackout` doesn`t continue. In Christianity, Jesus` mother, the Virgin Mary, is depicted crushing the head of the `serpent`, Satan, with her `foot`, because futanarian humanity doesn`t want its slaver. Britney`s small foot inside her giant`s ring has colinized Mars, the Roman god of war, which she doesn`r want. Her spaceman is a symbol of retrogressive thinking, that is, in her tight figure hugging red costume, Britney`s a symbol of men`s preference for a penisless `babe`: `The dragon stood in front of the woman who was about to give birth, so that it might devour her child the moment he was born.` (Rev: 12. 1-4) Because the penis connotes human maleness, the child is a futanarian woman. In the west Hollywood, district of Los Angeles, state of California, on the west coast of the United States of America, is oftimes labeled `Babylon`, because of its ubiquitous female nudity, whereas the Moslem peoples of Islam are derided for their women`s wearing of the one-piece coverall of the burka, which hides their Judeo-Islamic futanarian tradition from prying Western eyes. Westerners have killed the human race to prevent it from running and escaping from the stealth technology of the US` B1 and B2 `Spirit` bombers costing US $1 billion each, while the human `remnant` upon the Earth marvel at their extinguishment by those twin aspects of the self-generating `beasts` of Revelation in `TV` war against `woman`s seed`. Rather than expenditure being devoted to regaining human reproduction through Salvation and medical science for rejuvenation and longevity, that is, God`s promised Redemption of immortality from the `fruit of the tree of life`, the Christian west promotes Judeo-Islam as antithetical to each other in order to maintain the machinery of war through slavery for power over the Earth.
Often interpreted symbolically, the Bible contains this passage which some believe rperesents John`s prescient knowledge of the formation of the European Union on which flag there are twelve stars: `A great sign appeared in heaven: a woman clothed with the sun, with the moon under her feet and a crown of twelve stars on her head. She was pregnant and cried out in pain as she was about to give birth.` (Rev: 12. 1-2) Of course, it`s a habit of politicos to make real what is only symbolic in the Bible, for example, the US` B1 and B2 `Spirit` bombers which are the `beasts` of Revelation, because men are evil and they want to refiy what`s only latent in terms of human evil. What`s significant about the `woman clothed with the sun and with the moon at her feet` is that she`s the Earth prior to the departure of `woman`s seed` for the planets amongst the stars of heaven above. Consequently, Britney Spears on the red planet, Mars, which is the nearest to Earth, represents `woman`s seed`, whereas the retrogressive appearance of the Apollo style astronaut represents male regressivity, that is, men`s desire that women be host womb slaves in parasitism for war against her `seed`. That`s why there`s war depicted in heaven between the `red dragon` of war and `woman`s seed` in heaven: `Its tail swept a third of the stars out of the sky.` (Rev: 12. 4) When the astronaut arrives in `Oops! ... I Did It Again` Britney hoists him up in her red suit using a winch with a hook in his backpack to where he can look down on her as she lies beneath on what appears to be a `compass rose` used by sailor`s to guide their ship. Because Britney is now wearing a white bikini dress, it appears that she`s twinned, that is, there are two Britneys; the Britney that put the camera eye in position and the Britney the eye of the camera on the side of the spaceman`s helmet. In short, the astronaut is a camera, which suggests that Britney`s vision is that men are cameras and the story of `woman`s seed` is the Hollywood, Babylon, epic production. It`s a common Christian precept that it is necessary for the individual to become as a child in order to enter into heaven, but if the child isn`t born there`s no human individuality to enter into heaven, which is the flaw in the reasoning. Without human futanarian `woman`s seed`, there isn`t any child or brainpower, that is, the human race is infantiled, as a memoryless ephemeral, killed until unconscious, which is Brtney`s `blackout` fear expressed in the lyric to `Piece Of Me`:
`I'm Miss bad media karma;
Another day another drama:
Guess I can't see the harm
In working and being a mama.
And with a kid on my arm,
I'm still an exceptional earner:
And you want a piece of me?`3
Although karma is a term borrowed from Hinduism so seems abstruse, the Hindu Vedas, upon which the Hindu system of gods and goddesses is based, were written by Australoids emigrating from Australia to the Indus valley in India, that is, Indians were Australians. Consequently, the teachings of Guatama Buddha, which form the basis of Buddhism, also seem abstruse, because deriving from the Hindu Vedas. However, the basic principles of Hinduism and Buddhism are quite clear, which is that reincarnation is repeated experience, so the world is samsara or illusion, because the child of human futanarian `woman`s seed` isn`t yet born, whereas men want to repeat the karmic cycle of death and rebirth so that they can continue in hst womb parasitism for homosexuality in pederasty and war against `woman`s seed`. The reason for this is because they`ve been taught that maleness is godlike, and they`re frightened of being born into a futanarian family.
If, as Jesus teaches, there`ll be no marriage in heaven, it`s because `woman`s seed` is a single species, which doesn`t marry in host womb enslavement for parasitism in war against her own race, that is, men are frightened of the human futanarian form of `woman`s seed`; even though it`s the human form. Moreover, men are frightened of losing power if they relinquish their form, but to rid the race of its karma, that is, repeated reincarnations, men have to accept Resurrection through human futanarian woman`s wombs in order to have Ascension to heaven through human brainpower`s ability to devise technologies to assist the species to leave the Earth in starships to colonize the planets amongst the stars. If men don`t accept Resurrection and Ascension in preference to karmic repetition of their form, humanity is doomed to live in the world of samsara and an evil illusion, which is why Britney Spears` symbolism relies on twinning herself upon a `compass rose`, because children need guidance to the planets amongst the stars. Although Britney Spears descends to her stage set for the promotional video for the single release, `Oops! ... I Did It Again`, from the album Oops! ... I Did It Again (2000), inside what appears to be an upturned giant`s ring, and which looks like a superbowl ring representing her triumph over the war god, Mars, whose planet she`s colonized, it`s also the `basket` red riding hood takes to grandma`s house, which is where little red is going when she`s waylaid by the wolf in the tale. In short, the wolf is the spaceman and Britney`s hoisting him up above herself in a white bikini dress is her guidance to take care with suitors:
`I made you believe we're more than just friends.
It might seem like a crush;
But it doesn't mean that I'm serious.`4
Although the audience can see that Britney`s a woman in her red suit, and not a `retro` male looking to see if she`s suitable, it`s more difficult to present human futanarian `woman`s seed` within the framework of censorship that constitutes the `blackout` on women`s knowing about their own race`s `seed`. Consequently, Britney twins herself to indicate woman`s capacity to sexually reproduce her own brains` powers to run and escape from men, that is, the wolf that pursues them. Indeed, the video shows her running from the scene with the spaceman`s camera filming her white bikini dressed self before she somersaults through the air to stand in front of the astronaut transformed once more wearing a white blouse and black boots and skirt. There follows a curious dialogue in which the spaceman gives her a box with a mysterous gift inside that the audience doesn`t see. Britney asks: `But I thought the old lady dropped it into the ocean in the end?` He replies: `Well, baby, I went down and got it for you.` The `old lady` corresponds to red riding hood`s grandma, whose house it is that she`s on her way to when she meets the wolf. According to critics the box is meant to convince viewers that it contains the blue diamond `heart of the ocean` from the movie, Titanic (1997), worn by actress Kate Winslet as the young Rose, who appears at the beginning of the film 100 years old and drops the `heart of the ocean` into the sea at the place where the Titanic ship is being salvaged later in the 20th century after its maiden voyage from Southampton to New York when it hit an iceberg and sank on April 13, 1912. The story is of Rose`s lovers, her fiancée, Cal, and Jack, who she meets on board and jilts Cal for. Cal, upset, places the diamond in Jack`s pocket and accuses him of theft. When the ship is sinking, Cal escapes, but Jack drowns, so Rose`s action in dropping the diamond into the sea is a symbol of her loss of faith in men:
'Cause to lose all my senses;
That is just so typically me:
Oh baby, baby.`
Women without human futanarian `woman`s seed` don`t have their own brains` powers, so they`re all on the way to grandma`s house to find that the wolf is in bed there having eaten grandma and preparing to eat her grandaughters. According to the tale`s schemata, red is required to say to the wolf she finds in bed at grandma`s house, 'What big eyes you've got grandma!' The wolf, who's wearing grandma`s clothes, says, 'All the better to see you with.' Red says, 'What big ears you've got! The wolf replies, 'All the better to hear you with.' She says, 'What a big nose you've got!' He replies, 'All the better to smell you with.' Red says, 'What big teeth you've got!' He says, 'All the better to eat you with!' In parasitology, the parasite that emerges from the host womb to kill the host is termed `parasitoid`, which is what unredeemed men are. According to the developmental psychologist, Carl Gustav Jung (1875-1961), there are four functions of consciousness, which correspond, in their undifferentiated form, to the four senses of sight, hearing, smell, and taste. These four functions are; 'Sensation', 'Thinking', 'Intuition', and 'Feeling'. Consequently, the wolf represents undeveloped unconsciousnness, that is, instinct, which in men is `parasitoid`, so they`re all on the way to grandma`s house, which is why Britney`s protagonist in `Oops! ... I Did It Again` loses her senses, because wolves are parasitoid devourers that kill the brainpower of `woman`s seed`, so denying women a collective consciousness, which leaves Rose adrift without a compass in the Titanic movie.
Grandma`s is the ancient Egyptian house of Hathor, who is depicted as a goddess with the horns of a bull, because human futanarian `woman`s seed` has its own maleness. It`s the Egyptian tradition for the goddess, Isis, to weigh the heart of the hero against a feather. If heart and feather balance, the hero can proceed to the house of Horus, the sky god, inside the house of Hathor, which are the planets amongst the stars where `woman`s seed` dwells. If the hero`s heart doesn`t balance, he must live upon the Earth, where the penisless women are the shades that dwell in what the Greeks called Hades, where they shed a little light through the fruit their wombs bear, because they`re the `remnant` of `woman`s seed`. Consequently, when Britney Spears raises her astronaut to look down upon her twin with the camera eye attached to his space helmet, she`s looking to see if her audience can grasp that she`s `woman`s seed` and it multiplies, because she`s from the House of Hathor. Although Christianity frowns upon Hinduism, Buddhism, and ancient Egyptian mythology, it doesn`t teach about `woman`s seed`, which is Jesus` teaching. Consequently, humans look to older religious texts.
In Islam, which means `accept`, a `Moslem` is someone who accepts, and Moslems have four wives because it affords the possibility of futanarian sexual reproduction between women within the family. Christianity believes that Islam is an attempt to legitimize the birth of Ishmael, whose descendant was Mohamed, to whom the angels, who`d been told that the human host was to be greater than the angelic, gave the Koran (610-30 C.E.), which supports polygamy. Abraham`s wife, Sara, bore Isaac, founder of Judaism, who`re the `chosen people`, according to the Bible, and who have the futanarian tradition that a Jew can be born only from a woman, like Jesus` birth from his mother, the Virgin Mary, uncontaminate. Barren after Isaac`s birth, Sara gave her maid, Hajer, to Abraham, an Egyptian woman, who bore Ishmael. In Mecca, Saudi Arabia, is the `Ka` Ba`, which means `spirit` and `soul` in Egyptian mythology, and the `Haj`, named for Hajer, is the Moslem pilgrimage to Mecca, because futanarian `woman`s seed` seeks the union of `Ka` and `Ba`, that is, bodily reproduction between women, which is the ancient tradition of `woman`s seed` denied by male dominated religions like Christianity. Britney Spears` Oops! ... I Did It Again` explains that Rose, along with most other women subject to the prevailing Hollywood, Babylon, propaganda, are unconscious of the fact that Cal and Jack represent their species` slavery: `I played with your heart, got lost in the game.`
Although the superbowl ring of the giant is what Britney seems to have won for herself as the colonist on Mars, the red planet, it`s a symbol of the `Last Supper` at which Jesus offered `bread and wine`, as a symbol of his `body and blood`, to the disciples, because he didn`t want to be eaten as the human host, that is, he was making an appeal for fellowship with `woman`s seed`. Consequently, it`s Britney Spears` supper bowl ring that she descends upon onto her stage set. Jesus` bowl from which he ate and drank at the `Last Supper`, before his crucifixion, is known as the `Holy Grail`, because it represents what is to be sought after, that is, human knowledge. As the basket red is taking to grandma`s house, the upturned supper bowl ring represents the wolf`s intervention, that is, women`s ring slavery in host womb parasitism for homosexuality in pederasty`s war against `woman`s seed` and, if the audience don`t want to choose to accept that, they`re human.
1 Morrison, Grant `Pop Magic!` in Richard Metzger Book of Lies: The Disinformation Guide to Magick and the Occult, The Disinformation Company, , New York, 2003.
2 Ashliman, D.L. `Little Red Riding Hood` and other tales of Aarne-Thompson-Uther type 333.
3 Åhlund, Klas, Christian Karlsson, and Pontus Winnberg `Piece Of Me`, Britney Spears, Blackout, Jive, 2007.
4 Martin, Max, and Rami `Oops! ... I Did It Again`, Britney Spears, Oops! ... I Did It Again, Jive, 2007.