Britney Spears And The Hungarian Race Into Space
Britney Spears And The Hungarian Race Into Space
Hungarian scientists in the USA are traditionally known as `the Martians`: `The production of scientists and mathematicians in the early 20th century was so prolific that many otherwise calm observers believe Budapest was settled by Martians in a plan to infiltrate and take over the planet Earth.`1 In Britney Spears Oops I Did It Again the astronaut visiting her planet, which appears to be Mars, has the call sign `Mars Lander`, whereas NASA`s actual Mars Lander was an `unmanned` space vehicle designed and built by Hungarian `Martians` in Budapest to explore planetary bodies. The logo of the most recent Hungarian venture into space is the `Puli` sheepdog, which is the breed that works during the day while the `Komondor` sheepdog works during the night. It`s relevant because Britney`s Oops I Did It Again features a `pulley` by means of which she, in her red pilot`s suit, hoists her spaceman, that is, the `Mars Lander`, according to his designated `call sign` from `Mission Control`, above herself in a white bikini dress, so that he can film her with his camera.
There are Hungarian `Martian` references in Oops I Did It Again, which relate to modern telecommunications. Just as the British science fiction writer Arthur C. Clarke was credited as the `inventor` of the telecommunications satellite he `proposed` in 1945, and which appeared in his science fiction, so the fork beside Britney Spears` spaceman`s helmet, as he`s hung suspended above her, is a `proposal` of `bluetooth` technology. In Hungarian `kék` is `blue` and `fog` is`tooth`, so `fork cake` is what Britney Spears` `fairy` represents beneath her astronaut`s camera. In the vernacular, she`s `eye candy` for a `sweet tooth`, but her literary allusion is to the science fiction heroine of Robert A. Heinlein`s Podkayne Of Mars, who has a Martian friend who`s a `baby fairy`. Her brother is Clarke, and the story`s denouement revolves around how Clarke takes care of Poddy`s `baby fairy` while she`s incapacitated.
In terms of science fiction, Britney`s Oops I Did It Again is in the tradition of Arthur C. Clarke and Robert A. Heinlein as `inventors`. Just as Arthur C. Clarke was accredited with the invention of the communications satellite, so Heinlein, Isaac Asimov and L. Sprague De Camp were science fiction writers who were also `hands on` technicians credited with developing the spacesuit for the US Airforce`s X-15 `plane into space` programme, and other pre-1969 moon-landing high pressure suits designed to withstand altitude inducing blackouts, `the kind of high-altitude flying suit that fore-shadowed today's space suits`,2 which Heinlein describes as the `inventor` in his last juvenile for children, Have Space Suit Will Travel (1958) and which Britney again alludes to in the title of her album Blackout (2007) In his Space Family Stone (1952), which had to be retitled from The Rolling Stones, because the rock band objected, Heinlein introduced another of his famous creatures, the `Martian flat cat`, which Heinlein allowed to be used in the science fiction TV series Star Trek episode The Trouble With Tribbles (1967) in exchange for a signed copy of David Gerrold`s script:
`It had no discernible features, being merely a pie-shaped mass of sleek red fur a little darker than Castor's own hair. `They're affectionate little things and many of the sand rats keep them for pets - a man has to have someone to talk to when he's out prospecting and a flat cat is better than a wife because it can't talk back. It just purrs and snuggles up to you.`
In The Trouble With Tribbles the creatures get into the cargo hold of the starship Enterprise and eat almost the entire contents of a shipment of grain bound for a planet where the colonists need it. To compond the problem the tribbles reproduce by fission and more rapidly if they`re well fed. Consequently, the Enterprise is overrun by the `… affectionate little things … better than a wife ..,` according to Heinlein, and they look very much like the Hungarian Martians` `Puli`, which is the basis for both their logo and the design of their spacecraft, which even more directly relates to Heinlein`s Space Family Stone because of the reference to `Castor`s own hair`. The Hungarian `Puli` is unique insofar as it looks like a tribble, and the Hungarian `Martian` space vehicle prototype has features that Castor, brother of Pollux in The Space Family Stone (1952), but present in the Hungarian space explorer as the castors it employs in order to manoeuvre upon the planetary surfaces it`s designed to explore.
Castor and Pollux`s twin sisters were Helen of Troy and Clytemnestra, the wife of Agamemnon, who authorized the Greek ships to capture Troy when Helen, the wife of his brother Meneleaus, was taken to Troy without his consent by the Trojan prince Paris. In terms of Oops I Did It Again, Britney, once voted `most beautiful woman in the world` by Hello magazine (2008) readers corresponds to Helen, who was reputedly the most beautiful woman of the ancient world, and her twin Clytemnestra, because she appears in Oops I Did It Again as separated quite clearly from herself in the white bikini dress beneath her spaceman`s camera eye when, wearing her red suit, she raises him up above her by means of the `pulley`.
The story of Troy reflects on the role of women in ancient Greek society in which women`s wombs were perceived as the `host` of male warriors to take cities like Troy and spread their contagion of virality further. Against Troy the Greeks employed the device of the huge wooden horse which they left outside the Trojan`s city as a seeming `gift` and the Trojans took the horse within the walls where the Greek soldiers emerged from within its hollow insides to capture the city and enslave the wombs of the women for homosexual pederasty and to spread their plague of war aims onwards. The Greek horse has been viewed as a metaphor for HIV/AIDS and so `Trojan` is a condom brand name in the USA. Because the HIV/AIDS` `cell `feigns friendship` for the defender cells of the body`s immune system in order to kill it, 9/11`s terrorists` `feigning of friendship` at Logan airport, Boston, Massachussetts, and their employment of hijacked planes to crash into the Twin Towers, is similarly a viral metaphor for men`s valence of homosexual pederasty.
If Britney is Helen of Troy then her acceptance of the `gift` that her spaceman gives her in Oops I Did It Again is significant. Because the Trojans accepted the gift of the Greek horse which resulted in the enslavement of the host wombs of the Trojan women by the Greek warriors for war and further homosexual pederasty. Britney asks:
`But I thought the old lady dropped it into the ocean in the end?`
In the movie Titanic (1997) the `old lady` drops the `heart of the ocean`, a blue diamond, into the sea at the point of the passenger liner`s resurrection from the deep where it had lain for almost a century before an attempt was made to salvage it after it sank on its maiden voyage from Liverpool to the USA in 1911 after hitting an iceberg. Rose`s memorial is for her lost love who drowned while attempting to assist people to the lifeboats. Britney`s spaceman replies :
`Well, baby. I went down and got it for you.`
If Britney`s a Martian `baby fairy` in this interaction, it represents Britney Spears` observation that her appearance beneath the tines of a fork as a `fairy` on her astronaut`s cake, that is, `fog kek`, which translates from Hungarian as `bluetooth`, is just as strong as Arthur C. Clarke`s claim to be the `inventor` of the telecommunications satellite, while the role of the astronaut, in the high pressure suit of the diver who brought Britney the `heart of the ocean`, presses the claims of Heinlein, Asimov, and De Camp as inventors of the spacesuit for innerspace, that is, the deep sea diver`s.
In The Trouble With Tribbles the premise was that of the life form that appears harmless but is actually dangerous, which is what men who espouse the valence of homosexual pederasty are. In her red suit Britney suspends her spaceman above her as a camera to film herself in a white bikini dress, but he is helpless, which means he can`t express his valence or that of `Mission Control` who are attempting to direct his movements. From a Greek perspective, Britney in her red suit, and in her white bikini dress, correspond to the `twins`, Helen and Clytemnestra, whose acceptance of the spaceman`s `gift` in Oops I Did It Again represents the birth of the `blue diamond` of `bluetooth` from the `heart of the ocean`, that is, what the `inventor` has been able to develop from Britney as the anima-archetype of the soul or `Muse`.
In the developmental psychology of Carl Gustav Jung (1875-1961) invention is defined as the result of archetypes that appear from the unconscious mind in dreams, reverie, art, and the imagination. Either as abstract symbols or as figures that `speak` or demonstrate. According to Jung archetypes are a facultas praeformandi that exist as a valence within the duality of the unconscious and conscious mind but that seek expression through the individual`s developmental functionality, which is dependent upon their desire for spiritual or intellectual work rather than acceptance of an `animal` libidic or instinctual valence that would accord with men`s violent homosexual pederasty. In Oops I Did It Again the anima is split into two distinct and separate figures, that is, in her red suit Britney raises the spaceman and his camera by means of a `pulley` so that he can film her in her white bikini dress, and the valence is acceptance of the spirit/intellect, which is how the contents of the unconscious are transformed into consciousness.
In Christianity the spirit is associated with the Paraclete, which effectively emerged from the side of Jesus as the `Second Eve` from the side of the `Second Adam` when it was pierced by the spear of the Roman centurion Longinus at the death of Jesus after his crucifixion and before his Resurrection and Ascension to heaven. However, according to Jung, the anima or soul, which exists as an intercessor, or intermediary, between the unconscious and the conscious mind of the creative individual, is represented by the figure of the Virgin Mary in Christian icongography, that is, birth ex nihilo, which is the valence of the soul that functions as a psychopomp or guide to the ego in its desire for inventiveness to further the developmental spirit of humanity. Consequently, Britney in her red suit and white bikini dress are soul and spirit. In Jungian psychology, the flow of instinct to spirit is represented in terms of colour, that is, red to blue, which accords with Britney`s appearance in her red suit, and the emergence of `bluetooth`, symbolically brought as the `blue diamond` from the `heart of the ocean` by the spaceman as representative of the ego, while the spirit of the inventor, that is, intentionality, is represented by the spaceman`s camera filming herself in the white bikini dress.
In Revelation the `New Redeemer` is depicted as born from the `woman clothed with the sun and with the moon at her feet` while the `red dragon` waits in vain to devour her child. If homosexual pederasty and violence towards women`s Earth, represented by the red dragon`s valence of `biological warfare` against women`s `host` wombs by means of HIV/AIDS is a valence of the devouring alien parasitical virality of men, pictorial representations of women are the condom that would save her, which is why Britney Spears in Oops I Did It Again presents `bluetooth` camera technology as saviours of the species of woman. Anyone with an internet connection can see women as a species with her own penis, but the ability to see doesn`t confer the ability to contaminate.
The latest spacecraft from `Puli` and the Hungarian `Martians` has castors, and so might be understood as Castor`s, who was the human pair in his twin relationship with the divine Pollux. The `joke` of course would be that the Hungarian spacecraft is `unmanned` and so doesn`t have immortal bollocks. Although the reference to the `Gemini` space programme of the USA`s is implicit in the science fictional imagery associated with the Hungarian Martians` choice of the `Puli` as its symbol, that is, the tribble with castors, but without the bollocks of immortality attached to it.
Castor and Pollux were granted immortality by the god of ancient times as the `Gemini` constellation, which was chosen by NASA as the label for the pre-moon landing Apollo missions because the Gemini space missions (1962-7) were crews of twos. Launched from Cape Canaveral using the Titan II GLV launch vehicle, Britney`s allusion to the Titanic that sank after hitting an iceberg probably refers to the cancelation of the Gemini space programme after the X-15 pilots hit the iceberg of `blackouts` due to the insufficiency of high pressure suits at altitude. NASA`s Gemini space programme`s practice of discarding launchers by dropping them into the ocean after the second stage of the rocket that`d be the Gemini `orbiter` had detached itself from the rocket`s first stage was perceived as wasteful in view of the X-15 pilots` need for better suits.
In her red pilot`s suit Britney represents NASA`s X-15 `plane into space` programme that failed because of `blackouts` due to inadequate pressure suits, whereas in Oops I Did It Again her appearance in a red pilot`s flying suit suggests she believes the `plane into space` programme was discarded despite its being a better `launcher`. NASA`s Space Shuttle programme (1981-2011) confirmed concern over discarding launchers and reflected on `false economy` in the sense that space planes, although technologically difficult, may`ve been more `economic` in the long term.
In archetypal terms, the Titan II GLV corresponds to the `heart of the ocean`, because the `blue diamond` is the `gem in the eye` of the Gemini project, that is, `bluetooth` is space technology, which emerges from the sea of the unconscious contents of the collective archetypes so that humanity can develop. The role of the anima as `Muse` is not to be misjudged. Representations of women in the movies and elsewhere are optically developmental, because women are the mirrors of the desires of the soul. Although it should be remembered that humans have only two bodily valences; eating and sex. In Revelation the `woman clothed with the sun and with the moon at her feet` is giving birth to the `New Redeemer` while the `red dragon` waits in vain to devour her child, and Britney alludes to the devouring aspect of men`s homosexual pederasty and warfare when she places a fork`s tines beside the spacehelmet of her `cameraman` as, in her red suit, she hoists him by means of her `pulley` above herself in her white bikini dress. He represents the valence of the devouring male and the question with regard to the functionality of representations of women in the media.
At the outset of the 21st century movies like Scream (1981) and Saw (2004) exist as a valence of the terrorism, torture and murder of women by the serpent`s `seed` (Gen: 3. 15), that is, the `red dragon` of Revelation as the evil spirit of homosexual pederasty, which Jesus and Christianity explicitly rejected as a human valence 2000 years ago when the Messiah born from a virgin and so uncontaminated by the evil serpent`s `seed` or spirit was crucified. According to biblical commentators the `woman clothed with the sun and with the moon at her feet` corresponds to the Virgin Mary, and the `seed` of the `hidden` woman is described in Revelation as receiving a new heaven and Earth from God after her defeat of the evil serpent`s `seed`, that is, the `red dragon` of homosexual pederasty and its valence of violence and warfare, after war in heaven. The punishment of the evil is to receive perdition, largely because of a refusal to accept that woman is a species with her own penis and that the ogres of her Earth should be educated into not eating it and her, which is their current `economic` valence.
Because of woman`s nurturing capacity and her gestative functionality, that is, birth takes nine months, futanarian woman with her own penis, as a valence of the species `Woman`, is a better economic valence because she doesn`t represent the desire to devour her offspring. Despite the thousands of years that have transpired between the Greeks and Romans observing through the medium of their respective mythologies of the child devourers, Chronos and Saturn, which are `resurrected` in the figure of Satan, that is, the devouring `red dragon` by Christianity, fathers continue to devour their children. As homosexual pederasty is the valence men can`t reject, woman with a penis as the futanarian valence of her species is the nurturing and gestative economic option that offers the possibility of human development and the stars.
When Britney`s spaceman arrives he doesn`t have `wheels` in the sense that he hasn`t a visible means of locomotion other than his legs. Although he`s described as `Mars Lander`, which is a NASA spacecraft that has landed on Mars. As the epitome of the American football superhero in his spacesuit, he has completed `touchdown`, which is the label given to a team`s success in American football when they`re able to get the ball into the opposition`s `end zone` for the six points that is converted to seven when the ball is kicked between the goal posts situated on the line that demarcates the field of play from the `end zone`. In other words, Britney has a point to make in Oops I Did It Again, which is that you don`t need wheels to make a `TD` but you do need legs to get the point over.
NASA`s space programme was handicapped. The `plane into space` was cancelled because it was a better valence for women. Britney`s point is her `seventh heaven`, which is that life amongst the stars for humanity is dependant on men`s realization that `labour saving machines`, such as the `plane into space`, and human workers, such as Clarke, Heinlein, Asimov and De Camp, aren`t a valence for the spirit of homosexual pederasty, represented by its attempt to reimplement `rough trade` after the demolition of the World Trade Centre on 9/11, so that humans can be trapped by the `red dragon` of consumption and it can devour the world.
The Hungarian `Puli` works during the day, while the `Komondor` works at night, which suggests that Britney`s red suited self is the `Komondor`, and herself in the white bikini dress is the `Puli` because she`s `resting`, which accords with the `sleeptime` valence of her Puli`s lyrics:
`You see my problem is this,
I'm dreaming away;
Wishing that heroes, they truly exist.
I cry, watching the days.
Can't you see I'm a fool in so many ways?
But to lose all my senses,
That is just so typically me.
Baby, oh …`
In her white bikini dress, Britney`s reclining on a `star`, which is in accordance with what `Hollywood` stars do. They `rest` between roles. According to Jungian psychology the ego needs to bathe in the unconscious each night in order to be restored. If Britney`s `Komondor` and `Puli` correspond to the soul and spirit, which are associated with the ego`s valence of transformation of libidic or instinctual energy into intellectual work, `sheep` would be conscious thoughts and archetypal contents of the unconscious `shepherded` by the `Komondor` and `Puli`. Because Oops I Did It Again takes place in the blackness of space, Britney`s perspective is that the Holy Spirit, or Paraclete, is the spiritualized anima.
Whereas Christianity, and other religions, separate soul and spirit, soul and spirit are valences of what Jung terms the `open-ended` developmental functionality of the `Self`, whereby the spiritual anima and the spiritualized anima as soul are `twinned`, but don`t perceive each other until what Jung terms self-actualization, that is, when enough thoughts have been gathered together by the `Komondor`, and enough archetypal material has been raised from the contents of the unconscious `Self` by `pulley` to `twin` the `Self` so that the ego no longer perceives itself, which is why woman is a species and men who don`t accept the teachings of Jesus Christ are her devourers.