`Supper`s Ready`

10/03/2015 00:38

Supper`s Ready


Although Britney Spears` video for the pop singer`s `Work Bitch` from her eponymously titled album Britney Jean (2013) seems unique, it has an antecedent in English progressive music`s album Foxtrot (1972) by Genesis from the era of Peter Gabriel`s success as lead singer after the band was formed in 1967, and before drummer Phil Collins took over lead vocals for the Genesis album And Then There Were Three (1978), when the recording artist that the British music press called `the angel Gabriel` left to sing solo. Tony Banks, Mike Rutherford and Collins continued as Genesis, but the period of Gabriel`s tenure as lead singer with Steve Hackett (1970-77) as lead guitarist is revered by music listeners for the band`s oddly childlike lyrics and pre-video age album cover artwork that proved an attractive combination of music and surrealism to record buyers. The track `Supper`s Ready` is the longest Genesis recorded at twenty-three minutes and is comprised of seven parts in which an incident between Gabriel and his wife, Jill, is fictionalized into an apotheosis. Gabriel related how Jill had seemed possessed by a different voice and personality one evening, which resulted in his deploying a makeshift crucifix to ward her. `Supper`s Ready` grew out of a passage from the Bible in which an angel calls those chosen to the heavenly Jerusalem after Christianity`s victory over the antichrist:


`I saw an angel standing in the sun. He cried with a loud voice, saying to all the birds that fly in the sky, Come! Be gathered together to the great supper of God.` (Rev: 19. 17)



 In Jewish tradition there are two great creatures of the Earth, Leviathan of the sea and Behemoth of the land, which are eaten in the last days, although Behemoth is described lovingly in the Bible, `He is the chief of the ways of God: He only that made him giveth him his sword.` (Job: 40. 19) God asks, `Can you pull in Leviathan with a fish hook?` God can and Britney Spears` first reference to Genesis and Revelation is to be found in the promotional video, `Oops! ... I Did It Again`, from the album Oops! ... I Did It Again (2000), where she places a hook in the backpack of her spaceman visitor to her set on Mars where she`s performing the song so that he can see her suspended beneath and film her with the camera attached to his space helmet. The character looks like Neil Armstrong`s Apollo 11 astronaut who was the first man on the moon on July 21, 1969 (UTC: 2. 56), and there`s a curious doubling as Britney Spears in a red pilot`s suit winches him above herself in a white bikini dress to where she`s visible singing the lyric:


`You see my problem is this;

I'm dreaming away:

Wishing that heroes, they truly exist.

I cry, watching the days;

Can't you see I'm a fool in so many ways?

But to lose all my senses;

That is just so typically me.

Baby, oh!`



 In symbolic terms the spaceman is Leviathan, which explains the announcer`s `All aboard!` After Britney receives a gift from her astronaut, `But I thought the old lady dropped it into the ocean in the end?` The gift in the small black box remains a mystery, `Well, baby, I went down and got it for you.` But the image of the astronaut as a former deep sea diver who`s made it to Mars is in keeping with the selection procedures for the North American Space Program (NASA) in which navy pilots were amongst those chosen for the Apollo missions that culminated in Neil Armstrong`s becoming the first human on Earth`s satellite. Interpreters associate the gift Britney receives with the `heart of the ocean` blue diamond pendant worn by Kate Winslet as Rose in the film of the Titanic disaster, an unsinkable ship that sank after hitting an iceberg on its maiden voyage from Southampton to New York on April 15, 2012.

 The movie Titanic (1997) begins with Rose as an old woman dropping the diamond at the sea at the point of the ship`s being salvaged as a token of remembrance, and so the Titanic is a figure of Leviathan. Rose is remembering lost love. She`d gone aboard with fiancée, Cal, but had jilted him for a new lover, Jack, who`d drowned helping passengers into the lifeboats. The trip had been painful for Rose because Cal had planted the diamond in Jack`s pocket and accused him of theft. Consequently, Britney Spears` `Oops! ... I Did It Again` is about the difficulty attending the recovering of a lost love. In biblical terms, God`s love for mankind, which is supposed to have returned with the Advent of Jesus, the Messiah, who was crucified by the Roman Empire in Palestine as a `dissident` preaching against Rome, `Why, why do we suffer each race to believe that no race has been grander?`1 Jesus was born from his mother, the Virgin Mary, as pure human uncontaminate, and had Resurrection and Ascension to heaven after his death, which is why he`s called the `Redeemer` by Christians, who believe that Jesus` fate represents the return of the love of God for humanity:


`Surely, this was the son of God.` (Matt: 27. 54)


 The Roman guard Longinus` words accompany his piercing the side of Jesus with his spear as if he were searching out the Holy Spirit Jesus had promised would teach after his death. As the `Second Adam` Jesus` mother, Mary, was the `Second Eve`, who was the first woman, according to the Bible, who emerged from the side of Adam. Consequently, Longinus was endeavoring to discover Jesus` Eve. Of course the meaning of Jesus` preaching is that all women are Eve, `Love your neighbor as you love yourself.` (Matt: 22. 39) There`s no closer neighbor than the woman by your side. So Britney Spears in her red pilot`s suit, and herself in a white bikini dress being examined under the camera attached to the space helmet of the astronaut, `Mars Lander`, who is transmitting pictures back to `Mission Control` on Earth, is Eve by herself. As Eve emerged from the side of Adam, according to the Bible, in the pair`s original paradisal home of Eden, it was an asexual birth. Just as Jesus` birth was:


 `You shall be as gods.` (Gen: 3. 5)


 The serpent`s words to Eve as it offered the `fruit of the tree of the knowledge of good and evil`, that is, death, tempted her to reject the `fruit of the tree of life`, which is immortality, and so Eve and Adam were expelled from Eden by God, and as Britney Spears sings, `You better work bitch.` God tells Adam he must labor while Eve will experience pain in child labor. Eve`s labor pains end with the birth of Jesus, while Adam`s labor is to comprehend Jesus` Holy Spirit. Because `futanarian` women have their own penis` semen and host womb, women don`t need men for sexual reproduction, which is why Jesus uncontaminate is `woman`s seed` and God warns Eve of the `perpetual enmity` of the `serpent`s seed` for her human species of woman:


`You shall crush his head with your foot, and he shall bruise your heel.` (Gen: 3. 15)



 Eve`s `foot` is her `futanarian` race that wants to be by herself, which is the meaning of Jesus` Holy Spirit`s teachings of the `Second Eve` and the appearance of another Britney Spears by her side in `Oops! ... I Did It Again`. Britney`s perception is that mankind is Leviathan, whereas Jesus uncontaminate is `woman`s seed`, which is why he represents Redemption for humanity, while men haven`t yet accepted Jesus` teaching and so can`t have Redemption but will be eaten as Leviathan in the last days:


 `Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11)



 What they`d done was prefer each other to women and parasitically infest the host womb of the human `futanarian` race in male braining, which resulted in the late 20th century in the emergence of an incurable `killer disease`, HIV/AIDS, spread by men`s mixing of blood, shit and semen in each others` anuses in rejection of women during mockery of the act of human sexual reproduction. Not only does male braining produce plague but at the outset of the 21st century, war, when the Twin Towers of the World Trade Center in New York were destroyed by hijackers from the Al Qaeda terrorist group based in Afghanistan crashing planes into them. The response of the United States of America to the events of September 11, 2001, was to invade Afghanistan and depose the Taliban regime before proceeding to make war on Al Qaeda elsewhere. Because Behemoth is a land creature, armies are definable as Behemoth, which is to be eaten in the last days before God`s new heaven and Earth and a punishment of eternal unendurable pain for the antichrist and the other evil doers. Consequently, Genesis` `Supper`s Ready` refers to the meal, and scenes from Britney Spears `Work Bitch` imitate the cover of Genesis` Foxtrot album in which a female fox is anthropomorphized as a woman standing on a plinth in the water surrounded by sharks:


`We climb up a mountain of human flesh,

To a plateau of green grass, and green trees full of life.

A young figure sits still by a pool,

He's been stamped `Human Bacon` by some butchery tool.

(He is you)`2


 On the cover of the CD single for `Piece Of Me`, from the Blackout (2007) album, Britney Spears appears on the cross of Christ crucified, because the crucifix is a hook by means of which Leviathan is caught, that is, humankind is redeemed if men accept Jesus` teaching of `woman`s seed` rather than the serpent`s, and Britney deploys the same imagery in `Work Bitch` where she`s the fox from Genesis` Foxtrot surrounded by `sharks` that want to eat her, because they symbolize men who aren`t caught by God`s `fish hook`, which is Jesus` cross and the symbol of humanity`s Redemption from being `Human Bacon`. Peter Gabriel`s concern for his wife, Jill, caused him to deploy a makeshift crucifix, while Britney Spears` `Piece Of Me` elaborates the theme possession:


`I'm Mrs 'You want a piece of me?'

Tryin' and pissin' me off.

Well get in line with the paparazzi;

Who's flippin' me off.

Hopin' I'll resort to startin' havoc,

And end up settlin' in court.

Now are you sure you want a piece of me?`



 It was the paparazzi`s photograph of Britney`s baby Sean`s cap falling off as she went to get into a car at the Ritz Carlton hotel near New York`s Central Park on Thursday, May 18, 2006, that ultimately resulted in her losing custody of her children and control of her fortune on grounds of neglect and diminished responsibility, that is, Sean, Jayden, and Britney were possessed, which explains the appearance of Spears on the cross of Jesus as a protection against further possession:


`Something tells me I'd better activate my prayer capsule.`3


 Genesis` `Supper`s Ready` introduces the figure of the Guaranteed Eternal Sanctuary Man as a symbol of the antidote to possession that the spiritual individual represents. However, because Jesus` teaching was that the Holy Spirit would teach after him, the antidote to possession is practical knowledge, which means taking care of yourself. In `Oops! ... I Did It Again` Britney is by herself, whereas with two young children during her marriage with Kevin Federline on September 18, 2004, Britney had been possessed and so remained in danger of losing possession of what the couple had had together after the July 30, 2004, divorce and settlement. Consequently, the single `Piece Of Me` details Britney`s feelings about being possessed, which is why the title of the album from which the single `Piece Of Me` was taken was Blackout, because women are kept in ignorance of their own species `futanarian` nature as humans with their own penis` semen and host wombs so that it`s easier for the `serpent`s seed` of men to possess and enslave women as their parasites:


`Guess I can't see no harm

In working and being a mama;

And with a kid on my arm

I'm still an exceptional earner:

You want a piece of me...`



 Although Britney Spears` aristocratic look at horse riding features the sport of polo in the single `Radar` from the album Circus (2008) the aristocratic sport of fox-hunting is featured on the cover of the Genesis album Foxtrot in which the female fox anthropomorphized as a woman stands on a plinth in the middle of a lake while the hunt with the dogs and the horse riders watch her from the shore. Because the term `circus` is a euphemism for spying in English circles, Britney Spears` `Radar` is a commentary on that censorship or `blackout` that effectively is blinding those who want to see, which is what the `circus` of spies actually does. The blind are slaves because they can`t see, which is why women are kept in ignorance of their own `futanarian` nature as humans with their own species` sexual capacity for reproduction from their own penis` semen:


`I make it bubble up. Call me The Bubbler.`



 Britney Spears` `Work Bitch` lyric emphasizes her sexual nature is for women. Women aren`t expected to see that, because they don`t have eyes as their capacity to sexually reproduce is denied, `Do you judge God by his creatures when they are dead?`4 After examining criminality in `Criminal`, Britney recreates herself as a `super criminal` in `Work Bitch`, after the style of The Joker and The Riddler in the Batman (1989) film and its sequels. She`s The Bubbler who`s a criminal to patriarchal society, because she turns on what remains of women`s human sexuality. The eyes and brains of `futanarian` humanity are dead or blind, because the `circus` has killed, or is killing them, to enslave the human race, and The Bubbler wields her whip in `Work Bitch`, because she wants the animals to behave as she believes they should:


`Think I can handle that

Animal in the sack;

His eyes see right to my soul.

I surrender self-control.

Catch me looking again;

Falling right into my plan.`



 Britney Spears describes herself as an animal trainer in Circus` `Radar`, because women need radar to be able to see as men are the animals that have blinded them. In `Criminal` from Femme Fatale (2011) her `plan` has failed, `But mama I'm in love with a criminal, and this type of love isn't rational, it's physical.` You can`t train an animal if you let it blind you, `He is a killer just for fun, fun, fun, fun.` Although governmental organizations such as the United States of America`s Central Intelligence Agency (CIA) represent intelligence, in fact they kill those who can see because those who want to know are the intelligent and intelligence is the enemy of the blinder. Consequently, if what was on Britney Spears` character`s radar was a criminal, he represented blindness for her rather than illumination, that is, without the practicality of being able to care for herself through the teaching of Jesus` Holy Spirit, she was courting that blindness in unconsciousness `Piece Of Me` from Blackout warned against:


`I'm Mrs 'Most likely to get on the TV for strippin' on the streets'

When getting the groceries, now, for real...

Are you kidding me?

No wonder there`s panic in this industry.

I mean, please, do you want a piece of me..?`



 Panic attacks occur without reason or warning, but are explicable if killers are blinding the human race so they can`t see, but live in progressive unconsciousness, and acknowledged depression, or unfathomable despair, while their bodies expire from murdered exhaustion in an ageing process determined by the alien killer of the species:


`You can tell he's doing well by the look in human eyes.`5



 Jesus was thirty years old when he began his teaching ministry (Luke: 3. 23), and he died when he was thirty-three, which explains the importance of the demons he cast out of the man he met on the road by the town of Gadarene. The demons entered into pigs and ran over a cliff to their deaths. Jesus` death occurs somewhat inexplicably because he doesn`t have to take the path of martyrdom but does so in order to illustrate his teaching, which is that men drive humans as slaves until they die because they`re demoniacal. Jesus told the disciples before his death that the Holy Spirit would teach after him. Consequently, the founding of the Moslem religion of Islam through the Koran (610-30 C.E.) after the death of Jesus is interpretable as being informed by the Holy Spirit, who in Judaism is the female spirit of God, and is called Shekinah, while in Islam she`s `tranquility`. In the Koran the life of Isa born from the Virgin Mariam doesn`t have Ascension after crucifixion, because Islam, which means `accept`, has been taught by the Holy Spirit that Jesus was driven as a slave and the Moslems don`t want that as a lesson for their children. Islam`s perception is that Christianity interprets the fate of Jesus as a recipe for driving human slaves to death, that is, humans are to be tortured in order to produce. The Redemption in Jesus` history is that he had Resurrection and Ascension after his death, but he was driven as a slave to his crucifixion.

 The Moslem perspective is that they `accept` Jesus` teaching, but they don`t want to confuse their children with the idea that slaves driven to martyrdom is a path to heaven, whereas the September 11, 2001, terrorists hijacking civil airliners to crash them into the Twin Towers of the World Trade Centre in New York to precipitate war with Moslem Afghanistan were obviously driven to what they thought of as martyrdom by the 21st century Old Man of the Mountain, Osama Ben Laden, who was the historical successor of Hassan Ben Sabbah, Master of the Assassins, who would lure young men to his fortress in Afghanistan and delude them with visions of paradise through hashish before promising them they`d return and enter into paradise if they completed their mission as assassins and kill those who wouldn`t accept Islam. Just as the Romans killed Jesus, so the Moslems killed those who wouldn`t accept the Koran dictated by the angels to the Prophet Mohamed, according to Islamic tradition, because that`s what slave drivers do. Consequently, the 9/11 terrorists were slaver driven martyrs. The fall of Iraq and the execution of dictator Saddam Hussein on December 30, 2006, because he supported the terrorists, and the killing of Osama Ben Laden on May 2, 2011, at his hideout in Pakistan, was what the slaver driven do, because slavery is what humans have been taught to practice and understand that that`s what they`re for. The Al Qaeda terrorist group attacked the World Trade Centre to show the United States of America that that was what the United States of America was for as well:


`But we saw a host of dark skinned warriors

Standing still below the ground,

Waiting for battle.


The fights begun, they've been released.

Killing foe for peace... Bang, bang, bang. Bang, bang, bang...`6


 The group Genesis` track from the album Foxtrot, `Supper`s Ready`, predicts Iraqi soldiers waiting in underground bunkers in the desert for the US army, which deployed `bunker buster` bombs to bury them alive, without really knowing who or what was there, but the `red dragon` was enjoying another meal. The first part of Genesis` seven part track, `Supper`s Ready`, written about Peter and Jill`s brief experience of possession, `Lover`s Leap`, introduces the religious figure of the Guaranteed Eternal Sanctuary Man, `The seventh walks in front with a cross held high in hand.`7 `Supper`s Ready` is based not only on the angel`s calling of the birds to eat `the flesh of kings` (Rev: 19. 18) during and after Armageddon, that is, the final battle between good and evil in the last days, but Jesus` `Last Supper` at which he gave the disciples `bread and wine` as tokens of his `body and blood`, because he was born uncontaminate of male semen and, as `woman`s seed`, represented `futanarian` women and their hopes of Resurrection and Ascension as the human species independent of men`s enslaving of their host wombs for war and death. Judas Iscariot`s betrayal of Jesus to the Romans as a `dissident` was treachery against the human species. As host at the `Last Supper` Jesus was the human host and Judas was there to betray the host womb of women to the parasitical Empire of Rome that had enslaved her for war and death as al previous Empires had before them:


`Like it or not, like what you got,

You`re under the soil (the soil, the soil),

Yes, deep in the soil (the soil, the soil, the soil, the soil).`8


 Although the Roman Empire (27 B.C. – 1453 A.D.) at the time of Jesus corresponds to the `red dragon` of Revelation which, grown in size since its days as the serpent in Eden, waits in vain while the `woman clothed with the sun and with the moon at her feet` gives birth to Jesus in his `Second Coming` to `rule the nations with an iron scepter`, the `red dragon` is a symbol of devouring war, which fits any and all Empires before and since in its desire to put the children of the Earth under the soil rather than have them live and perhaps not want death:


`There's an angel standing in the sun, and he's crying with a loud voice,

This is the supper of the mighty one,

Lord of lords,

King of kings,

Has returned to lead his children home,

To take them to the new Jerusalem.`9



 The British Empire (1497 – A.D.) was vainly depicted as red all over the map, while the Russian Empire`s flag was red, and the color of the Democratic Party in the United States of America since that nation declared its independence from the British Empire of George III in 1776 is red against Republican blue, which means the map of the Earth is red when the Democrats are elected, because of the power that America has. The `woman clothed with the sun and with the moon at her feet` represents God`s `futanarian` human race of women. As Eve was told in Eden, after the serpent had poisoned her, `You shall crush his head with your foot and he will bruise your heel.` (Gen: 3. 15) Because `woman`s seed` will have Resurrection and Ascension to heaven from her own `futanarian` penis` semen and host wombs to liberate her through the sexual reproduction of her own brains` powers in freedom from slavery to the devouring `red dragon` of war in parasitism:


`There's Winston Churchill dressed in drag,

He used to be a British flag, plastic bag, what a drag.`10



1 Banks, Tony, Phil Collins, Peter Gabriel, Steve Hackett, and Mike Rutherford, `Time Table`, Foxtrot, Charisma, 1972.

2 Banks, Tony, Phil Collins, Peter Gabriel, Steve Hackett, and Mike Rutherford, Genesis `Supper`s Ready`, IV, `How Dare I Be So Beautiful?` (9:43 - 11:04), Foxtrot, Charisma, 1972.

3 Banks, Tony, Phil Collins, Peter Gabriel, Steve Hackett, and Mike Rutherford, Genesis `Supper`s Ready`, III, `Ikhnaton and Itsacon and Their Band of Merry Men` (5:44 - 9:42), Foxtrot, Charisma, 1972.

4 Banks, Tony, Phil Collins, Peter Gabriel, Steve Hackett, and Mike Rutherford, Genesis `Watcher Of The Skies`, Foxtrot, Charisma, 1972.

5 Banks, Tony, Phil Collins, Peter Gabriel, Steve Hackett, and Mike Rutherford, Genesis `Supper`s Ready`, `Apocalypse in 9/8 (co-starring the delicious talents of gabble ratchet)`, VI, (15:38 - 20:50), Foxtrot, Charisma, 1972.

6 Banks, Tony, Phil Collins, Peter Gabriel, Steve Hackett, and Mike Rutherford, Genesis `Supper`s Ready`, III, `Ikhnaton and Itsacon and Their Band of Merry Men` (5:44 - 9:42), Foxtrot, Charisma, 1972.

7 Banks, Tony, Phil Collins, Peter Gabriel, Steve Hackett, and Mike Rutherford, Genesis `Supper`s Ready`, I, `Lover`s Leap` (0:00 - 3:47), Foxtrot, Charisma, 1972.

8 Banks, Tony, Phil Collins, Peter Gabriel, Steve Hackett, and Mike Rutherford, Genesis `Supper`s Ready`, V, `Willow Farm` (11:05 - 15:37), Foxtrot, Charisma, 1972.

9 Banks, Tony, Phil Collins, Peter Gabriel, Steve Hackett, and Mike Rutherford, Genesis `Supper`s Ready`, VII, `As sure as eggs is eggs (aching mens feet)` (20:51 - 22:54), Foxtrot, Charisma, 1972.

10 Banks, Tony, Phil Collins, Peter Gabriel, Steve Hackett, and Mike Rutherford, Genesis `Supper`s Ready`, V, `Willow Farm` (11:05 - 15:37), Foxtrot, Charisma, 1972.