Britney Spears` Orgasmostron

25/03/2016 15:34

Britney Spears` Orgasmostron

 

Britney Spears` `Oops! ... I Did It Again` (2000) video accompaniment to the music and lyrics has been interpreted by science fiction critics variously as referring to a projected landing on the red planet, Mars, and the Titanic (1997) movie, because Britney receives a boxed gift from the spaceman character, `Mars lander`, to which she replies: `But I though the old lady dropped it into the ocean in the end?`1 Rose was the 100 year old survivor of the Titanic liner that sank on its maiden voyage from Southampton to Liverpool on April 15, 1912, after hitting an iceberg, and Rose drops the `heart of the ocean` blue diamond pendant into the sea at the place where the ship is being salvaged, before the events of the story unfold on screen with actress Kate Winslet as Rose. However, elements of other science fiction classic tales are embedded within the imagery and text of the lyrics, `I played with your heart, got lost in the game.` Britney Spears` red body suit defines her as separate from the spaceman. She`s a spaceship pilot liberated from the restrictions imposed by having to wear a spacesuit. Directing the astronaut is `Mission Control`, who the audience see watching through the eye of the spaceman`s camera: `Earth to Mars lander, report status please.` The astronaut`s response indicates that the spacesuit he`s wearing isn`t because of the atmosphere of the red planet, Mars, being unsupportive of life, but because the spacesuit is being worn to protect the spaceman from microscopic viral organisms:  `Oxygen status ninety-eight per cent.` Because the air is breathable the astronaut isn`t in danger of being poisoned by the atmosphere of the red planet, Mars. Consequently, `Oops! ... I Did It Again` is an HIV/AIDS warning. In her red pilot`s suit Britney represents the success of protection used against the virus, which is represented by the spaceman wearing a spacesuit of the type worn by the North American Space Administration (NASA) Apollo Space Program astronauts. The suit is designed to prevent the spread of contagion to women, because that`s what men`s suits are for, although the hermetically sealed astronaut`s spacesuit suggests he doesn`t want exposure to women`s viral life form: `Oops! ... I did it again to your heart. Got lost in this game, oh baby.` The plague game is what men and women play, because the NASA spaceplane program showed that men `blackout` because they don`t want to be `woman`s seed` while women want to maintain permanent consciousness to avoid being kept imprisoned as host womb slaves in parasitism to a parasitoid devourer that wages war on her to maintain its stranglehold.

 The project to put a man on the moon reached its culmination when Apollo 11 astronaut, Neil Armstrong, stepped out onto the lunar surface from the `Moon lander` on 21 July, 1969, that is, a spacecraft module detached from a moon orbiting NASA space vehicle, and told the billions of Earth watching on television: `One small step for a man, one giant leap for mankind.`2 In Christian iconography, Jesus` mother, the Virgin Mary, is depicted crushing the head of the serpent with her foot, and so Armstrong is portrayed as Jesus` representative: `Love your neighbor as you love yourself.` (Mk: 12, 31) In the Bible the serpent is Satan, the angel that rejected God`s plan for the human host to be greater than the angelic, and so Satan was turned into a serpent by God as a punishment. Consequently, Armstrong`s foot on the moon is interpreted as a crushing of the head of Satan, who didn`t want the planets and stars of heaven for humanity. God had placed Satan in the paradise of Eden where Eve, the first woman, and Adam, the first man, dwelt. Tempting Eve with `the fruit of the tree of the knowledge of good and evil`, that is, death, in rejection of God`s `fruit of the tree of life`, which was immortality, Satan told her, `You shall be as gods.` (Gen: 3. 5) Because host womb slavery in ephemerality is power. The host can`t reach a level of permanent knowledge to be safe from the slaver that will kill the host it`s feeding off like a parasite in its parasitoid devourer`s stage to keep the host a slave in blind ignorant unconsciousness of the slaver`s role. However, although Neil Armstrong is viewed as Mary`s `foot`, Eve was told after God expelled her and Adam from Eden, that is, heaven on Earth, that Adam would labor, while she`d experience labor pain, but her `seed` would have Redemption: `You shall crush the head of the serpent with your foot, but he shall bruise your heel.` (Gen: 3. 15) Although Armstrong is represented as the `seed` of Eve, Eve has her own penis` semen as `futanarian` humanity, that is, `woman`s seed`. Consequently, Jesus is represented as being born without male semen. Spied being anointed with perfume by a woman, Jesus is betrayed by a disciple, Judas, who has him killed, because he doesn`t want `woman`s seed` to reproduce. When Jesus has Resurrection and Ascension to heaven it`s a prefiguration of futanarian women`s released brainpower from its damned state through sexual reproduction between women.

 

 

 Britney Spears appears more liberated than the Apollo style astronaut in `Oops! ... I Did It Again` because he`s a space borne virus whereas she`s `woman`s seed`. Her red pilot`s suit is an allusion to the X-15 spaceplane program that preceded the Apollo space program. It failed because planes crashed after pilots experienced `blackout`, to which Britney Spears` Blackout (2007) with its single release, `Piece Of Me`, with her on the CD cover in place of Jesus crucified, alludes: `I`m Miss American Dream since I was seventeen.`3 On July 4, 1776, the colonists of the United States of America declared independence from England. Britney Spears represents the `American Dream` of `woman`s seed` whose brainpower won`t `blackout` because it`s Jesus`. Consequently, spaceplanes are for women while men can`t breathe the same atmosphere and have to wear spacesuits to protect the women from being exposed to the virus. For the American colonists, England was a parasite, `No taxation without representation.` But for the North American Plains` Indians the colonists were colon cancer, who killed 60, 000, 000 buffalo between 1800 and 1900 to starve the indigenous population to death, which was that ax. The bundle of wood with an ax in its center was the symbol of the Empire of Rome that killed Jesus, because `woman`s seed` was a threat to its male braining to produce a single creature wearing each others` clothes as a transvestite worldwide `TV` developed from the amphitheaters, which were built for it to watch people being killed inside. Consequently, attacks are a tax and the fasces of Rome was that ax symbol of the parasitoid devour of the human race in parasitism which builds `death camps`. By 1880 the North American Plains` Indians were living on `reservations`, while the English would use the `concentration camp` during the Boer wars (1880-1, 1899-1902), and Christian Germany would borrow the readopted fasces symbol from elected dictator Benito Mussolini`s 1922 fascist Italian government in Rome after Adolf Hitler was elected dictator in Germany in 1933 to build `death camps` for Jesus` `chosen people`.

 

 

 In `Oops! ... I Did It Again` Britney in her red pilot`s suit winches the spaceman up to where he can look down upon her wearing a white bikini dress in an allusion to Jane Fonda`s role in the film Babarella (1968), which was directed by then husband, Roger Vadim. Barbarella`s opening credits featured her stripping out of an Apollo style spacesuit in a weightless environment inside her spaceship, while the theme song, `Barbarella`, is heard. Barbarella is wearing a spacesuit because, according to science, most planetary atmospheres aren`t hospitable for `woman`s seed`, although the striptease is rather more suggestive of virus control, that is, it`s a biological warfare suit worn to protect against biological boy sons, which by the late 20th century were mixing, blood, shit and semen in each others` anuses to spread their poisons further; for example, the HIV/AIDS` plague aims of the `blood plague` (Rev: 11. 6) of the Bible, which the `serpent`s seed` deploys against futanarian humanity to ensure women`s fearful faithfulness in ring slavery to misogyny: `Men cursed the God of heaven for their pains and their sores, but refused to repent of what they had done.` (Rev: 16. 11) In ancient Greece host womb slavery of women was institutionalized for homosexuality in pederasty for war to spread the contagion further. Because scientists posit space borne viruses it`s conceivable that HIV/AIDS is a virus in its last stages after somehow inveigling its way into the host womb of the human futanarian species of women millions of years ago to steal the race`s penis and implement parasitism. War is its parasitoid devouring aspect keeping humans from achieving permanent consciousness in immortality through medical science by ensuring their ephemerality in blind ignorant unconsciousness of its viral functioning, and which ultimately kills the host through its plague aims:

 

`Barbarella's psychedelia ...

never can a fella name

or clone you ...

Barbarella Bar ... Barbarella.`4

 

 

 In fact what passes for human women are cloned by the father virus as a single male brained creature wearing each others` clothes in `TV` transvestism` for the boy sons` biological wars against the futanarian species of `woman`s seed` for the parasites that slave her and the parasitoid killers that find entertainment in the killing of her. The USA has been described as Satan because of the absence of `woman`s seed` from the movie industry in Hollywood, Los Angeles, in the west coast state of California, where D. W. Griffith made the first movie there, Old California (1910), while its appellation `Babylon` derives from `a woman` of the Bible who gave her name to the ancient capital city (c. 4000 B.C.) of the Persian Empire: `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5) Hollywood takes its name from Babylon because penisless women are necessary for the manufacture of the male brained single creature wearing each others` clothes which is `TV` transvestism. Although the medium of television wasn`t invented until 1926 by John Logie Baird, Will Hays, President of the Motion Picture Producers and Distributors of America (MPPDA), establishment of the `Hays code` (1930-67) prepared the way for the medium of `TV` by ensuring that futanarian `woman`s seed` would never colonize the planets and stars from her position on the cutting room floor of Hollywood Babylon`s editing: `... women, in love scenes, at all times have `at least one foot on the floor` (in other words, no love scenes in bed).`5 However, the `one foot on the floor` implies futanarian `woman`s seed` has an earlier generation in heaven amongst the planets and stars above Earth`s sky, which Satanism doesn`t want because it isn`t `TV` for its parasitoid killer`s nature.

 

 

 Although God told Eve she`d have labor pain women experience menstruation when ova remain unfertilized, which is experienced as a flow of blood to remove the unfertilized ovum, and misogyny explains it as God`s punishment. According to the Bible the serpent, Satan, was defeated after war against God`s angels, although he`d grown in size since Eden: `And the dragon was wroth with the woman, and went off to wage war with the remnant of her seed.` (Rev: 12. 17) Consequently, the flow of blood in menstruation is associated in Satanism with the killing of `woman`s seed` in heaven, that is, the `remnant` upon Earth experience the pain of the formerly colonized planets above as colonists slain there by Satanists. Satan remains victorious so long as futanarian humanity remain slaves in host womb parasitism to the parasitoid killer`s nature, which doesn`t want `woman`s seed` to raise her foot to the planets and stars again or the head of the dragon will be crushed by women`s brains` power to liberate humanity from slavery to the `serpent`s seed` of unredeemed men. From the Satanist perspective the strength of women`s brains is overweening. Consequently, bloodletting amongst the planets and stars of heaven constitutes a Satanical weening of women, which finds correspondence in the women of Earth`s menstruation, while a single male brained creature wearing each others` clothes in `TV` transvestism is preferable to a brain for Satanists, because the strength of the brainpower of `woman`s seed` inhibits its killer`s parasitoid nature.

 

 

 Jesus` teaching was that God`s `law` was changed from prohibition against the taking of property, and therefore life, to `love`, which was acceptance of `woman`s seed` and brainpower through what the Moslems in Islam call `the will of Allah`, where `Allah` is equivalent to `Eloah` in Judaism. Its founder was Isaac, son of Abraham, by Sara, who gave her maid, Hajer, to Abraham after she became barren, and Hajer bore Ishmael, who was the founder of Islam through his descendant, Mohamed, who received the Koran (610-30 C.E.) from the angelic host. The four wife marriages of Islam legitimize Ishmael`s birth and provide the basis for futanarian sexual reproduction within the family, which is an extension of Judaism`s futanarian tradition that a Jew is born from a woman, because women are Jews. Consequently, Jesus` birth as the `Second Adam` uncontaminated by male semen from his mother, the Virgin Mary, is as the second Jewish man after Adam, because he`s a stand in for the daughter with her own penis` semen for the sexual reproduction of women`s futanarian brainpower. Jesus was `star seed` but the strength of futanarian women`s brainpower would impair second generation humans bred as `TV` transvestism, which according to the Bible causes abortive bloody conflict between the formerly colonized planets amongst the stars, that is, between `TV` and futanarian aspects of the species that, during a lunar period, manifests in the `cloned` species on Earth as menstruation. When the Jews departed slavery in Egypt they crossed the Red Sea and the waters parted as a symbol of escape from bloodshed through `woman`s seed` producing brainpower to liberate God`s `chosen people` from Satanism`s devouring parasitoid nature. Jesus` Resurrection and Ascension to heaven in prefiguration of that of `woman`s seed` is reiterated in the four wife families of Islam where futanarian women`s sexual reproduction is possible, because the continuing Judeo-Islamic tradition is Christianity`s too.

 

 

 Jane Fonda`s role in Barbarella is highlighted by her experience with the Excessive Machine inside which she has multiple orgasms, which are the sensations equivalent in penisless women to men`s semen ejaculations, although futanarian women can enjoy both simultaneously. Actor Milo O`Shea in the character of Durand Durand, inventor of the Positroic Ray, who Barbarella has been sent to retrieve, lest the Positronic Ray fall into the wrong hands, says she`ll `die of pleasure`, and the Orgasmostron, in the native French version of Fonda`s director husband, Roger Vadim, is like the equipment arrayed in Britney Spears` `Oops! ... I Did It Again` although the star is encased within a machine of stage set proportions. Men naked to the waist can be seen manipulating controls that resemble those of the Orgasmostron`s undulating panels, and with carbuncles resembling those on the sides of the Daleks in the long running British Broadcasting Corporation`s (BBC`s) science fiction television series Doctor Who (1963-) whose cry is `Exterminate!` The Daleks of the planet Skaro are the remnant of the dark haired Kaled, a human species at war with the blonde Thal humans, that is, Dalek is an anagram of Kaled, and the mutated remains dwell within the Dalek machines exterminating their blonde `TV` foe in what is a standard portrayal of men`s devouring parasitoid nature. With stage set imagery of planets surrounding her red planet, Mars, named for the Roman god of war, Britney represents the woman with the Excessive Machine, whose red planet symbolizes the war zone where the pain of menstruation is the punishment imposed upon `woman`s seed` by Satanists, who want men`s semen to fertilize women`s ova, rather than Jesus` `star seed`. Women`s menstruation pain is that of her species` death on the planets amongst the stars, although Jesus` mother, the Virgin Mary, bore the Redeemer uncontaminated by male semen, who represents Redemption through the knowledge that human is defined as what is good, whereas men were thought to be human, although their wars against `woman`s seed` suggests they`re alien invaders and evil, and so humans must look for good in heaven above, where the angels aren`t human, according to the Bible, but are good, whereas irredeemable men that haven`t accepted Jesus` teaching of `woman`s seed` are proven to be neither good nor human, and alien, which explains Hollywood Babylon`s susceptibility to the production of alien invasion movies that resemble nothing more than what men are for, rather than what good human intelligence is; in whatever form it might appear:

 

`In 1972, a crack commando unit was sent to prison by a military court for a crime they didn't commit. These men promptly escaped from a maximum security stockade to the Los Angeles underground. Today, still wanted by the government, they survive as soldiers of fortune. If you have a problem, if no one else can help, and if you can find them, maybe you can hire ... the A-Team.`6

 

 

 Actor George Peppard was accused of misogyny when actress Melinda Culea was `axed` from her role as reporter Amy Amanda Allen in The A-Team (1983-7) `TV` series, which featured an all-action male cast of mercenaries led by Peppard in his role as John `Hannibal` Smith:  `Whenever the studio slips an actress on to the team, she becomes a distraction. She always slows down the action. She's someone who's only there for the glamor shots. Everything stops for the sexy smiles - and I can't see why that's necessary on The A-Team.`7 Hired for their skills, and often for a nominal fee, by people deserving of their assistance in redressing the balance between good and evil, The A-Team was comprised of actor Dirk Benedict, `Faceman`, because of his confidence trickery in appropriating vehicles, gaining unauthorized access, etc.; actor Dwight Schultz as `Howling Mad` Murdock; strong man mechanic, actor Mr T as `Bad Attitude` (B.A.) Baracus, and Amy. When Britney Spears` single video release, `If You Seek Amy` (2008), appeared it was widely interpreted as `F*U*C*K me`, whereas aficionados of Spears` output would associate the song title with Camie Marstrap, the character from the movie Star Wars IV: A New Hope (1977), who was American porn star, actress Koo Stark, in scenes deleted from the story of how Anakin Skywalker, a boy on the planet Tatooine, would betray his role as a Jedi Knight and become Darth Vader, the evil henchman of the Emperor. Britney Spears` red planet Mars` stage set resembles the Ideal company`s game, Mousetrap (1963), insofar as the game has to be constructed each time before it can be played, and the objective is to trap the mouse, which is represented by the spaceman in `Oops! ... I Did It Again`, who is caught up on a hook by Britney Spears in her red pilot`s suit. Guided by `Mission Control` the Apollo style astronaut corresponds to a computer `mouse` being used to play an online `game` of Mousetrap in which the hook suspends him above Britney in her white bikini dress. In Star Wars IV: A New Hope Koo Stark was trapped like a mouse before being deleted as Camie Marstrap, while Melinda Culea was trapped by The A-Team before being deleted as Amy Amanda Allen, which suggests Britney`s `If You Seek Amy` is the `F*U*C*K game`, where Camie and Amy represent women trapped in a role in the absence of `woman`s seed`. Hooked up the spaceman`s camera eye looks down on Britney`s `twin`, which suggests women`s single species` reproduction, and so Britney`s game of Marstrap offers escape, whereas Star Wars IV: A New Hope deletes Camie, and Amy was deleted by The A-Team, who agreed they didn`t want `woman`s seed`. The basic premise of the Star Wars universe is that there are living beings in the bloodstream, midichlorians. The attuned have the power of the force, but Anakin Skywalker becomes a Jedi Knight who, betraying the force, espouses evil, and so is transformed into Darth Vader. Britney`s `If You Seek Amy` suggests the balancing power of `woman`s seed` is how life`s energies are harmonized to use the force positively:

 

`Love me hate me,

But can't you see what I see?

All of the boys and all of the girls

are begging to ... `If You Seek Amy [f*u*c*k me] ...``8

 

 Britney`s lyric suggests that girls are being told that they can`t have sexual intercourse with women, while women like Camie Marstrap, Amy Amanda Allen, and Britney Spears` twin, are presented as `lesbian` by virtue of the fact that they only have simulated relations with men on screen, while actual physical intercourse would inevitably lead to so-called `pornographic` sex involving lesbianism, which would raise the question: where`s the woman`s penis?

 Psychologically schizophrenic, because taught they don`t want what they see in the mirror, women are conditioned to view their species` normative futanarian sexual behavior pattern as aberrant. In terms of Parasitology men`s species` devouring parasitoid nature is psychopathic. Misogyny towards Amy by George Peppard`s The A-Team, and Darth Vader`s evil Empire`s construction of a `Death Star`, to orbit a planet and kill it, are symptomatic of the alien`s desire to extinguish the human race. NASA spaceplane pilots` blackouts were the direct result of the sexual repression and subjugation of `woman`s seed`, that is, men`s brains weren`t strong enough to leave Earth without losing consciousness in blackouts prefiguring species` death. The resultant media blackouts on the strength of `woman`s seed` needed to prevent extinction of the human futanarian race in the aliens` wars against her upon the Earth was a pogromer`s suiciding of humanity because the promotion of sexual reproduction for women`s futanarian race could have resulted in brains strong enough to escape Earth and live amongst the colonized planets between the stars. By the second half of the second season of The A-Team, Melinda Culea`s character, reporter Amy Amanda Allen, was replaced by reporter Tawnia Baker, and Peppard told the replacing actress, Marla Heasley, according to her 2006 interview with presenter Justin Lee Collins, on the British `TV` show Bring Back ... `We don't want you on the show. None of the guys want you here. The only reason you're here is because the network and the producers want you. For some reason they think they need a girl.`9 Appearing for ten episodes, Marla didn`t appear in season three, and Peppard told her, `I'm sorry that this is your last day, but remember what I said the very first day, that we didn't want a girl, has nothing to do with you. You were very professional, but no reason to have a girl.` Exotic beauty and sometime action star, Tia Carrere in the role of Vietnamese war orphan, Tia, was to have joined in the fifth season, but her role was `axed` before she even got in front of the camera, in favor of actor Eddie Valez, who appeared in the opening credits after the second of the fifth season`s episodes as special effects expert, Frankie Santana. On Bring Back ... The A-Team, presenter Collins got Benedict`s opinion on his role as `Faceman` as well as the others`: `It was a guy's show. It was male driven. It was written by guys. It was directed by guys. It was acted by guys. It's about what guys do. We talked the way guys talked. We were the boss. We were the God. We smoked when we wanted. We shot guns when we wanted. We kissed the girls and made them cry ... when we wanted. It was the last truly masculine show.` Actually they`re all truly masculine because male braining produces a creature wearing each others` clothes in `TV` transvestism, which is why women, like Melinda, Marla, and Tia are in shot only briefly, because they`re not going to get the girl, so they`re dropped as doe, like in Norman Mailer`s satire on Hollywood, The Deer Park (1955), which aspires to tell the truth about Babylon, without explaining that it doesn`t breed humans to be killed for dough, because it doesn`t breed humans, it only makes a buck last:

 

`... try for that other world, the real world, where orphans burn orphans and nothing is more difficult to discover than a simple fact. And with the pride of the artist, you must blow against the walls of every power that exists, the small trumpet of your defiance.`10

 

 

 Sexual behavior is based on the notion that the action sequences are necessary to obtain sexual access to a woman, while action sequences per se in the movies are relayed to audiences as defending the woman, although the ideology of defense of the woman extends to killing the child, because women`s futanarian `seed` is denied existence by Hollywood Babylon to prevent women from sexually reproducing from their own species` host womb. The Roman Empire`s plea was self-defense when killing Jesus, who was attempting to open the eyes of `woman`s seed` kept in blind unconscious ignorance by the parasite, that is, Jesus` role was as the herald of the futanarian girl child of women`s human species, while `TV` series like The A-Team deny women`s action sequences their objective of sexual access to women, and so they deny women purpose in action, as well as life. The child of the species is murdered, which is the unspoken crime The A-Team don`t address, because they`re army criminals. Charlie`s Angels was the equivalent `TV` series and movie franchise, which denied girls role models for action sequences conferring sexual access to women if they were futanarian. It`d interfere with the killers` activity if women were perceived as more sexually complex than their parasite, which has as its aim their enslavement in blind unconscious ignorance, or they`ll be devoured by its parasitoid nature. Charlie`s ANgels: Full Throttle (2003) had the movie plot that pitted ex-angel, Madison Lee, played by actress Demi Moore, against the angel triumvirate of actress Drew Barrymore as Dylan Sanders, actress Cameron Diaz as Natalie Cook, and actress Lucy Liu as Alex Munday, who fought in the action sequences because Hollywood Babylon is a pogromer of `woman`s seed` and doesn`t want action sequences for women that have sexual intercourse productive of human species` brainpower as their goal for a future independent of the brain parasite enslaving `woman`s seed` for parasitoid devourment in human species` extinction wars to entertain it.

 

1 Martin, Max, and Rami Yacoub, Britney Spears `Oops! ... I Did It Again` Oops! ... I Did It Again, Jive, 2000.

2 Armstrong, Neil, July 21, 1969, UTC: 2. 56.

3 Crewe, Bob, Charles Fox, and Michel Magne `Barbarella`, The Bob Crewe Generation Orchestra, and The Glitterhouse and Bob Crewe, Barbarella: Original Motion Picture Soundtrack, 1968.

4 Åhlund, Klas, Christian Karlsson, and Pontus Winnberg, Britney Spears `Piece Of Me`, Blackout, Jive, 2007.

5 TV Tropes, `Foot Popping`, https://tvtropes.org/pmwiki/pmwiki.php/Main/FootPopping/ .

6 Ashley, John, Producer The A-Team, Opening Credits Narrative, Steven J. Cannell Productions, NBC, 1983-7.

7 Wills J. `Women Out For A-Team` Sunday Mail, Australia, May 18, 1986.

8 Kotecha, Savan, Alexander Kronlund, Max Martin, Shellback, Britney Spears `If You Seek Amy`, Circus, Jive, 2008.

9 Collins, Justin Lee Bring Back ... `Bring Back The A-Team`, Channel 4, London, May 18, 2006.

10 Mailer, Norman The Deer Park, G. Putnam`s Sons, 1955.