Britney Spears` 50s Alien Invasion Movie And The Culinary Triangle

14/09/2013 09:05

Britney Spears` 50s Alien Invasion Movie And The Culinary Triangle


 In the video single for Oops I Did It Again Britney Spears` planet is `invaded` by a spaceman who wears an Apollo spacesuit similar to Neil Armstrong`s when he was the first man to walk on the moon in 1969: `One small step for a man, one giant leap for mankind.` Although the pop video isn`t couched as an `alien invasion` Britney, in her red suit, and in her white bikini dress, have to deal with the alien invader who doesn`t fit into their scene because they`re wearing futuristic costumes in a planetary setting that isn`t a throwback to 1950s alien invasion fears. In her red pilot`s suit Britney represents the original NASA space program`s aim of having a `space plane` piloted to the moon, but that project was terminated because of `blackouts` experienced by the pilots. Britney`s album Blackout contained Piece Of Me, and the famous line:


 `I`m Miss American Dream since I was seventeen.`



 The `American Dream` is of space and the `final frontier`, as the TV show Star Trek (1965-) describes it, of going `where noone has gone before`. Originally the TV series had the line `where no man has gone before,` in the `voiceover` to its original credits, which was changed because of the USA`s growing awareness of feminism and its commitment to `Liberty`, which was once again threatened by the terrorist hijackers crashing of planes into the Twin Towers of New York on 9/11, 2001. Blackout means `censorship, but also unconsciousness, which is the result of memory loss, but can also be understood as the result of a lack of education or ignorance, which is unconsciousness through `censorship`.



Britney Spears` Blackout refers to Oops I Did It Again insofar as, in her red pilot`s suit, she`s reflecting upon NASA`s cancelled `space plane`, which constitutes a reduction, in consciousness terms, of aspiration, and acceptance of slowed technological development. Although the lyric `I`m Miss American Dream since I was seventeen` is about American optimism `since` 1776, which enabled them to put a man on the moon in 1969, the destruction of the Twin Towers, which were constructed in 1970, suggests development was being slowed once more is a form of `censorship`, or `blackout` of conscious aspiration, and knowledge and wisdom symbolized by the `Big Apple` and the statue of `Liberty` in New York harbor.



 Read correctly, Britney`s spaceman in Oops I Did It Again is 1969 and Britney, `twinned` in her red pilot`s suit and in her white bikini dress, represent the `Twin Towers` constructed in 1970. In her red pilot`s suit she hoists her spaceman above her so that,  looking down upon her, he can film her wearing a white bikini dress with his spacesuit`s camera. It`s an `eternal triangle` with a difference. Britney`s `set` is 1969 television`s, because the spacesuited astronaut represents the 1960s Apollo space program that saw the first man on the moon, Neil Armstrong, `live` on television.



 In Egyptian mythology Set is the evil brother of the `sky god` Horus, who fight continuously. Consequently, when Britney suspends her astronaut above her with a camera, she`s depicting the relationship between `Babylon`, that is, the Hollywood movie industry, and `MYSTERY, BABYLON, THE GREAT, MOTHER OF HARLOTS AND OF THE ABOMINATIONS OF THE EARTH`, who represents the women of Horus, the `sky god`, insofar as they cry `Whore us!`



 Ancient Greek society was based on the principle of homosexual pederasty`s enslavement of women`s `host` wombs as a biological parasite to produce more homosexual pederasts to wage war against other city states and convert them to biological parasitism by enslaving women`s `host` wombs further. Consequently, the `blood plague` of the `red dragon` of Revelation is HIV/AIDS, which is homosexual pederasty`s valence of `biological warfare` against the `host` wombs of women. In simple terms, Britney`s spaceman is the `sky god`, Horus, being prepared for the USA`s airstrikes against targets in Arabia and Afghanistan after 9/11.



 Oops I Did It Again depicts the `eternal triangle` of mother, daughter, and son is being depicted, but because Britney`s `twinned` she represents self-production, which is a movement away from the dragon and the whore towards the female valence of woman with a penis of her own as a species with its own economic valence that won`t accept `rough trade` as the product of its `host` wombs any longer, that is, woman will no longer raise hordes as the whored for television`s Set and Horus` periodic onslaughts against her art, culture and civilization, so that Hollywood can magnetically assert in the personae of its `leading men` that socio-history is the story of how they won, while the penis of the woman is repressed as an aspect of homosexual pederasty`s preference for violence against woman and her Earth. Despite keeping her close throughout the `movie` in order to fill the camera lens with her `protected` image and mask the true meaning of the taboo against the male penis. By not revealing anything but a protection racketeer`s weapon the `red dragon` of devouring homosexual pederasty conceals its true valence, which is male violence towards women as the true species of the Earth.  Insofar as it`s the aliens` parasitical intention to devour woman`s flesh by means of the `blood plague` of HIV/AIDS` `biological warfare`, and her planet through more `conventional` marriage between the dragon and the whore of war.

 In Hold It Against Me Britney engages in a bare knuckle fist fight with herself, because women`s valence must be trained not to accept being the whored of the bloodthirsty devouring male draco`s warring hordes against her `host` womb and its product of art, civilization and culture. Surrounded by television`s Set, she resists `Whore us!` As the 15th century seer Nostradamus had predicted:


`From the sky will come a great King of Terror.

To bring back to life the great King of the Mongols,

 Before and after Mars to reign by good luck.`1



 Mars was successful in Gulf wars I and II (1990-2011) because the winning valence is perceived as succeeding, whereas the kings of terror and Mongols correspond to what the Bible describes as the first and second `beasts` of Revelation, which denote the evil valence of television`s Set and his endless struggle with the horde of Horus, the `sky god`, to whom the women of `the whored` willingly cry, `Whore us!` In Oops I Did It Again Britney descends inside a `giant`s ring` to greet her spaceman visitor, `Mars Lander`, but `the rules of engagement` with Mars are changing. She places a hook into his backpack and hoists him above herself in a white bikini dress so that he can see what he isn`t fighting for, `Liberty`.

 Woman with her own penis as `futanarian` has an economic valence that is human and not alien. In her red pilot`s suit Britney represents NASA`s decision not to develop but to keep `Liberty` a prisoner upon the Earth to produce wars for television`s Set and cry `Whore us!` Twinned, in her white bikini dress, she`s a self-producer, that is, a prefiguration of woman as a species with her own reproductive valence prefigured by the Virgin Mary who gave birth to Jesus, the `Perfect Man`, without male semen, 2000 years before 9/11.

 September 11th 2001 was an attempt by terrorists to prevent the `Second Coming` of Christ, the `New Redeemer`. He is described as the `protector` of the `hidden` woman of Revelation who`s `seed`, that is, the seed from her own penis - as opposed to the evil serpent`s `seed`. It is told by God that it shall have `perpetual enmity` with her `seed`, who receive a new heaven and Earth from God while the evil serpent`s `seed`, that is, the `seed` of the `pre-nuptial agreement` between the dragon and the whore, receive unendurable eternal pain as a punishment.

 In the structural anthropology of Claude Levi-Strauss, the mainstay of his socio-economic theory is the `culinary triangle`,2 which is depicted as the geometric formula for historical advancement through technology. The BBCTV series Triangle (1981-3) takes place aboard a European ferry, but the series doesn`t seem to be about technology. It`s about `love triangles` as the basis for female subjugation, repression, and unconscious ignorance. In Oops I Did It Again Britney`s spaceman gives her a ship`s `gift`:


`But I thought the old lady dropped it into the ocean in the end.`



 The heart shaped blue diamond is a pendant dropped into the ocean by Rose, the `old lady`, in the Titanic (1997) movie. Because the `eternal triangle` of love and betrayal sorrowed her. Her former lover had placed the jewel into the pocket of her new lover to frame him for theft, and he was subsequently drowned when the Titanic hit an iceberg and sank in 1911. The BBCTV series reflects on `love triangles`, that is, `love affairs` between `shipmates`, while their more permanent relationships on land remain unconsciously unaffected. In short, the concept of the successful `love triangle` in Triangle is shown to be dependent on ignorance, that is, if women with a penis, and an economic valence of their own, as the human species `futanarian`, knew they were ignorant of men`s true nature, they`d prefer a `love triangle` that consisted of women as fatherers, and daughters of mothers. Women are `fartherers` in the sense they`re concerned with their species` nurturing and development. So they can progress to the stars in heaven before men devour them as possessors and consumers through enforced unconsciousness, that is, `blackouts`.


 Effectively, the couple who are having an affair require `blackout`, that is, the blinding and stupefaction of their `permanent mainstay` by themselves or their `confederates`. Analogously, those who fought for the Confederacy against the Union Army of the United States of America in the Civil War (1861-5) were, in terms of Hollywood`s `Babylon`, television`s Set and the `sky god` Horus, whose whored horde cry `Whore us!`. As did all those who knowingly sent their men to lose their lives in World War I (1914-18), World War II (1939-45) and the Gulf wars (1990-2011). However, if women have a penis of their own, and so constitute the human species, which is not a valence of the evil serpent`s `seed` in its wars against women, that is, the fake symbiote`s periodically alien parasitical devourings of woman`s art, culture and civilization in its wars against her `product`, they represent the valence of humanity that doesn`t want to be blacked out in censorship and unconsciousness. Because they want to escape to the stars. Away from the `red dragon` of devouring homosexual pederasty, war, and its whores that produce it and its `biological wars` against woman`s enslaved `host` wombs.


 In Revelation the virality of homosexual transmissions during the apocalypse `live` on television Set is the `gay boy sons` of the `red dragon` of pederasty`s evil serpent`s `seed` and its killers` murder valence. They`re the `gay poisons` of the whores` child, that is, HIV/AIDS, and its undeclared war against the `host` womb of the `woman clothed with the sun and with the moon at her feet` as she gives birth to the `New Redeemer` while the `red dragon` waits in vain to devour. Although George W. Bush immediately backed the `War On Terror` (2003-) with US$ trillions, the budget for defence against HIV/AIDS, that is, the killer disease produced by the dragon and the whore, for the `hidden` woman of the Earth and the `New Redeemer` of her `futanarian` future, isn`t that great.

 Cooking is the basis for socio-historical progress. As evidenced by Cain`s murder of Abel in Genesis because Abel was able to cook and Cain wanted the laziest life that was possible outside of Eden, which was picking fruit and eating it. Consequently, Cain was the protypical murderer and thief, because he represented the individual who would rather take from others, including taking their lives, rather than work. Cookery is the prototype of work, which has been thought of as women`s work for generations because Cain, that is, the evil serpent`s `seed` since Eden, would rather someone else worked.

 In terms of Claude Levi-Strauss` theory, Cain couldn`t construct a `culinary triangle` with Abel, although Abel was able to cook, which means the evil serpent`s `seed` are those criminals who murder the cook after the meal has been prepared, because they`re only concerned with picking fruit as monkeys from the trees rather than grow food. In simple terms, trees are analogous to humans from the murderers perspective, which is why murderers aren`t human, in accordance with God`s laws for humanity.

 According to Claude Levi-Strauss the first stage in human development is growing food, and the second stage is cooking, while the third stage is fermentation, which produces cheese, wine, etc. However, Cain didn`t get to the second stage because he doesn`t want to produce, or reproduce, with Abel, and doesn`t want to. He wants to pick fruit and murder those who prepare food for him. Because he`s evil and that`s what the Bible tells us. Consequently, if Cain doesn`t want to cook and Abel wants to, Cain will murder Abel for the food he`s cooked. If Abel is able enough to marry and build a house, where his wife can cook, Cain will murder Abel for his wife who cooks, and murder her so that he can have the house. Moreover, if Abel is able enough to build a civilization and culture, Cain will murder him because, if Abel and his wife can escape him, he`ll have no one to steal cooked food and property from.


                            rotten (cheese, yoghurt)


cooked                                                                     raw


If a woman produces a daughter who can `cook` as she can, it means that the pair correspond to what Claude Levi Strauss describes as the `human valence`, which is that of the individual that can grow and `cook` food. Not because Cain can have a free meal, if he murders Abel and his wife, but because Cain can have a house that he hasn`t built, which is the response of the evil serpent`s `seed` to the `human valence`.

 Clearly the `human valence` is inadequate from the able person`s point of view. If Claude Levi-Strauss` `culinary triangle` is growing food, cooking food, and allowing milk to rot in order to produce cheese, a woman doesn`t need a man.  Consequently, she`s escaped if she can reproduce without a man, and women have a penis of their own as `futanarian`, which means the `human valence` has woman as a species, whereas men isn`t because men can`t reproduce without women. In terms of the `culinary triangle`, men can`t reproduce together, which means that the triangle has only one side insofar as the mother-daughter reproductive valence represents an `eternal triangle` in which the daughter can marry with her own species as the third woman in the triangle, because she has a penis of her own as `futanarian` woman.




daughter                                                                 mother


 Because men can`t reproduce together, the `culinary triangle` collapses at the picking fruit stage, because Cain murders Abel. The more able person is identified as a threat, because they might escape, and Cain would have to work rather than steal and murder. Consequently, because Cain and Abel`s valence is that of the evil serpent`s `seed`, insofar as they can`t reproduce together, and they destroy whatever emerges from the `host` wombs of the women they have parasitically enslaved in their periodic wars against her Earth, the `human valence` is woman`s, as a nurturing species with her own penis` reproductive capacity, and what`s to emerge in women`s future as art, civilization and culture that isn`t preyed upon by the male parasite.






 If you`re Abel you can escape, but if you`re not Abel you can`t. And Cain won`t let you escape, so you must be disabled from Cain`s perspective.  Consequently, the aliens have emerged upon the Earth as the locusts of the Bible that are foretold in Revelation, and they don`t want to improve technology because that would enable those who didn`t want to be locusts to escape. Ancient Greek society was based on the principle of homosexual pederasty`s enslavement of women`s `host` wombs so that wars could be waged and there`d be more homosexual pederasts.

 In the Bible the `red dragon` is depicted waiting in vain to devour the `New Redeemer` while the woman of Revelation is giving birth. `MYSTERY, BABLON, THE GREAT, MOTHER OF HARLOTS AND OF THE ABOMINATIONS OF THE EARTH` is a mystery because she is enslaved by the parasites of homosexual pederasty to produce `gay boy sons` to fight the red dragon`s wars. In the late 20th century warfare had become `biological` insofar as the `gay boy sons` had produced `gay poisons`. HIV/AIDS prevented the woman `clothed with the sun and with the moon at her feet` from giving birth to the future of humanity. By forcing her to cleave to monogamy as the basis of her enslavement by homosexual pederasty`s misogynist devourers of the products of her `host` womb in their endless wars. `Babylon` is woman as the enslaved species, which is why she`s `the great`, because she`s in thrall to the warring aliens and represents woman`s unwilling subjugation. The woman giving birth to the `New Redeemer` is freedom because she represents the `futanarian` valence of woman with her own penis as a species with a human economic valence that resists enslavement.

 Most 20th century literary critics perceive that aliens are extrapolations of men`s fears, but few have conceived that the aliens are men and that what they fear is that the `hidden` woman of Revelation, whose `seed` is to receive a new heaven and Earth while the evil `seed` receive unendurable eternal pain as a punishment, will escape. Consequently, events such as 9/11 are the marriage of the devouring dragon and the willing whore, whose child is war against woman and her womb, and is designed to prevent her new economic valence as the human species of woman with a penis of her own from emerging as `new humanity`, which is why the World Trade Centre was attacked. Because `rough trade` is war and homosexual pederasty.

 The hijacked planes that crashed into the Twin Towers from Logan airport represented men`s fears couched as a 50s `scifi` movie, that is, the fear that women would escape them. In the movie Logan`s Run (1975) everyone over the age of 21 is murdered, and so 9/11, 2001, was the attempted murder, at the beginning of the 21st century, of woman`s human valence, whereas Revelation describes the advent of the `New Redeemer`, who protects the woman of the Earth with an `iron scepter` after the dragon waits in vain to devour him, which probably corresponds to the events of 9/11, and the subsequent second Gulf War (2001-11) and the War On Terror (2003-).

 9/11 was a 50s `scifi` movie because men are the alien threats that they use to enslave woman as the Earth`s species, whereas the typical 50s scenario is of aliens threatening to enslave humanity, which is in fact what men do. As aliens that are living as parasitical devourers of the species woman on the planet Earth. The aim of the 9/11 `alien invasion movie` starring men as the 50s aliens was to reestablish business suited males as the `owners of the means of production`, that is, women, and restore the 50s `alien invasion` movie they`d been the 50s aliens in. Threatened by a 21st century that was 50 years too far ahead of them, further advances in technology might result in women`s escaping the 50s and its men who had invaded and enslaved them as their devouring aliens.


1 Nostradamus, Michel Les Prophecies Century 10, Quatrain 72, 1555.

2 Lévi-Strauss, Claude in Brooks, Peter (transl.) `The Culinary Triangle` in The Partisan Review , Autumn, 1966, # 33, pp. 586–96.

Mars` Barbarella, Jane Fonda and Britney Spears` Oops I Did It Again: The Washing Machine and The Camera

14/09/2013 09:03

Mars` Barbarella, Jane Fonda and Britney Spears` Oops I Did It Again: The Washing Machine and The Camera



The opening credits of Barbarella (1968) starring Jane Fonda (1937-) are of a spaceship`s porthole, and the camera moves inside to observe her while she spins in weightlessness and removes her clothes sexily until she`s nude. After the movie Jane was very careful in choosing her roles because she feared to be typecast as a pornstar. In other words, Jane Fonda wanted to be taken seriously. Britney Spears (1982-), on the other hand, in the video for her pop single Oops I Did It Again (1999), tells the spaceman`s camera suspended above her, `I`m not that serious.` In her red pilot`s suit she`s placed a hook into his backpack and,  raising him until he`s suspended above, by the `miracle` of the camera technology attached to the astronaut`s spacehelmet, Britney`s now discovered in a white bikini dress underneath him.



 Neither Jane Fonda nor Britney Spears would accept the definition `pornstar`, but either of them would be prepared to admit that the `body beautiful` contributed to their career. In Barbarella Jane Fonda represents the zenith of technological aspiration and achievement, which is the woman who has her own spaceship. Although the Apollo space programme was criticized for expense, its development of the technology to produce a washing machine as a labour saving device to free women from drudgery can`t be overestimated. In effect, the camera watching Jane through the porthole of the spaceship, as she removes her clothes, is depicting woman`s need for a washing machine, which NASA`s Apollo space program fulfilled.



 According to Revelation, `woman`s seed` receives a `new heaven and Earth` from God while the `serpent`s seed` receive perdition as a punishment. Effectively, for stalling the NASA space program`s technological valence so that women remained happy with a `Space Age` automated washing machine rather than a machine that took care of them, that is, a robot.  21st century internet technology reveals that `woman`s seed` isn`t a euphemism. Women have a penis of their own and are called `futanarian`. Consequently, the `serpent`s seed`, that is, men who have denied women a machine to care for `woman`s seed`, receive eternal unendurable pain from God as a punishment for keeping the human species on a low level of technological development so that she will remain a slave.



 In Oops I Did It Again Britney Spears is `twinned`. She hooks her spaceman and raises him until his camera eye is looking down upon her in a white bikini dress. Although the audience can`t see her penis, the `twinning` of her suggests the biblical socio-economic valence of `woman`s seed`. In her red pilot`s suit, Britney`s allusion is to the cancellation of the X-15 `spaceplane` program of NASA`s, which would have afforded women the opportunity to pilot themselves to the moon. Whereas Neil Armstong`s 1969 fulfillment of NASA`s Apollo space program as the first man on the moon, `One small step for a man, one giant leap for mankind,` represents woman`s imprisonment by the `serpent`s seed`, which doesn`t want an advanced technology that would allow `woman`s seed` to escape.



 Descending inside a giant`s ring in Oops I Did It Again, Britney is `One small step for a woman, one giant leap for humanity,`where `woman`s seed` is the human species, and she`s conquered Mars, the god of war. In the New Testament Jesus is the `woman`s seed` because he was born from the Virgin Mary without contamination by male semen, that is, the Virgin Mary is a prefiguration of `futanarian` woman with her own penis and reproductive valence, while Jesus` teachings of Redemption represent the simple observation that, unless mankind accepts `woman`s seed` as the human species, and ceases being a parasite emerging from her `host` womb to enslave and devour her in its periodic wars against art, culture and civilization, it`s perdition.



 Just as Jane Fonda`s stripping in weightlessness seen through the porthole of the spaceship represents the invention of the labour saving washing machine in the 20th century, which is a symbol of women`s almost freedom, so Britney Spears` spaceman`s camera is a depiction of her almost independence from men. In Judaism `Meshiah` is the word for Christ, and the adjective is `Meshiahn`, which is pronounced `machine` because Jesus is the `Word` and the `Logos`, who advocates technological development through acceptance of the Holy Spirit/Paraclete, that is, the transformation of sexual instinct into intellectual capability.



 The Catholic Communion represents Jesus` offer of `bread and wine`, as symbols of his `body and blood`, to his followers in fellowship. In the Catholic service the `bread and wine` are a `transubstantiation` symbol representing the transformation of the soul and the spirit through the valence of libidic energy. However, the human desire for God and heaven is appropriated by the enslaver. Jesus` supposed celibacy is the rationale for depriving humans of their sexual valence, and so `woman`s seed` is given a `new heaven and Earth` by God. Because men have denied her penis` socio-economic power, that is, the freedom to develop a technology of liberation through libidic transformation of her own penis` strength.



 The machinery of enslavement is most easily recognizable from ancient Greece where the homosexual pederasts enslaved the `host` wombs of women to make war and spread their contagion, which in the 21st century had become the `biological warfare` against `woman`s seed` of HIV/AIDS. The Greeks employed the device of the huge hollow wooden `Greek horse` to hide inside before the walls of the city of Troy and be accepted in by the Trojans, which is the device employed by the 9/11 Al Qaeda terrorists who hijacked `civil` aircraft to crash them into the Twin Towers of New York`s World Trade Centre in 2001. The aim was to reestablish the `rough trade` of homosexual pederasty`s contagion of war against `woman`s seed`. Jesus` advocacy of acceptance of the Holy Spirit/Paraclete rather than the `gay plague` would have saved Troy, and perhaps the USA wouldn`t have given the 3rd largest army in the world to Hollywood`s `moustache`, the bandido of Babylon, macho Saddam Hussein.



 Although Jane Fonda in Barbarella and Britney Spears on Mars in Oops I Did It Again don`t seem to be serious science fiction, they`re primeval in terms of human development, which means that less is more. In director Stanley Kubrick`s movie version of Arthur C. Clarke`s 2001: A Space Odyssey (1968) a chimp throws an animal bone into the air that it has just used to kill and, by the `miracle` of camera technology, the bone is transformed into a space vessel, while the socio-economic valence of humankind is defined as murder. However, Jane Fonda`s stripping off of her clothes while the camera observes her `spinning` weightlessly through the porthole of her spaceship in Barbarella redefines the best technology in terms of the `washing machine`. She`s not concerned with her clothes.


 In Oops I Did It Again Britney Spears` `camera` is the spaceman she hooks up above her so that she can be filmed. The weight of the contents of the `washing machine`, which corresponds to the astronaut`s journey inside the `Mars lander`, that is, Mars` laundry, isn`t an issue. Britney Spears` wait to take her clothes off depends on the `watching machine`. In the movie Sliver a terrorist uses surveillance cameras inside Sharon Stone`s building to stalk her, while 9/11 `live on CNN` was written by the terrorists who were its `stars`.  Hollywood, Babylon`s `leading men`, were Saddam Hussein`s and Osama Ben Ladan`s Al Qaeda, which constitute Hollywood`s `dirty laundry`.

 The 9/11 `movie` was encouraged by the audience`s increasingly insatiable desire for sensationalism fed on a diet of blood and gore since the inception of cinema at the end of the 19th century. However, being safe and nude is what `watching machines` are for. Although Britney Spears isn`t watching Mars` laundry in public in Oops I Did It Again, she`s critical of wars which won`t allow her to feel safe. Jane Fonda`s stripping in safety in Barbarella conceives of the `washing machine` as essential to woman`s liberation, while Britney Spears` observation is that the `watching machine` is essential to the maintaining of `Liberty`, that is, the machine that washes her clothes and watches over her is `Meshiahn`. Because it`s program`s human.

Britney Spears and the Graeae

14/09/2013 09:02

Britney Spears and the Graeae



Britney Spears` video single for `3` (2009) features the self-declared `bisexual` Britney dancing with black women. Britney, in a white leotard, and black women in black leotards, `1 2 3. Not only you and me. Peter, Paul and Mary. Gettin` down with 3P.` Peter, Paul and Mary were a pop group most famous for the song, `Puff The Magic Dragon` (1963), A dragon lives forever but not so little boys. Painted wings and giant rings make way for other toys.` In Oops I Did It Again (2000) Britney Spears descends inside a giant ring wearing a red plastic suit, while women breathe fire, which means that Britney`s `3` self-references the fire breathing dragon of Oops I Did It Again as well as Peter, Paul and Mary. In Japanese slang, `3P` is menage a trois, that is, a sexual relationship between a woman and two men, which is perceived as `adult`. But it`s a smaller ring in the sense that the woman is reduced in size and importance because diluted or adulterated in adulterousness. In Revelation the `red dragon` waits in vain to devour the `New Redeemer`, who is Jesus in his `Second Coming`, born from the Virgin Mary as `woman`s seed` uncontaminated by male semen, that is, Peter and Paul in terms of Britney`s self-referencing, which is blasphemous. Peter and Paul were the names of Jesus` disciples in the Bible while Mary was Jesus` mother. The ring of faithfulness is bigger, and isn`t adulterate.



 Oops I Did It Again features a spaceman visitor who Britney Spears in her red plastic suit raises by means of a hook and pulley above herself in a white bikini dress so that he can film her with the camera attached to his spacehelmet. Beside his head are the tines of a giant`s fork as a symbol of the devouring `red dragon` of Revelation, because adultery devalues the human species to the point at which `Woman` and her art, culture and civilization is no longer valued to the enslaver of her `host` womb, `Man`. In the Lord Of The Rings (1954) by J. R. R. Tolkein the `one ring` is the ring of the enslaver, Sauron, and there are `nine men doomed to die`, who soar on winged Nazgul to do the bidding of their lord. The novel chronicles the passing of the elven race and the ascendancy of `Man`, and so the second part of the Lord Of The Rings` trilogy, The Two Towers, correlates with the terrorists use of hijacked `civil` aircraft to attack the Twin Towers on 9/11 because it`s Nazgul nine, elven.



 The meaning of Britney`s `3` is adultery, and it`s one tooth, three because, in Greek mythology, the Graeae were three women who had one eye and one tooth between them. In terms of meaning, the Graeae are a pre-Christian description of `Woman`. She has one vision, and one mouth, but is a growing baby. Because she`s a species that has only `cut` one tooth insofar as she doesn`t know that the penis of `Man` isn`t its own. Britney Spears` `3` represents a developing consciousness of `Woman`, because `futanarian` woman with a penis  ( ) is her independent species for whom menage are trois is an oxymoron because one `futanarian` woman with a penis of her own can reproduce with a woman who doesn`t have her own penis, but a third `futanarian` woman is needed to fertilize the fertilizer.



 Britney Spears` `3` mixes black and white to produce `grey eyes`, which is the meaning of the Graeae`s perception; as a symbol of a unified species of `Woman` with eyes only for herself. Colour isn`t important to the species, `Woman`, but it`s been used by men to maintain what God describes for Eve in the Bible as the `perpetual enmity` of the `serpent`s seed` for the `seed` of the `daughters of Eve` because women are the species and men are the racists:


`What we do is innocent
Just for fun and nothin' meant
If you don't like the company
Let's just do it you and me
You and me... 
Or three... 
Or four... 
- On the floor!` Britney Spears 3



 `Woman` without a penis can`t reproduce and is defined as `lesbian` if she wants a sexual relationship with another woman without a penis, and if a `futanarian` woman with a penis wants sex with a woman without a penis, as a species` reproducer, how is the woman without a penis going to fertilize the `futanarian` woman? Obviously, a second `futanarian` woman is going to be needed in the `marriage`, which means the basis for `Woman` as a species is `three`, but `marriage` is a concept of the `serpent`s seed` in order to maintain pederasty. In other words, `3` indicates the concept of `futanarian` and `Woman` as a species for whom traditional `marriage` with `Man` is `ownership of the means of production` by men in slavery to pederasty. In simpler terms, jealousy is a male construct and noone within the species, `Woman`, cares how many of them are together. Being seen by men isn`t what they`re for. Adam and Eve weren`t for being seen outside the garden of Eden before they were tempted into pederasty and slavery by the serpent. As written in Revelation, God gives a `new heaven and Earth` to `woman`s seed`, and the `serpent`s seed` are punished with eternal unendurable pain, that is, perdition, because they`d enslaved the `host` wombs of `Woman` in pederasty for wars against her own `seed`, whereas making the Hollywood `scene` isn`t what she`s for.



 Although it is written of Adam and Eve in the Bible that `male and female he created them both`, God has also created them female with a penis of her own as `futanarian` woman, which is another tooth in terms of human development. There`s no perception, from what we call `Woman`, to suggest the penis is masculine, because `Woman` has one of her own, which means the correct definition for `Woman` is `the species with a penis`, breasts, and a vagina, but not in contradistinction to a parasitical organism that is an alien endeavouring to resemble `Woman` so it can continue to enslave and devour her in its periodic culling in its wars upon her Earth`s art, culture and civilization that might produce the space technologies which could facilitate her escape from `Man`.



 The meaning of the Graeae`s one vision, one mouth, and one baby `riddle` is similar to that of the Sphinx`s `riddle` in Sophocles Oedipus Rex, a drama about the ancient Egyptian city of Thebes, `What walks on all fours in the morning, two in the afternoon, and three in the evening?` The answer is, `Man` and Oedipus, the questioner, assumes that`s good because it means him and he`s solved the `riddle` but he doesn`t know the meaning of the answer, and the meaning is that man is blind and needs a cane because, in biblical terms, he`s Cain the murderer. Oedipus discovers this as the play runs its course because he murders his father and blinds himself as a self-punishing for his crime.



 The Graeae are all women and so they don`t have a man because they don`t need one. That`s why they represent a baby `Woman`, because she`s a species. In the Bible there`s a similar passage in which a `woman` is described, `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` Men assume that means her, whereas it means them because she`s a slave of pederasty, which has been the model of Western civilization since the ancient Greeks began to spread their contagion of war and enslavement of the `host` wombs of women by first enslaving their own women at home for pederasty and then attacking nearby cities, which ultimately produced `Greek` biological warfare against women`s `host` wombs in the form of HIV/AIDS and, because of the shortening distance between neighbours due to air travel, 9/11.



 Before the walls of Troy, the Greeks used a huge wooden horse, which they hid inside and the Trojans welcomed into the city as a gift for the goddess Athene, whose symbol was the horse. Emerging from their hiding place, the Greeks enslaved the `host` wombs of the Trojan women for further pederasty and war. On 9/11, 2000, Arabian terrorists used their welcome to disguise themselves as tourists and hijack `civili` aircraft as `Trojan horses` to crash them into the Twin Towers of New York and spread their contagion further.



  In 2000 Britney Spears released the pop video CD Oops I Did It Again in which she suspends her spaceman visitor after hooking him by his backpack in her red plastic suit and winching him up until he`s able to look down upon herself in a white bikini dress. Attached to his spacehelmet is a camera and beside him are what appear to be the tines of a giant`s fork. The `giant` motif is underscored by her appearing at the video`s commencement descending inside a giant`s ring, which denotes the smallness of the woman inside it. The astronaut is in Apollo NASA `period costume`, and the allusion is to Neil Armstrong, `One small step for a man, one giant leap for mankind,` who was the first man on the moon. The apparent setting for Oops I Did It Again is Mars, which means that Britney, inside her giant`s ring, is `One small step for a woman, one giant leap for womankind.` In terms of the Graeae myth, it`s one vision, one mouth and one foot. Because Britney Spears appears in a red plastic suit on Mars, and a white bikini dress, she`s a reproductive species of woman and that`s `futanarian`, which is why the spaceman with his visor resembles a toe. Although he first set his foot on the moon, she`s the first `futanarian` on Mars.



 Jesus` birth from the Virgin Mary meant that he was `woman`s seed` uncontaminated by male semen, and so Jesus` teachings of `Redemption` mean that `Man` can be saved if he isn`t serpent`s seed`, but `Woman` is the future of the human species. Just as four wives are a hand in Arabia with a thumb to control them because four wives are allowed to a man, so Britney Spears on Mars is the woman who, even though she has a penis and is a species in her own right, is prepared to go forward into the future as a `futanarian` while always putting her big toe first and leaving him at home until he`s big enough to put the ring on his finger, and not finger her for his pederast`s `ring`. Because `Woman` is enslaved by pederasty, that is, the `perpetual enmity` of the `serpent`s seed` for `Woman`, which in Revelation appears as the devouring `red dragon` of pederasty grown since Eden, but that waits in vain to devour the `New Redeemer`, who protects her from the `serpent`s seed` in its devourer`s wars against her.



 The tines of the giant`s fork beside Britney Spears` spaceman`s spacehelmet, as he films her with his camera in Oops I Did It Again, are a metaphor for the one vision, one voice, and one child that is `Woman`. The three Graeae represent, with their one eye, one tooth, and eyeless or toothless companions, who should decide if the others should eat or see. Because `Man` doesn`t want her to: it`s an ogre with one eye and one tooth, and is an idiot that wants to feed its `id`, which is the eyeless and toothless child of undeveloped `woman`s seed`.

  A faux pas is to `put one`s foot in one`s mouth` for having said something regrettable, whereas `sticks and stones may break my bones but words will never hurt me` is a proverb that all of  Jesus` teachings illustrate. But the simple message is that God listens, and if anything hears you that isn`t God, it`s evil. Consequently, it`s important to know what idiom means. How is it possible that a faux pas can be understood as `putting your foot in your mouth`? Because the idiots are stupid enough to kill you for a faux pas, and the `id` of the `serpent`s seed` is quite happy to arrange for the `woman`s seed` to be devoured through its `perpetual enmity` for `Woman`, with or without her own `futanarian` penis in her mouth, because she`s the human species and the aliens don`t want `woman`s seed` to live. Britney Spears` video for her CD single Oops I Did It Again begins `Yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah. I think I did it again. I made you believe. We're more than just friends.` `Woman` has to pretend to believe in `Man` because it`s not her species, and so she has to learn to `play the game` of duplicity. Her first word is `yea`, because `touchdown` on Mars confirms belief in God:


`Yea though I walk through the valley of the shadow of death,
I will fear no evil: for thou art with me;
Thy rod and thy staff, they comfort me.
Thou preparest a table before me in the presence of mine enemies;
Thou anointest my head with oil; my cup runneth over.`


 In Revelation the `New Redeemer` rules with an `iron rod` to protect the `woman`s seed`, and the woman who bore him is `hidden` after being carried to a `place of safety` on `eagle`s wings`. The rod is the device by means of which the good measure the distance between themselves and the evil. As Jesus says to the evil one when he seeks to tempt the first of `woman`s seed`, `Avoid me.` (Matt: 4.10) The rod is the power to see how far the evil are from you and to keep the distance between you. The staff is the shepherd`s crook, which is used like the hook in Britney Spears` Oops I Did It Again to lift the spaceman with his camera so that he can see. He`s able to see, but as Jesus says, `Touch me not.` (John: 20. 17) If you can see the evil coming, you can avoid them, and you can help anyone as long as they`re not able to touch you if you don`t want them to.

 In her red plastic suit Britney Spears raises her visitor spaceman by means of her `shepherd`s crook`, that is, her hook and pulley, so that he can see herself in a white bikini dress. The meaning is that she doesn`t want her `futanarian species to be touched by `Man` if she doesn`t want him to, and she`s the measure of him. The tines of the giant`s fork are suspended beside the spaceman`s helmet, so from the spaceman`s point of view the giant is measuring the distance between itself and the woman beneath the camera. In other words, `Woman` is the measure of `Man`, and Revelation says that the `red dragon` waits in vain to devour her. If `Man` were to be such an idiot as to eat her himself, the devourer would win. `Woman` isn`t that big idiot.


Man, Brain and Penis Dysfunction in Britney Spears` Oops I Did It Again

14/09/2013 08:59

Man, Brain and Penis Dysfunction in Britney Spears` Oops I Did It Again


Britney Spears` video for the CD single Oops I Did It Again (2000) features the eye of the camera. Appearing as three distinct personalities in the course of the action she represents the Graeae of Greek mythology who share a tooth and an eye because they represent the development of a woman. Upon what appears to be the red planet Mars, observing through the eye of its control centre, `Mission Control` tells its spacesuited astronaut , `Earth to Mars Lander. Report status please.`  The Apollo style spaceman replies, `Mars Lander here. Oxygen status 98%.` Penis inflation requires blood, and the general opinion is that the brain`s functioning is focused solely on sexual intercourse during arousal, which means a loss of reasoning power in favour of lust and so it is necessary to interpret the meaning of the video with the mind in order not to be evil.



 Desire is what Britney Spears arouses in the penis, but the myth of the Graeae is of the three women who have one eye and one tooth, because its one mouth and one vision, which they must share, and although nothing is said about the penis, `futanarian` women have a penis of their own and so constitute a nascent species` alternative to `Man`. God tells Eve there`ll be `perpetual enmity` between `woman`s seed` and the serpent`s before `woman`s seed` receives a `perpetual body` and a `new heaven and Earth`, which is why Jesus` birth is from the Virgin Mary because he`s `woman`s seed` uncontaminated by male semen.



 In Oops I Did It Again Britney Spears appears in a tight plastic body suit, which clearly reveals no dimensionality with regard to the penis, but beneath her spaceman suspended above her in a white bikini dress, so that he can film her with the camera attached to his spacehelmet, she may have a penis of her own, and because the astronaut has been raised above her by herself in her red plastic body suit by means of a hook and pulley, Britney in white constitutes a second self, so it`s not possible to know whether or not she has a penis underneath her bikini skirt, but she might because it`s an alternative.



 In the next scene Britney`s spaceman presents her with a gift, and she runs towards him in her red plastic body suit, before launching herself to spin through the air and land in front of him. The eye of the camera follows her progress, and she transforms as she spins so that she`s wearing a white blouse and black skirt with matching black boots when she accepts from the spaceman a black box:


`But I thought the old lady dropped it into the ocean in the end?



 The reference is to Rose from the Titanic (1997) movie in which she drops the heart shaped blue diamond, `the `heart of the ocean` into the sea where the Titanic ship is being salvaged many years after it sank on its 1911 maiden voyage from Liverpool, England, to New York in the United States of America and hit an iceberg enroute. The token of sadness is for her dead lover, who drowned after assisting passengers to the lifeboats. Boarding the ship as a fiancée, she finds herself abandoning him for a lover who paints her nude wearing the pendant, and the jilted fiancée attempts to frame him by placing the diamond in his coat pocket and labeling him as a thief.



 In Britney Spears` video Oops I Did It Again her astronaut visitor, having  put into her hand the black box, which symbolically contains the `heart of the ocean`, that is, the blue heart shaped diamond from the Titanic, says:


`Well, I went down and got it for you baby.`


 In Revelation the `woman clothed with the sun and with the moon at her feet` gives birth to the `New Redeemer`, and the `heart` of the infant would be located in the belly of the woman before birth which, according to the chakra system of developmental energy centres located upon the human spine, according to Hinduism, places the child between the moon of the Swadhishthana chakra in the sacral or the child bearing hip region of the body, and the sun of the Manipura chakra, which is called `the city of the sun`, and is located within the solar plexus or womb of `Woman`. The blue diamond and `heart of the ocean` represents the infant `New Redeemer` before the breaking of the birth waters .



 In the Swadhishthana chakra is a crocodile, which exists as a symbol of primeval instinct, which in the developmental psychology of Carl Gustav Jung (1875-1961), represents that libidic energy which receives transformation in the course of individual development or consciousness rising, which is represented by the Hindu chakra system of energy points along the spine that culminates at the `crown` or Sahasrara chakra above the mind. However, the crocodile is also a symbol of the devourer, which drives the individual on to feats of great endeavour and accomplishemt, before the ego succumbs to the contagion of pederasty and war, which the individual ego perceives all about itself as the behaviouralist pogrom devised for it by the evil alien reptile since Eden. In the Titanic movie the jilted fiancée is the reptile who seeks to prevent the `heart of the ocean`, that is, the child of Rose`s love, from being borne by her, which is why the Titanic hits the iceberg. He`s the devourer.



 Britney`s descent inside a giant`s ring at the beginning of her Oops I Did It Again video represents the ring of the devourer, which it is impossible to escape because men are the evil alien parasitical viralities that prey upon `woman`s seed` and want to keep `Woman` in thrall to its desire to devour her in `perpetual enmity` forever:


`All aboard!`



 The allusion in Oops I Did It Again to the boarding of the ship, the Titanic, as she somersaults through the air to stand In front of her spaceman guest and receive the gift of the `heart of the ocean` in the black box, also refers to the lifeboat, and the iceberg in the ocean that sank the Titanic as a tooth in the mouth of devouring undeveloped instinct, which corresponds to ignorance, and is depicted in Revelation as waiting in vain for the `New Redeemer` because development will win.



 Suspended above Britney, wearing her white bikini dress, the tines of a fork are visible next to the helmet of the astronaut, which suggests the devourer is a giant, and in Revelation the `red dragon` grown in size since it`s inception, as the `serpent`s seed` of Eden, waits in vain to devour the `New Redeemer`, who is to protect the `hidden` woman of the Earth carried to a `place of safety` upon the wings of an eagle, according to Revelation, where she waits for the `new heaven and Earth` God has promised to give to `woman`s seed`.



  If Britney represents the Graeae, the eye of the camera, which she shares amongst her three selves, is the Graeae`s eye, and the tooth is the symbol of the one mouth with which they speak rather than the one mouth of the devouring ogre, which speaks with many voices but has only one ambition, to eat her. Ancient Greece is the model for Western civilization, but enslavement for women`s `host` wombs in homosexual pederasty is how the Greeks spread their contagion of war and enslaving pederasty, which is the mouth of the devouring ogre, and not the voice of `woman`s seed`, which speaks to the eyes. If `woman`s seed` desires herself sexually, it`s competition for the evil alien parasitical alien virality that is the pederast who has enslaved her `host` womb, and has been keeping her in fear by waging the `biological warfare` of HIV/AIDS against her since the early 1980s.



 The `hidden` woman of the Earth is `futanarian`, with a penis of her own, which has a lot of haemoglobin or oxygenated red cells when inflated, because that`s how oxygen travels. Consequently, `98% oxygen` on Britney Spears` Mars in Oops I Did It Again is for the war god, who in Roman mythology is brainless but aggressive, which is what kind of men are wanted in pederasty and its contagion of war and the concomitant `killer disease` HIV/AIDS constitutes the `blood plague` of Revelation sent by God to force men to convert and accept Jesus` teachings of Redemption, or experience eternal unendurable pain for refusing:


`Men cursed the God of heaven because of their pains and their sores but refused to repent of what they had done.` (Rev: 16.11)


 Britney Spears on Mars isn`t the Roman war god, which suggests that Mars has been conquered by her, and as she has a penis of her own,` 98% oxygen` on the Mars of Britney`s Oops I Did It Again represents an inflation that won`t interfere with the socio-economic potential of the species `Woman` as an independent producer and product on God`s behalf in the `new heaven and Earth` promised `woman`s seed` in Revelation, but the inflated penis of `Woman` does represent a socio-economic threat to her enslavement by the evil alien virality, that is, the `perpetual enmity` of the `serpent`s seed` for `woman`s seed`, which is what men represent. Because they don`t have a socio-economic valence of their own as producer and product inofar as they lack the `host` womb to function as God to humanity. In Revelation the `hidden` woman is carried on eagle`s wings to the desert where she waits. `The Eagle has landed,` were the words spoken as Apollo 11 prepared to put a first foot on the moon:


`One small step for a man, one giant leap for mankind.`1



 If Britney Spears` foot is smaller inside her giant`s ring on Mars, it`s a bigger step for mankind if she has her own penis and is an independent species as `futanarian`. The wings of the American eagle are symbolically her deliverer, and the `New Redeemer, who is Jesus Christ in his `Second Coming` is `he who shall rule with an iron scepter` over the Earth to ensure that her deliverers remain protective. The protection racketeers have lived amongst us as the evil `serpent` seed` because they feign caring. In the Bible the `number of the beast is the number of a man and his number is six hundred three score and six`, which is 666 and the reverse of the telephone number of the police (999) in most of the world, as 9/11 was the reverse of the number of the police in the United States of America, which is 911.



 Just as the ancient Greeks spread their contagion of pederasty and war by means of faking friendship, such as the huge hollow wooden horse before the walls of Troy, which taken into the city permitted the Greeks to emerge from within and enslave the `host` wombs of the women there for pederasty and further war, so the Arabian terrorist hijackers that flew planes into the Twin Towers of New York on 9/11 were spreading the contagion by faking friendship as visitors to the United States of America, which is what HIV/AIDS cells do with the white cells of the body`s immune system in order to infect and kill it.



 9/11 was the attempt to promulgate the contagion of pederasty and war to kill developed humanity, symbolized by the `Big Apple` of New York`s Eve`s wisdom garnered since Eden, and the evil serpent`s offer of enslavement in a `rough trade` of pederasty for power over others through war and death, which is `the wages of sin` for which God expelled Adam and Eve from Paradise.



 The globe`s security forces live among fearful populations standing to attention made to feel as if they should perceive that they`re protected, whereas humanity is being shunned. What the `beast` is saying is that `woman`s seed` is inferior, and the `protect shun` racket is being practiced against `Woman` by having everyone stand to attention as if patrolled by guards, which is what men are in the imprisoning `concentration camp` of enslavement and devouring pederasty within which `woman`s seed` lives. `Woman` is the producer of God`s product, that is, art, culture and civilization, through the `host` wombs of her body, and the evil alien parasitical virality, that is, men, periodically devour her in their  ceaseless wars of `perpetual enmity` against `Woman` and her Earth.



 Standing to attention as if made to feel respectful for those who are actually shunning the human is sexual lying. The image is of a virile man with a strongly erect penis, but with clothes the picture is an illusion promulgated by the evil serpent as the `father of lies`. It`s an old method of the pederast to suggest cowardice because the boy doesn`t look brave, and so the evil `serpent`s seed` is able to persist while sending the new crop of babes to whichever Gettysburg, Rourke`s Drift or Somme is currently available for the devourer to consume lives as `cannon fodder`.2



 Standing to attention appears virile but isn`t penis driven, which is what fools the sex drive. The delusion is that manliness is an erect body demanding fear, which is what security guards in supermarkets, banks, post offices, and other places of daily routine represent: false heroism. As a role model the false hero is perceived as erect and virile, but without its clothing the serpent is a symbol of repression because women have a penis of their own as a `futanarian` species, which has been enslaved by the false heroes`rigid stance, which an artist might label, ` posing with erection suggested` that might fool the innocent into believing that there`s something to respect rather than to fear. Obviously the boy fears being naked with the coward, who refuses to take off his clothes and be revealed to be not wearing any, as the boy in the Hans Christian Andersen folktale The Emperor`s New Clothes observes when the naked king appears who`s been told he looks grand in his new threads but is actually unclothed and knows it. Unfortunately, the gullible perceive that the false heroic pose that shuns them is an accusation of cowardice from a pederast and immediately hurl themselves at the cannons in such binges as World War II and the Gulf wars.



 In Oops I Did It Again Britney Spears observes that, with one eye and one mouth, `Woman` has had to raise herself as a species, whose development has been arrested by the falsely heroic `policeman` standing to attention to feign protection like the HIV/AIDS cell pretends to be a part of the body`s immune system before infecting and killing it. The `policeman` pose is `protect shun` racketeering, which a smalled Britney Spears` descent inside a giant`s ring in Oops I Did It Again symbolizes. Her threefold role as Graeae refers to `Woman` as a species with her own penis, because although a woman without a penis may be impregnated by a woman with a penis, the woman with the penis may still want to be impregnated, and therefore `Woman` is threefold. Britney Spears` Mars has 98% oxygen because the penis of `Woman` requires more oxygenated blood to inflate because it`s generally bigger than the male penis of its apparent symbiote, which feigns interest in her sexually, but is her devouring parasite and the art, culture and imagination, which the innocent of her human species produce from her `host` womb emerges only for the evil alien to devour in its wars of enslaving pederasty as it seeks to spread its contagion of `perpetual enmity` against her Earth and further.



 Because oxygenated blood is needed for the penis to inflate, sex between more than two people represents the dangers of `penis envy`, because a deflated penis can see what it would like but can`t have because it isn`t ready. Consequently, the number of brains in the room will decline to the extent that `penis envy` prevails because the parasite of enslaving pederasty and war will kill those who are sexual to ensure its continuance and spread its contagion. Because `Woman` has a threefold reproduction and production system, `penis envy` is `relative`, which is what the Greek myth of Oedipus is designed to illustrate in the drama by the ancient Greek Sophocles, Oedipus Rex.



 Oedipus kills his father in an altercation. He hasn`t known his father, and marries Jocasta, his mother. When he discovers his mistake, he blinds himself because of the incest taboo, which might exist to prevent a younger penis from replacing an older and wiser man. But in pederasty, which is `Greek`, men don`t represent wisdom, whereas `woman`s seed` does. In simple terms, Oedipus and his father are blind anyway, because they`re pederasts in Greek, which is why Oedipus doesn`t `know` his father in the biblical sense of the word, that is, `pederasty`, which kills all those who can see, and so the number of brains in the room diminishes because the alien enslaver doesn`t want `Woman` to breed as an independently free species and escape from the evil devourers.



 The pederast encourages the gullible to believe that they`re brave with their clothes on, which suggests to the ignorant that keeping one`s  clothes on is brave, and so wars are keeping one`s clothes on in order to demonstrate bravery to the cowards who are afraid to be seen naked together, which is the truth. Penis envy would result in more pederasts and less brainpower from `Man`. Homosexuals aren`t interested in `woman`s seed`, which is why the evil alien promotes keeping its clothes on; to spread its contagion of war and enslavement of women`s `host` wombs, and send `Man` to his deaths. In pederasty action takes place with the clothes on, and that`s why MBC Action, which is one of the most important movie channels in the Middle East, can be cited as a cause of the Gulf wars, because 9/11 `live on CNN` was what the Arabians had been taught by Hollywood was sex `action` by the United States of America.



 In Oops I Did It Again Mars is inhabited by Britney Spears and her dancers for the video, and the impression is of preparations for a Roman orgy, which would necessitate the exposure of a lot of human flesh and penis. In `penis envy`, idiomatically` the `eyes are bigger than the belly`, which means  that desire for women at a `Roman orgy` is brain activity but the brain of `Man` isn`t conscious enough to perceive that it`s the penis of the woman, which is satisfying her. The males perceive that they`re receiving sexual gratification, but not that their penis is that of the women. The individual ego of `Man` has been taught by Jesus, `Love your neighbor as you love yourself,` which is the perception that each penis is spiritually a collective, but egos perceive bodies as independent entities, and are correct in so doing because, as Jesus` torture during his crucifixion for sedition by the Romans illustrates, he`s the one feeling the pain.



 Because blood flow to the brain is replaced by blood flow to the penis during desire the brain is functioning in a different way, which relates to the notion of `woman`s seed`. If the penis of `Woman` is absent, the penis of her parasitical devouring alien is present, which means the presence of `Man` would be recognizable at a Roman orgy because he would want to receive sexual gratification from the women, whereas the evil `serpent`s seed` would be concerned with his murder so that his brains would be removed as opposition to their enslavers` ambitions.



 Jesus` life is that of the `Man` whose penis has escaped the orgy but he can`t flee forever from the revenge of the pederasts, which means he`s a freedom fighter for `woman`s seed`, and so his birth from the Virgin Mary uncontaminated by male semen marks him as special from inception to Resurrection and Ascension to heaven.



 Jesus is identified both with the `Word of God`, `In the beginning was the word and the word was God,` and Logos, which is progress through the development of instinct into spirit, that is, intellectual brainpower, is what we call technology, and a higher level of technological satisfaction represents the detachment of the brain from penile desire, which is figuratively what happened in `1969 when the lunar module landed on the moon and Neil Armstrong walked there after discarding the rocket that got Apollo 11 there. Throwing their brains away in SDI`s `game plan` of holding the moon and preparing to hurl rockets with nuclear warheads at the Earth may be satisfactory from the perspective of the prevailing paradigm of the devouring alien pederast, but not from the point of view of `Woman` as a species with her own penis and socio-economic and technological goals.



 Jesus` birth as `woman`s seed` uncontaminated by male semen and God`s promise of a `new heaven and Earth` to `woman`s seed` suggest that the technology of `woman`s seed`  is based on the penis` developmental functionality. The system on Earth isn`t human because it`s technology is concerned with satisfying an alien appetite for destruction, which is male and parasitical, because ``Woman` as a species with her own penis is independently human and not male.



 In terms of the Roman orgy, `Woman` has already been removed from the scene, because her `brainpower` represented a threat to the aliens, who could see by her capacity to express sexual desire for her own species that she was human development and not alien. In terms of the aliens` enslaving system, human sexual desire for `woman`s seed` by `Man` is anathema to its plan for devouring the `Woman` in an endless cycle of raised hopes in new art, culture and civilization that correspond to the rise of Empires in male socio-economic terms and their fall due to the devouring political expediencies of enslaving and devouring pederasty and war.



 The brain power of the human is measurable directly in proportion to the size of its penis, because of the potential to transform the libidic energy represented into spiritual and intellectual work, which seems regressive but, in terms of individuational psychology, that`s what sexual drive is for when directed to technological development, and so Jesus` celibacy is celebrated by the slave driver because it provides the basis for a society driven by penis taboo and sexual starvation of a human species that has only two physical valences, sex and food.



 In emphasizing low level technological development to maintain species` imprisonment for `Woman`, the role of the devouring male is made clearer. Having repressed the penis of `Woman` almost to extinction, the male has repressed its own penis` capacity for technological development. At the point of space travel it holds `Woman` upon the Earth from the moon and threatens her with what US President Ronald Reagan in 1983 described as  a ground and space based missile delivery system known as Strategic Defense Intitiative or `SDI` but which corresponds to the size of its new penis from the perspective of an enslaving and devouring alien that had only borrowed her `host` womb as a parasitical virality to ensure its continued slaying of her.



 In a Roman orgy with male aliens the sexual desire of the human is recognizable by enslaving pederasty and the devouring aliens, which means that the humans will be killed and the aliens will live. The absence of the penis of `Woman` from the stage means that the `perpetual enmity` of the `serpent`s seed`, which is described in Revelation as the `red dragon` grown since Eden and waiting in vain to devour Jesus in his `Second Coming` as `Man`, is now being directed towards human remains because the devourer is believed to win. Britney Spears` giant`s ring in Oops I Did It Again is the ring of the devourer, which is plain because of the tines of the giant`s fork placed temptingly beside the spaceman`s helmet as he hangs above her toothsome form in its white bikini




 Britney`s dancers look human because they`r e not participating in the elided Roman orgy, which the video suggests her `smalled` conquering Venus descending inside the giant `devour ring` is to participate in, because she`s edibly bite size to the viewer, which is the perspectival programming that the tines of the giant fork beside her astronaut`s space helmet is designed to promote as he films her from above, and in film terms that`s a `snuff` movie. In other words, her dancers are depicted as a `snuff movie crew`, which is alien to humanity.



 Penis functionality is unnecessary to brain function from the perspective of the technologically satisfied, but the socio-economic valence of `woman`s seed` is sexual and technological, and isn`t satisfied. Male technology is that of the devourer. Once sexual satiation is reached the male seeks to devour the female, that is, when technological superiority has been achieved, the brain is disconnected from the penis` libidic developmental energy as its transformer of instinct into spirit/intellect. Because the orgasm of `Woman` is slower to build towards its climax, sexual depletion in the male requires further males or what the 21st century sex technologists have created as a sex machine.



 The Roman orgies were ostensibly for the satisfaction of women when males were sexually depleted and the rotation of availably erect members was the purpose of the orgiastic rituals of `service`, but the penis of the male was the enslaver and the Roman orgy would take place so that the sexual could be murdered by the asexual, which how such secret organizations as the Briitsh military`s `Special Air Service` (SAS) arose.



 The Arabian predecessors of the British Special Air Service were in Afghanistan, where the Old Man of the Mountain, Hassan Ben Sabbah, would drug young men into believing that what they then experienced was Paradise on Earth, before sending them on suicide missions to depose political opponents of Islam with the promise of Paradise after success. 9/11 was a suicide mission designed by Afghanistan`s latest Old Man of the Mountain, Osama Ben Ladan, to reestablish `rough trade`, that is, a return to pederasty and war, by having Al Qaeda`s terrorists crash planes into the Twin Towers of New York`s World Trade Centre. The triumph of the asexual alien is the United States of America`s acceptance of the plot: penis envy.



 Because pederasty is enslavement of `woman`s seed`, murder and blindness is the means of establishing it. The removal of the brains of `Man`, which is what the terrorist attack on the `Big Apple` of New York`s WTC on 9/11 represented insofar as it reestablished the `game` of pederasty and war that had been going on since the USA in 1979 began supporting Osama Ben Ladan`s Taliban insurrectionists against the Soviet Russian backed regime in Afghanistan and  Iraq`s Saddam Hussein in his war against Iran, which had fallen to Islamic revolution in 1976.



 `Woman` with her own penis represents the `futanarian` threat to the ambitions of the enslaving aliens of asexual pederasty. If `woman`s seed` is Jesus` Holy Spirit driven desire for escape to the `new heaven and Earth` promised by God and obtainable through the socio-economic valence of woman`s own penis` technological development program, the `hidden` or `futanarian` woman and her `seed` is what the aliens of devouring pederasty and war want to remain `hidden` and taboo, which is what the story of Oedipus` self-blinding, due to his unwittingly incestuous marriage with his mother, Jocasta,  prefigures.



 Oedipus is a prefiguration of Christ insofar as he is ultimately unable to live because he wanted to. His blindness is a metaphor for his inability to accept `Woman`, which is what Jocasta tells him when she says that the incest is a thing of little consequence for her. In species` terms, Jesus is `woman`s seed` and accepts that, because he`s born from what amounts to incest, insofar as he`s born uncontaminated by male semen from the Virgin Mary and so is `futanarian` in design, which is what Jocasta`s indifference to the incest taboo means. She`s uncontaminated by the male taboo against seeing and living with `Woman`. Men are born with the taboo against seeing and living. Because their fathers prohibit them from their mother, or their sister and other close female relatives, which isn`t a factor to consider if `woman`s seed` is understood to be `futanarian` woman with a penis because sexual access to females is then so simple as to be unremarkable.



 9/11 was a Roman orgy insofar as it was a setting for the assassination of `Man` by pederasty`s promotion of war, which was at the orgy for the sole purpose of murdering the brains of `Man` if he showed his interest in sexual activity with the females. The asexual suicide attack on the `Big Apple` of Eve`s wisdom in New York aimed to take the men of America to a pederast`s party in which the true goal was the expression of the parasites` cycle of activity once out of the `host` womb of `Woman`, which is the cancerous destruction of the art, culture and civilization she manages to produce through `woman`s seed`, that is, Jesus` Holy Spirit, insofar as it has been able to give `Man` Redemption from its devouring parasitism.



 As Venus on Mars Britney Spears in Oops I Did It Again  represents the brains of the penis of `woman`s seed`, which isn`t visible in terms of its brainpower, but the symbolic Graeae tapestry of the three aspects of Britney Spears sharing the camera eye as a toothsome female beneath a  giant`s fork and smalled inside a giant devourer`s ring in the midst of allusions to the tooth-like iceberg of the Titanic movie that, although it swallowed the `heart of the ocean` blue diamond, `Man`, in the shape of Britney`s astronaut in Oops I Did It Again, has put on the diving suit of the depth psychologist and has descended into the waters of the unconsciosus `Self` of `Woman` in order to salvage her species from extinction.

 The Roman orgy metaphor is the most important aspect of the video`s setting in Oops I Did It Again, because the inflated penis of `Man` represents the human brain`s desire to live with `Woman` and the desire of `futanarian` woman with her own penis` desire to live with herself. In an orgy attended by asexual assassins concerned to propogate pederasty through enslavement of `woman`s seed` to maintain its alien `perpetual enmity` for her in its endless wars against her `seed`, the brains of the humans are removed by murder and so the vision of humanity is blinded to what was its destiny amongst the stars.

 The analogy is of the blood oxygenation required for brainpower, and in Oops I Did It Again on Britney`s Mars oxygen is `98%` so denotes the power of the `woman`s seed`. Because it doesn`t envy its own penis. In a Roman assassination orgy the number of brains in the room decreases to the extent that the brains of `Man` are using oxygen that the penis` desire for inflation wants for itself. The penis` desire to inflate wins over the brains desire to function, and collective brain death ensues amongst the humans because the penis envies the oxygen being used by the humans` brains, which the aliens of pederasty and enslavement recognize and, manifesting as demonic possession, kill the brains that are using the oxygen, which the penis wants for its inflated megalomaniacal desire for orgasm.

 As an independent  species` alternative `futanarian` woman with her own penis has the advantage of not being envious of other females` sexual possession of the female because she is female, which means her brain will continue to function because she`s entirely human. The `serpent`s seed` doesn`t want `Woman` to progress technologically and escape from the Earth, so `woman`s seed` is the `hidden` or `futanarian` woman with her own penis as the independent human species.  But  she doesn`t appear in public because the aliens have killed her before, and they don`t want the human species of `Woman` to remember.

 Jesus Christ`s teachings of Redemption through the Holy Spirit are of the `perpetual body` created through such `elixir of immortality` technologies as rejuvenation, and the erasure of disease through medical advances in science, while Christian forgiveness is opposed to the `perpetual enmity` of the evil `serpent`s seed` and its ceaseless vendettas against `Woman` as the human species. The eternal body of `Woman` is the memory of her experiences with her alien antagonist manifesting itself as pederasty and war, but without knowledge of her enemy she can`t fight for freedom, and so myths of self-blindings and taboos against incest are evil obfuscations designed to prevent `woman`s seed` from being able to recognize and remember its ancient enemy, the `father of lies`.


1 UTC 2.56 July 21 1969. 

2. Gettysburg (1863) was a battle in the US Civil War, Rourke`s Drift (1879) was a battle in the Zulu wars fought by the British in Africa, and the Somme (1916) was one of several battles of World War I that resulted in carnage and the almost depletion of male populations in towns and cities throughout Europe, so the pimps could enslave the women`s `host wombs for whoredom and future pederasty, which is what protection racketeering is about.


Britney Spears And The Hungarian Race Into Space

14/09/2013 08:58

Britney Spears And The Hungarian Race Into Space



Hungarian scientists in the USA are traditionally known as `the Martians`: `The production of scientists and mathematicians in the early 20th century was so prolific that many otherwise calm observers believe Budapest was settled by Martians in a plan to infiltrate and take over the planet Earth.`1 In Britney Spears Oops I Did It Again the astronaut visiting her planet, which appears to be Mars, has the call sign `Mars Lander`, whereas NASA`s actual Mars Lander was an `unmanned` space vehicle designed and built by Hungarian `Martians` in Budapest to explore planetary bodies. The logo of the most recent Hungarian venture into space is the `Puli` sheepdog, which is the breed that works during the day while the `Komondor` sheepdog works during the night. It`s relevant because Britney`s Oops I Did It Again features a `pulley` by means of which she, in her red pilot`s suit, hoists her spaceman, that is, the `Mars Lander`, according to his designated `call sign` from `Mission Control`, above herself in a white bikini dress, so that he can film her with his camera.



There are Hungarian `Martian` references in Oops I Did It Again, which relate to modern telecommunications. Just as the British science fiction writer Arthur C. Clarke was credited as the `inventor` of the telecommunications satellite he `proposed` in 1945, and which appeared in his science fiction, so the fork beside Britney Spears` spaceman`s helmet, as he`s hung suspended above her, is a `proposal` of `bluetooth` technology. In Hungarian `kék` is `blue` and `fog` is`tooth`, so `fork cake` is what Britney Spears` `fairy` represents beneath her astronaut`s camera. In the vernacular, she`s `eye candy` for a `sweet tooth`, but her literary allusion is to the science fiction heroine of Robert A. Heinlein`s Podkayne Of Mars, who has a Martian friend who`s a `baby fairy`. Her brother is Clarke, and the story`s denouement revolves around how Clarke takes care of Poddy`s `baby fairy` while she`s incapacitated.



In terms of science fiction, Britney`s Oops I Did It Again is in the tradition of Arthur C. Clarke and Robert A. Heinlein as `inventors`. Just as Arthur C. Clarke was accredited with the invention of the communications satellite, so Heinlein, Isaac Asimov and L. Sprague De Camp were science fiction writers who were also `hands on` technicians credited with developing the spacesuit for the US Airforce`s X-15 `plane into space` programme, and other pre-1969 moon-landing high pressure suits designed to withstand altitude inducing blackouts, `the kind of high-altitude flying suit that fore-shadowed today's space suits`,2 which Heinlein describes as the `inventor` in his last juvenile for children, Have Space Suit Will Travel (1958) and which Britney again alludes to in the title of her album Blackout (2007) In his Space Family Stone (1952), which had to be retitled from The Rolling Stones, because the rock band objected, Heinlein introduced another of his famous creatures, the `Martian flat cat`, which Heinlein allowed to be used in the science fiction TV series Star Trek episode The Trouble With Tribbles (1967) in exchange for a signed copy of David Gerrold`s script:


`It had no discernible features, being merely a pie-shaped mass of sleek red fur a little darker than Castor's own hair. `They're affectionate little things and many of the sand rats keep them for pets - a man has to have someone to talk to when he's out prospecting and a flat cat is better than a wife because it can't talk back. It just purrs and snuggles up to you.`



In The Trouble With Tribbles the creatures get into the cargo hold of the starship Enterprise and eat almost the entire contents of a shipment of grain bound for a planet where the colonists need it. To compond the problem the tribbles reproduce by fission and more rapidly if they`re well fed. Consequently, the Enterprise is overrun by the `… affectionate little things … better than a wife ..,` according to Heinlein, and they look very much like the Hungarian Martians` `Puli`, which is the basis for both their logo and the design of their spacecraft, which even more directly relates to Heinlein`s Space Family Stone because of the reference to `Castor`s own hair`. The Hungarian `Puli` is unique insofar as it looks like a tribble, and the Hungarian `Martian` space vehicle prototype has features that Castor, brother of Pollux in The Space Family Stone (1952), but present in the Hungarian space explorer as the castors it employs in order to manoeuvre upon the planetary surfaces it`s designed to explore.



Castor and Pollux`s twin sisters were Helen of Troy and Clytemnestra, the wife of Agamemnon, who authorized the Greek ships to capture Troy when Helen, the wife of his brother Meneleaus, was taken to Troy without his consent by the Trojan prince Paris. In terms of Oops I Did It Again, Britney, once voted `most beautiful woman in the world` by Hello magazine (2008) readers corresponds to Helen, who was reputedly the most beautiful woman of the ancient world, and her twin Clytemnestra, because she appears in Oops I Did It Again as separated quite clearly from herself in the white bikini dress beneath her spaceman`s camera eye when, wearing her red suit, she raises him up above her by means of the `pulley`.



The story of Troy reflects on the role of women in ancient Greek society in which women`s wombs were perceived as the `host` of male warriors to take cities like Troy and spread their contagion of virality further. Against Troy the Greeks employed the device of the huge wooden horse which they left outside the Trojan`s city as a seeming `gift` and the Trojans took the horse within the walls where the Greek soldiers emerged from within its hollow insides to capture the city and enslave the wombs of the women for homosexual pederasty and to spread their plague of war aims onwards. The Greek horse has been viewed as a metaphor for HIV/AIDS and so `Trojan` is a condom brand name in the USA. Because the HIV/AIDS` `cell `feigns friendship` for the defender cells of the body`s immune system in order to kill it, 9/11`s terrorists` `feigning of friendship` at Logan airport, Boston, Massachussetts, and their employment of hijacked planes to crash into the Twin Towers, is similarly a viral metaphor for men`s valence of homosexual pederasty.



If Britney is Helen of Troy then her acceptance of the `gift` that her spaceman gives her in Oops I Did It Again is significant. Because the Trojans accepted the gift of the Greek horse which resulted in the enslavement of the host wombs of the Trojan women by the Greek warriors for war and further homosexual pederasty. Britney asks:


`But I thought the old lady dropped it into the ocean in the end?`



In the movie Titanic (1997) the `old lady` drops the `heart of the ocean`, a blue diamond, into the sea at the point of the passenger liner`s resurrection from the deep where it had lain for almost a century before an attempt was made to salvage it after it sank on its maiden voyage from Liverpool to the USA in 1911 after hitting an iceberg. Rose`s memorial is for her lost love who drowned while attempting to assist people to the lifeboats. Britney`s spaceman replies :


`Well, baby. I went down and got it for you.`



If Britney`s a Martian `baby fairy` in this interaction, it represents Britney Spears` observation that her appearance beneath the tines of a fork as a `fairy` on her astronaut`s cake, that is, `fog kek`, which translates from Hungarian as `bluetooth`, is just as strong as Arthur C. Clarke`s claim to be the `inventor` of the telecommunications satellite, while the role of the astronaut, in the high pressure suit of the diver who brought Britney the `heart of the ocean`, presses the claims of Heinlein, Asimov, and De Camp as inventors of the spacesuit for innerspace, that is, the deep sea diver`s.



In The Trouble With Tribbles the premise was that of the life form that appears harmless but is actually dangerous, which is what men who espouse the valence of homosexual pederasty are. In her red suit Britney suspends her spaceman above her as a camera to film herself in a white bikini dress, but he is helpless, which means he can`t express his valence or that of `Mission Control` who are attempting to direct his movements. From a Greek perspective, Britney in her red suit, and in her white bikini dress, correspond to the `twins`, Helen and Clytemnestra, whose acceptance of the spaceman`s `gift` in Oops I Did It Again represents the birth of the `blue diamond` of `bluetooth` from the `heart of the ocean`, that is, what the `inventor` has been able to develop from Britney as the anima-archetype of the soul or `Muse`.

In the developmental psychology of Carl Gustav Jung (1875-1961) invention is defined as the result of archetypes that appear from the unconscious mind in dreams, reverie, art, and the imagination. Either as abstract symbols or as figures that `speak` or demonstrate. According to Jung archetypes are a facultas praeformandi that exist as a valence within the duality of the unconscious and conscious mind but that seek expression through the individual`s developmental functionality, which is dependent upon their desire for spiritual or intellectual work rather than acceptance of an `animal` libidic or instinctual valence that would accord with men`s violent homosexual pederasty. In Oops I Did It Again the anima is split into two distinct and separate figures, that is, in her red suit Britney raises the spaceman and his camera by means of a `pulley` so that he can film her in her white bikini dress, and the valence is acceptance of the spirit/intellect, which is how the contents of the unconscious are transformed into consciousness.



In Christianity the spirit is associated with the Paraclete, which effectively emerged from the side of Jesus as the `Second Eve` from the side of the `Second Adam` when it was pierced by the spear of the Roman centurion Longinus at the death of Jesus after his crucifixion and before his Resurrection and Ascension to heaven. However, according to Jung, the anima or soul, which exists as an intercessor, or intermediary, between the unconscious and the conscious mind of the creative individual, is represented by the figure of the Virgin Mary in Christian icongography, that is, birth ex nihilo, which is the valence of the soul that functions as a psychopomp or guide to the ego in its desire for inventiveness to further the developmental spirit of humanity. Consequently, Britney in her red suit and white bikini dress are soul and spirit. In Jungian psychology, the flow of instinct to spirit is represented in terms of colour, that is, red to blue, which accords with Britney`s appearance in her red suit, and the emergence of `bluetooth`, symbolically brought as the `blue diamond` from the `heart of the ocean` by the spaceman as representative of the ego, while the spirit of the inventor, that is, intentionality, is represented by the spaceman`s camera filming herself in the white bikini dress.



In Revelation the `New Redeemer` is depicted as born from the `woman clothed with the sun and with the moon at her feet` while the `red dragon` waits in vain to devour her child. If homosexual pederasty and violence towards women`s Earth, represented by the red dragon`s valence of `biological warfare` against women`s `host` wombs by means of HIV/AIDS is a valence of the devouring alien parasitical virality of men, pictorial representations of women are the condom that would save her, which is why Britney Spears in Oops I Did It Again presents `bluetooth` camera technology as saviours of the species of woman. Anyone with an internet connection can see women as a species with her own penis, but the ability to see doesn`t confer the ability to contaminate.



The latest spacecraft from `Puli` and the Hungarian `Martians` has castors, and so might be understood as Castor`s, who was the human pair in his twin relationship with the divine Pollux. The `joke` of course would be that the Hungarian spacecraft is `unmanned` and so doesn`t have immortal bollocks. Although the reference to the `Gemini` space programme of the USA`s is implicit in the science fictional imagery associated with the Hungarian Martians` choice of the `Puli` as its symbol, that is, the tribble with castors, but without the bollocks of immortality attached to it.



Castor and Pollux were granted immortality by the god of ancient times as the `Gemini` constellation, which was chosen by NASA as the label for the pre-moon landing Apollo missions because the Gemini space missions (1962-7) were crews of twos. Launched from Cape Canaveral using the Titan II GLV launch vehicle, Britney`s allusion to the Titanic that sank after hitting an iceberg probably refers to the cancelation of the Gemini space programme after the X-15 pilots hit the iceberg of `blackouts` due to the insufficiency of high pressure suits at altitude. NASA`s Gemini space programme`s practice of discarding launchers by dropping them into the ocean after the second stage of the rocket that`d be the Gemini `orbiter` had detached itself from the rocket`s first stage was perceived as wasteful in view of the X-15 pilots` need for better suits.



In her red pilot`s suit Britney represents NASA`s X-15 `plane into space` programme that failed because of `blackouts` due to inadequate pressure suits, whereas in Oops I Did It Again her appearance in a red pilot`s flying suit suggests she believes the `plane into space` programme was discarded despite its being a better `launcher`. NASA`s Space Shuttle programme (1981-2011) confirmed concern over discarding launchers and reflected on `false economy` in the sense that space planes, although technologically difficult, may`ve been more `economic` in the long term.



In archetypal terms, the Titan II GLV corresponds to the `heart of the ocean`, because the `blue diamond` is the `gem in the eye` of the Gemini project, that is, `bluetooth` is space technology, which emerges from the sea of the unconscious contents of the collective archetypes so that humanity can develop. The role of the anima as `Muse` is not to be misjudged. Representations of women in the movies and elsewhere are optically developmental, because women are the mirrors of the desires of the soul. Although it should be remembered that humans have only two bodily valences; eating and sex. In Revelation the `woman clothed with the sun and with the moon at her feet` is giving birth to the `New Redeemer` while the `red dragon` waits in vain to devour her child, and Britney alludes to the devouring aspect of men`s homosexual pederasty and warfare when she places a fork`s tines beside the spacehelmet of her `cameraman` as, in her red suit, she hoists him by means of her `pulley` above herself in her white bikini dress. He represents the valence of the devouring male and the question with regard to the functionality of representations of women in the media.



At the outset of the 21st century movies like Scream (1981) and Saw (2004) exist as a valence of the terrorism, torture and murder of women by the serpent`s `seed` (Gen: 3. 15), that is, the `red dragon` of Revelation as the evil spirit of homosexual pederasty, which Jesus and Christianity explicitly rejected as a human valence 2000 years ago when the Messiah born from a virgin and so uncontaminated by the evil serpent`s `seed` or spirit was crucified. According to biblical commentators the `woman clothed with the sun and with the moon at her feet` corresponds to the Virgin Mary, and the `seed` of the `hidden` woman is described in Revelation as receiving a new heaven and Earth from God after her defeat of the evil serpent`s `seed`, that is, the `red dragon` of homosexual pederasty and its valence of violence and warfare, after war in heaven. The punishment of the evil is to receive perdition, largely because of a refusal to accept that woman is a species with her own penis and that the ogres of her Earth should be educated into not eating it and her, which is their current `economic` valence.



Because of woman`s nurturing capacity and her gestative functionality, that is, birth takes nine months, futanarian woman with her own penis, as a valence of the species `Woman`, is a better economic valence because she doesn`t represent the desire to devour her offspring. Despite the thousands of years that have transpired between the Greeks and Romans observing through the medium of their respective mythologies of the child devourers, Chronos and Saturn, which are `resurrected` in the figure of Satan, that is, the devouring `red dragon` by Christianity, fathers continue to devour their children. As homosexual pederasty is the valence men can`t reject, woman with a penis as the futanarian valence of her species is the nurturing and gestative economic option that offers the possibility of human development and the stars.



When Britney`s spaceman arrives he doesn`t have `wheels` in the sense that he hasn`t a visible means of locomotion other than his legs. Although he`s described as `Mars Lander`, which is a NASA spacecraft that has landed on Mars. As the epitome of the American football superhero in his spacesuit, he has completed `touchdown`, which is the label given to a team`s success in American football when they`re able to get the ball into the opposition`s `end zone` for the six points that is converted to seven when the ball is kicked between the goal posts situated on the line that demarcates the field of play from the `end zone`. In other words, Britney has a point to make in Oops I Did It Again, which is that you don`t need wheels to make a `TD` but you do need legs to get the point over.

 NASA`s space programme was handicapped. The `plane into space` was cancelled because it was a better valence for women. Britney`s point is her `seventh heaven`, which is that life amongst the stars for humanity is dependant on men`s realization that `labour saving machines`, such as the `plane into space`, and human workers, such as Clarke, Heinlein, Asimov and De Camp, aren`t a valence for the spirit of homosexual pederasty, represented by its attempt to reimplement `rough trade` after the demolition of the World Trade Centre on 9/11, so that humans can be trapped by the `red dragon` of consumption and it can devour the world.

 The Hungarian `Puli` works during the day, while the `Komondor` works at night, which suggests that Britney`s red suited self is the `Komondor`, and herself in the white bikini dress is the `Puli` because she`s `resting`, which accords with the `sleeptime` valence of her Puli`s lyrics:


`You see my problem is this,
I'm dreaming away;
Wishing that heroes, they truly exist.
I cry, watching the days.
Can't you see I'm a fool in so many ways?
But to lose all my senses,
That is just so typically me.
Baby, oh …`



In her white bikini dress, Britney`s reclining on a `star`, which is in accordance with what `Hollywood` stars do. They `rest` between roles. According to Jungian psychology the ego needs to bathe in the unconscious each night in order to be restored. If Britney`s `Komondor` and `Puli` correspond to the soul and spirit, which are associated with the ego`s valence of transformation of libidic or instinctual energy into intellectual work, `sheep` would be conscious thoughts and archetypal contents of the unconscious `shepherded` by the `Komondor` and `Puli`. Because Oops I Did It Again takes place in the blackness of space, Britney`s perspective is that the Holy Spirit, or Paraclete, is the spiritualized anima.

 Whereas Christianity, and other religions, separate soul and spirit, soul and spirit are valences of what Jung terms the `open-ended` developmental functionality of the `Self`, whereby the spiritual anima and the spiritualized anima as soul are `twinned`, but don`t perceive each other until what Jung terms self-actualization, that is, when enough thoughts have been gathered together by the `Komondor`, and enough archetypal material has been raised from the contents of the unconscious `Self` by `pulley` to `twin` the `Self` so that the ego no longer perceives itself, which is why woman is a species and men who don`t accept the teachings of Jesus Christ are her devourers.


Britney Spears, Toxic and Dr Thunder PhD`s Argot

14/09/2013 08:51

Britney Spears, Toxic and Dr Thunder PhD`s Argot


Britney Spears` video singles to complement her CD single releases are noteworthy for their startling resemblance in some instances to the style adopted by Gerry Anderson`s Supermarionation British TV `puppet` shows, which were themselves complimented by the TV 21 comic they appeared in as cartoon characters during the 1960s when Anderson was developing the concept.



 One of the more famous TV 21 productions was International Rescue in the Thunderbirds (1965-6) show rescuing a futuristic airliner, which was made into a `super space theatre` feature film for the US market from two episodes. The very first episode of the series, `Trapped In The Sky`, and the thirteenth `Operation Crash-Dive`, which were released as Thunderbirds To The Rescue (1981). Consequent to the publicity garnered Thunderbirds (2004) for the big screen was made with Vanessa Hudgens as Tin-Tin, the beautiful adolescent daughter:


`Tin-Tin becomes involved in their first rescue mission when she is onboard Fireflash which due to sabotage by her half uncle The Hood has to be rescued by International Rescue.`1



 Britney Spears` Toxic (2004) video follows some of the plot. Britney unmasks a character aboard a plane in which she appears to be wearing a Thunderbirds uniform but has the role of air hostess while the man she reveals underneath a rubber mask pretending to be an older uglier man would correspond to `The Hood`. The principle of Toxic is that the intruder represents HIV/AIDS, that is, if a woman doesn`t know who she is having sex with, how can she know that she`s safe from contracting the `killer disease`?


`With the taste of your lips,

I'm on a ride.

You're toxic. I'm slippin' under.`



 As the air hostess Britney Spears pours a fluted glass of white wine, before she sees the suspicious character with bread standing in the aisle holding bread, which symbolically suggests Jesus` `Last Supper` at which he invited the disciples to `bread and wine` as symbols of his `body and blood`. According to the developmental psychology of Carl Gustav Jung (1875-1961) the body and the blood of Jesus symbolize the instincts or shadow which would remain unconscious and unused without the anima or feminine soul to stimulate men`s desire to make a better place in which to live with her.



 Picking the pocket of `The Hood` after removing his disguise to reveal a younger and more handsome criminal than the rubber mask had suggested, the scene changes dramatically and reveals Britney Spears as a flame haired agent, similar to that of Jennifer Garner in the US TV series Alias (2001-6), who is a CIA agent concealing her identity as she assumes multiple aliases to carry out her missions.



 Standing in a street in Paris, France, Britney takes the pillion seat on a motorcycle in her black leathers and arrives at a secret laboratory. Taking the item she`s stolen from the pocket of `The Hood` she uses it as a key to give her access to the research establishment. Before a bench with a serum upon it inside a glass flask, the scene is interspersed with shots of a gay couple in a shower before Britney Spears is revealed once more in a new superheroine costume and with black hair:


`It's getting late

To give you up.

I took a sip

From my devil's cup.

Slowly, it's taking over me.`



Leaping from the balcomy of a man`s apartment, after she`s been with him and has dropped a little serum into his mouth as he lies supine in unconsciousness, the scene shifts dramatically again and she`s discovered as if transforming from the woman with the black hair and the superhero costume into the figure of the air stewardess in her Thunderbirds uniform landing cat-like on her feet inside the plane after completing her mission. Smoothing her hair, the International Rescue agent attends a passenger as the plane disappears with her into bright sunlight.



 The passengers trust the hostess, but she represents the `host` womb, which the parasitical alien would transmit its HIV/AIDS to if it were evil, which is why she unmasks `The Hood`, who is disguised because he`s evil. There isn`t another reason for it. Otherwise he`d be who he shows himself as. He represents HIV/AIDS because no one knows who has it, and if someone is disguised as one with whom we are familiar as a sex partner, he`s a spreader of contagion because he`s sexual gratification under false pretences, or simply maliciously evil.

 Britney Spears` agent resembles the character of `Poison Ivy` from the Batman (1989) franchise who, though profiled as a criminal, is an Earth heroine. Because `Woman` is the hostess and the Earth is her planet, just as her body is the `host` womb of her species and not of the boy sons, which are the poisons of her Earth and  have produced the toxins that are killing it and her, HIV/AIDS produced by their male witchery of mixing blood, shit and semen in sterile anal sex with each other is their latest toxic attack upon the mother of humanity. Although `Poison Ivy` is presented as a supervillian in the Batman franchise, her resume depicts her as a misunderstood Earth heroine, because the evil wouldn`t want her to interfere with their system of poisoning the Earth through pederasty and war, and its contagions:


`Poison Ivy is depicted as one of the world's most prominent eco-terrorists. She is obsessed with plants, botany, and environmentalism. She uses toxins from plants and mind controlling pheromones for her criminal activities, which are usually aimed at protecting the natural environment.`2



 In `super space theatre` Thunderbirds To The Rescue the `Fireflash` airliner is going to crash, but the Thunderbirds rescue vehicles save it from disaster. Tin-Tin is the niece of `The Hood` , and Britney`s `niece` Spears, in terms of the video logic, because Tin-Tin has the role of showing how to avert disaster; even if your relations are evil: as `The Hood` is.



 Most 21st century videos are watched on laptops, or `tins`, because it`s for `tinagers`. Tin-Tin is like any  `tinager` who seeks advice on how to avoid the dangers of modernity such as terrorism and HIV/AIDS when criminals seek to be cleverer than their victims. The obvious source of information is the laptop or `tin` in the `tinage` and, in terms of the video`s transformation symbolism, it correspond to the `politically correct` (PC) self-censoring through using the laptop as a `police box` rather than a Tardis, which allows the researcher to travel through time and space on the internet without moving from their chair but censored or, without knowledge of what to look for, the familiar parentally guided `PG` picture of man and woman pervades all of the material.



 Without researching into socio-sexual conditioning there`s little or no information for young women on the subject of themselves as a species with her own `futanarian` penis, and which makes her potentially socio-economically independent. Everywhere she looks the parasite looks back at her in the guise of the impregnating penis and sole breeding partner for her species. However, the fact that the parasite is her enslaver, and devourer through pederasty and its contagion of war and plague, is evident from its producing the `killer disease` of HIV/AIDS due to its not wanting woman as a species but its own sterile anus from which it has produced death by mixing blood, shit and semen, and Jesus` birth uncontaminated by male semen forewarns against. As pederasty`s biological weapon HIV/AIDS reduces the life expectancy of individuals to even less than `three score years and ten`, because homosexuals want women to remain ignorant:


`The days of our years are threescore years and ten; 
and if by reason of strength they be fourscore years, 
yet is their strength labor and sorrow; 
for it is soon cut off, and we fly away.` (Ps: 90)



 The evil use this verse to justify the truncation of our lives in accordance with the Bible, that is, it`s taken as an injunction that individuals shouldn`t live beyond 70 years, whereas it`s only an old observation based on the shorter lifespans of those living upon the Earth after the time of Methuselah, who was, according to the Bible, 969 years old when he died.



 The reduction of our lifespans is important because the wise are old, and the only justification for their being taken away from us is that their bodies are decayed, whereas medical science presupposes what God promises in the Bible, which is a `perpetual body`; as opposed to the `perpetual enmity` that the `serpent`s seed` has for the human species. According to God, Eve shall have `perpetual enmity` with the `serpent`s seed` and she `shall crush the serpent`s head with her foot as she leaves` (Gen: 3. 15) Earth, but won`t be able to if she doesn`t know herself as a species, and as `futanarian` woman she has her own penis and socio-economic reproductive and productive capacity, as well as all of the physical equipment to match the technological achievements of men, who would keep her here as a slave in pederasty. Men`s desire to continue their `perpetual enmity` against the human species is manifest in their wars upon the Earth and their creation of a `killer disease`, that is, the plague described in Revelation as the `blood plague` made for themselves through their rejection of `Woman` and preference for their own homosexual sterility, which is a symptom of the devouring `red dragon`:


`Men cursed the God of heaven because of their pains and their sores but refused to repent of what they had done.` (Rev: 16.11)



 In ancient Greece the women were enslaved by the devourers of homosexual pederasty who wanted to use the `host` wombs of women to produce boy sons, that is, poisons, to wage war against nearby city states and spread their contagion. Greek society was a model for Western civilization and the basic premise is friendship feigning, which the Roman poet Virgil formulated as `Beware Greeks bearing gifts.`3  Constructing a huge wooden horse, the Greeks left it outside Troy and the Trojans took it into the city where the Greeks emerged to enslave it and the host wombs of the women to further spread their contagion of pederasty and war.



 HIV/AIDS also feigns friendship for the white cells of the body that fight against viruses and, after they`re accepted the HIV/AIDS cells, kill the body. 9/11`s terrorist hijacking of airliners to crash into the Twin Towers of New York and spread their contagion of war operated on the same principle as the visiting Greeks feigning friendship for the Trojans, and in fact there is a city in upstate New York called Troy and `working like a Trojan` is proverbially good. `Trojan horse` is a misnomer created by computer geeks who are afraid of offending `Greek`, which  is a euphemism for pederasty, but the geeks don`t mind offending an extinct race of Trojans in Asia minor. The extinction of `Woman`, as the human species, through the Greek horse, is `geekspeak` for plague games of pederasty and war, which is the Greek language of the computer nerd. By creating `Trojan` viruses to work against humanity`s own future, those spreading the contagion of the geek language, that is, censorship and media `blackout` of all knowledge of `Woman` as a species, ensure shorter lifespans for women by preventing them from speaking human in the race`s endlessly unfinished future.



 The momentary scene of two gay men kissing in a shower follows that of Britney Spears` red head at the laboratory taking the green liquid serum and its flask with her. It precedes her reappearance as a woman with black hair climbing up the side of a skyscraper, and she`s then discovered with a man in the bedroom up there. Pouring green droplets of fluid from the flask into his mouth as he lies unconscious, she leaps from the balcony. The important scene is the `transcision` where Britney Spears` action heroine with the red hair is superceded by her superheroine with black hair intercut with a momentary glimpse of two gay men kissing in a shower:


Baby, can't you see,

I'm calling.

A guy like you should wear a warning.

It's dangerous,

I'm falling.`



 Although the British Thunderbirds puppet series made the big screen, the show that needed to make the transition to the big screen as a Hollywood movie was Doctor Who, which had been a TV favourite in Britain since 1963. In Doctor Who the character`s transportation is the time-space machine, the Tardis, which is disguised as an English `police box` in which police officers go to change into or out of uniform and perform other activities associated with their role in the community. In the `board toilet` Britney unmasks `The Hood` aboard the plane in which she`s the air hostess, so the `shower unit` corresponds to Doctor Who`s UNIT, that is, the Unified Intelligence Taskforce, which is presented as a homosexual `shower` because it`s English army slang used by officers to recruits they can`t turn into soldiers, whereas war is pederasty`s contagion and so the transformation of humans into killers is homosexuality. The `transcision` scene is where UNIT, that is, Britney Spears, as Unified Intelligence Taskforce, is revealed as in command and as not having been under the `shower head`, that is, the commanding officer of that `shower` UNIT, which is transvestite or transsexual, and so she continues with her operation as a part of her ongoing mission to preserve the human species` integrity.



 Unified Intelligence Taskforce in Doctor Who, like Men In Black (MIB) in the United States of America, exists to `police` aliens. Unlike the `telephone kiosk` in which Superman occasionally has to use to change into his costume in the Superman (1978) movie, Britney Spears uses her AIRFONE at the beginning of the Toxic video without change because it`s the plane`s phone, and she`s wearing her Thunderbird uniform so change isn`t required, but the `board toilet`, the `shower UNIT`, and the `police box` Tardis denote the `small room` where `change` is needed. In Doctor Who the protagonist undergoes metamorphosis, or change, inside his `police box`, before continuing with his policing of the aliens, which in the 21st century constitute the pornographers who would surgically alter the bodies of men to suit their killers` disease.



 In Japan `futanarian` women`s testicles sometimes aren`t visible, whereas most caucasian and black women, who are `futanarian`, have testicles that are plainly visible, along with their female reproductive and nurturing system, that is, vagina and breasts. The basic human principle is that women with a penis have testicular semen producing organs, either hidden or visible, and women have vaginas that are capable of receiving fertilizing semen for their ovum to produce children. However, much of the pornographic internet material found on the World Wide Web features surgical adaptation.



 Slitting the testicle`s scrotum to feign a vaginal entry for the penis is a common surgical method for pornographers who want transvestism and transsexuality. But `Woman` as a species is `futanarian` with a penis of her own. The pornographer `feigns friendship` for the human species by advocating transvestism and transsexuality, that is, the alien virality of the homosexual pederast. The `perpetual enmity` of the `serpent`s seed` towards `woman`s seed` is furthered by the pornographer who feigns friendship for the confused, because they`re the confusers who want us to believe aliens are human, whereas they`re evil men.



 9/11 was a `space invaders` scenario in which aliens were created by men who wanted aliens, whereas humans don`t. Hollywood had been feeding the Earth a diet of alien invasion movies since the 1950s with such titles as Invasion Of The Body Snatchers (1956), I Married A Monster From Outer Space (1958), Breeders (1986), Virus (1999), Contamination (1980), The Brain Eaters (1958), and It Conquered The World (1956), which telegraphs the punchline like King Kong (1933, 2005) atop New York`s Empire state building swatting away aircraft trying to kill him, and Steve McQueen`s fireman in Towering Inferno (1974) coaxing people to jump out of the highrise windows of the burning tower block to where its safe. 9/11 was pederasty`s encouraging its virality to invade the spirit of humanity in its usual guide of macho virility because homosexuality is the alien that `Woman` is expected to embrace and reproduce.



The scene aboard the plane where Britney is the air hostess is important because of the wine she pours for the passengers and the bread that `The Hood` is holding when she takes him into the `board toilet`, which indicates `bread and board` because it`s the traditional role of the `host` to provide `bread and wine`, as Jesus does at the `Last Supper` before his crucifixion, death, Resurrection and Ascension to heaven. Jesus offers the disciples `bread and wine` as his `body and blood`, which is also how, according to legend, vampires offer themselves if they want to confer immortality.



 Although the bread and wine are symbolic, Jesus` `body and blood` isn`t. His  crucifixion, death, Resurection and Ascension to heaven demonstrates his immortality. It`s the difference between evil vampires that rend and don`t confer longevity and the `little drink`, which is how the biting of the neck with the fangs of the vampire that gives eternal life is euphemistically described.



 In the 21st century the `red dragon` and the `blood plague` of Revelation describe homosexual pederasty`s enslaving and devouring war and its contagions, which include the `killer disease` of HIV/AIDS, but the `red dragon`, which is a draco and a term often used to describe a vampire, is in fact a parasite, that is, the term vampire could be ascribed to Jesus, but custom creates.



 Hollywood`s Dracula is depicted as dying with a stake in his heart as a romantic villain who likes women, but the stake in the heart of the female vampire is the penis of the men that don`t like `Woman` because, if she were able to use her own penis as `futanarian` women do, she`d be independently immortal of the parasite that wants to kill her and `Man` that loves `Woman`.



 In the movie Spiderman Peter Parker is bitten by a spider in a laboratory and it`s toxic properties result in his character, `Spidey`, developing superpowers enabling him to climb up the side of buildings, and suggests Britney is Spiderwoman when she`s ascending the skyscraper clinging to the side of the building like a spider.



The gay pair showering denote the possibility of toxicity, and Britney Spears pours a few drops of the serum from the flask she`s taken from the laboratory into the unconscious mouth of the man she has sex with after she climbs up to his apartment.



 `Spidey` receives superpowers from a toxic spider bite, but HIV/AIDS doesn`t confer superpowers, which is the meaning of the shower scene. Although Britney Spears` action heroine is a thief she isn`t evil. She obtains the serum which allows her to live, whereas the HIV/AIDS virus would result in her losing her life, and so homosexual pederasty isn`t glamorous but toxic.



Jesus` body and blood is represented in Catholicism as imbibed to propogate the Holy Spirit/Paraclete. Without it there can be no Redemption and the `perpetual body` promised by God to those who accept Jesus` teachings against embracing the `perpetual enmity` of the `serpent`s seed`s` enslaving pederasty`s war and its `killer disease` contagion. If HIV/AIDS results in less long lived people they`ll have less wisdom and no knowledge of `Woman` as an independent species with a future without the parasitical alien.



 Only longevity through medical science can produce wise individuals who can teach the truth about the human species. Current education and propaganda argues that women and homosexuals are equal, which is to accept enslaving pederasty, war, and its contagions of species` blindness through early death by means of the `serpent`s seed`s` biological weaponry of HIV/AIDS as pederasty`s preferred `killer disease` for humanity although it doesn`t turn its nose up against plague as a general theme.



 As Revelation indicates, the antithesis to the Holy Spirit/Paraclete, that is, `teacher, guide, comforter and helpmeet`, is `war, plague, famine and death`, and HIV/AIDS is all of them because the `thin disease`, as it was first described when it appeared recognizably in the 1980s, is a wasting illness that represents spiritual malnourishment through bodily torment, which is what Jesus` crucifiers advocate. Jesus` advocacy of the Holy Spirit/Paraclete as the soul`s assistance, as it seeks technological advancement to liberate the individual from drudgery, and so permit more interesting and good work, is Jesus` antidote.



 Wasters would keep humanity on a low level of technological development, so that they`d have slaves in what nineteenth century anthropologists called `cargo cult`, where tribes that had seen aeroplanes constructed effigies of the machine, and would ultimately have built genuine flying machines. In terms of HIV/AIDS, human sex drive is concerned with constructing places in which to enjoy family life, and so the wasting disease that keeps the sex drive in fear of work is because the evil don`t want humans to rise from the low level of technological development that has them enslaved in pederasty`s `cargo cult`.



The torments of the body as its wasting diseases constitute the `perpetual enmity` of the `serpent`s seed` rather than the development of a `perpetual body` through longevity and the spiritual nourishing that would increase lifespan and individual wisdom and knowledge through medical science and technological growth. Because `Woman` is an independent species with her own penis and technological valence men don`t want her to live long, because she`d become wise to them and leave.



 Jesus` story recognizes the difference between parasitism and blood transfusion to save lives in medical terms. His `body and blood` is `woman`s seed` because he`s born from the Virgin Mary uncontaminated by male semen. Although his crucifiers have the role of traditional vampires insofar as they`re renders of Jesus` body as bloodthirsty evil doers, the creature that gives immortality by means of the `little drink`, which is a transfusion of life`s blood from one body to another, doesn`t represent parasitism but medical science. Jesus offers his `body and blood` to the disciples as an advocate of medical science, and in particular of the blood transfusion as a medical practitioner, because he wants long life for `woman`s seed` rather than the parasitism of its wasters as a `cargo cult`.



 There is a difference between witchcraft and Earth science, which is sometimes called `mother science`, that is, witchery is the mixing of blood, shit and semen in the anus of men during ejaculations of the penis to create their biological weapon of HIV/AIDS, whereas Earth science is what the character of `Poison Ivy` in the Batman movie franchise represents. `Poison Ivy` uses toxins to assist nature, which is homoeopathy. Its serums are small amounts of toxicity that permit of the body`s immune system producing a defense against the poison, which may be HIV/AIDS, or any other viral attack upon the body`s defences.



 The HIV/AIDS virus spreads its contagion by feigning friendship because the penis knows where it should go, and any contrary suggestion indicates the presence of the false friend who wants to kill you. Even the HIV/AIDS cell feigns being a white cell of the body`s defence system to kill the individual. Judas killed Jesus in the same way, and 9/11 was the result of `guests` from Arabia. Because homosexuality is a disease. Jesus was killed because, in metaphorical terms, his was the face of the woman, and Judas could no longer bear to show the woman Judas` false face. In the Batman movie franchise `False Face` is the name of a villain, because he represents the evil who fake friendship until they`re sure of their victim:


`Surely this was the son of God.` (Matt: 27. 54)



 The Roman centurion Longinus` recognition of Jesus` role is that the evil weren`t sure if they had to continue showing a false face to Jesus because of the power of God. Suicide is the tool of the evil against the good, and the psychology of behaviouralism has taught the evil how to show a good but false face, which is how 9/11`s terrorists were able to live in the USA from Arabia and board planes at Boston, Logan airport, before hijacking them and crashing them into New York`s Twin Towers.



Although Jesus` crucifixion wasn`t suicide it illustrates the pressure on those who are good without true fathers, and so only remain unassailable because they rely on God, as a father, which gives them the strength to appear independently indifferent to the false faces the evil wear to encourage the good to be evil with them, and that strength in God is what the statue of `Liberty` symbolizes in the United States of America. Freedom not to be fooled by the false face of the evil encourager of the good to commit suicide is what strength in God and `Liberty` represents because `Woman` is enslaved in pederast and war`s contagions, which is suicide if she`s fooled by the false faces of the evil:


`Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)



 The notion of independence with God as a father is what Jesus represents, because death is what human fathers want for their sons, as the figures of Chronos, and Saturn from Greek and Roman mythology illustrate. Both attempt to devour the future as their sons, Zeus and Jupiter. In Revelation the devourer is Satan, because Saturn was the original father-god devourer, according to the Greek model, which is enslaving pederasty and its contagions of `war, plague, famine and death` that appears in Revelation in the guise of the `four horsemen of the apocalypse`.



 In Britney Spears` video Toxic she has three guises, which place her in the category of Holy Spirit/Paraclete, that is, `teacher, guide, comforter and helpmeet`. She`s the hostess aboard the aircraft, who is the guide for the passengers, and the blonde in her transparent body stocking laced with stars, who appears as sexual glamour but represents physical comfort, while the teacher is her red head who has trained the viewer to understand her actions in stealing the flask containing the cure from the laboratory, and the Britney with black hair is the helper of the HIVAIDS` community, who administers the serum to the man she`s just had sex with after the `transcision` scene of the two gay men in the shower, which warns the audience of the dangers of pornographers` promulgation of homosexual pederasty and its concomitant contagions of transvestism and transsexuality.



 Although Britney Spears has declared herself as `bisexual`, that`s human, because it excises homosexuality from her purview as a sexual partner. Feminist assertions that women are homosexual because they might be lesbian and so equal to men is sophistry. It`s designed to reduce `Woman`, as a species with her own penis, and `futanarian` independence from men, as her parasitical alien virality, to a mere cipher for inducing schizophrenia, which is the psychological vivisection of her human species. Women who`re taught to look to men for approval sexually are either denying their own `futanarian` species with its own penis and socio-economic valence for independence, or they`re sexually attracted to their own bodies in the mirror but feel abnormal because they`re unaware of their species` sexuality, which is schizophrenic. The social system that encourages `Woman` to believe that the penis of a man is his, whereas in fact he`s a parasite that has inveigled its way into her species` belly and its rather her penis desiring its sexual partner as herself, is practicing psychological vivisection on her species, which is what pornographers` promulgation of transvestism and transsexuality is.



 Britney Spears role in Toxic refers to the non-sexual relations between Doctor Who and his assistant in the Tardis, who is always an attractive young woman. Although it`s a tradition in British television that the actor in Doctor Who transforms on screen in a transmogrification in which the visage of the previous actor changes into the new Doctor, there has never been a woman in the role. Britney`s Toxic video interpolation of the gay men in the `shower unit` scene, where UNIT is comprehendable as Doctor Who`s Unified Intelligence Taskforce, indicates there should be. The homosexual `shower` are pejoratively just that, in terms of British army slang for gays in the military. HIV/AIDS developed from pederasty, which women are antithetical towards, because they`re responsible for the mothering of the human species, that is, they are the Unified Intelligence Taskforce, and it`s mothering, Britney Spears` implies, includes science and science fiction. For yesterday`s speculation is tomorrow`s reality.



 According to the developmental psychology of Carl Jung the four functions of consciousness, that is, `Thinking, Sensation, Feeling and Intuition` need to receive differentiation in order for the `Self` to be actualized with the ego as its centre. Wisdom requires longevity for the `Self` as well as functional differentiation and actualization represented by the idea of the spiritualized soul or feminine anima as the Holy Spirit/Paraclete, which mediates the bringing to consciousness of the contents of the unconscious `Self` that, as `Thinking, Sensation, Feeling and Intuition`, corresponds to the spiritualized soul as `teacher, guide, comforter and helpmeet` and that is portrayed in action by Britney Spears in Toxic.



 Britney`s Toxic  presents longevity as necessary for `Woman` as a species to retain its knowledge of men as her `perpetual enemy` insofar as the `serpent`s seed` refuses to pray for Redemption. Delaying medical science and the technology of liberating machines is a concomitant of accepting HIV/AIDS as incurable, and indeed HIV/AIDS is a tool of the male enslaver and imprisoner who doesn`t want `Woman` as a species to live long and have wisdom enough to develop the space technology to escape men on Earth. Even though she has all of the equipment, and is better than men insofar as the `futanarian` species of `Woman` has  her own penis, brain, and womb, which confers upon her independence as the human species foretold in the Bible by God to Eve as the `woman`s seed` who `shall crush the head of the serpent as she leaves`.



 Jesus` intentions are that he`s to be perceived as non-parasitical, that is, as an antidote to the virus, and his approach to the `body and blood` is that of transfusion, which recognizes the difference between the creature of nature that seeks to give life by means of blood rather than to take it in bloodthirstiness. The vampire is confused with the parasite, but is construably good with the Holy Spirit/Paraclete because its role is dependent on intentionality. The concept of the vampire denotes longevity and wisdom through medical science, which always begins in nature but, as with transfusion, or injection with serums, develops into science, and so the correct term for what has been defamed as `vampire` is parasite. However, we`re stuck with the terms of reference of the vampire myth. Because men want to put a stake in the heart of the long lived woman as a symbol of their rejection of her `futanarian` penis and desire to develop beyond men to the stars.



 The solution to the HIV/AIDS virus could probably be found by looking at the natural immunity of the long lived but it`s the same as smoking related illnesses. Those who live long do so because they take care of themselves and live healthily. Those who`re dying because of cancer through smoking have the same problem as those with HIV/AIDS. A society in which `smoking` is a euphemism for its killings and its `snuff movie` culture of the screen action movie hero, or through its small screen news bulletins of massacres at local schools by kids who`re too bored and lazy to want to live, and take as many with them as they can shoot at, will maintain pederasty and devourment in war through the enslaving of the `host` womb of `Woman` rather than research longevity. People have HIV/AIDS because the societal program is that they should have it, and that`s supported by the Bible where the `blood plague` is sent by God to convert those who prefer the `red dragon` of war and its contagions to Jesus` teachings of Redemption.



 Britney Spears` role is fourfold in the Toxic video and, in terms of the Thunderbirds theme, she`s Tin-Tin, but doesn`t need to be rescued, as Tin-Tin does in the Thunderbirds To The Rescue `super space theatre` movie where she`s a passenger on the `Fireflash` plane, whereas in Toxic Britney Spears saves the plane by exposing the HIV/AIDS terrorist, who is `The Hood` holding the globe in fear because he won`t give the serum to the public. Just as smoking is a euphemism for killing, so the `killer disease` of HIV/AIDS is a `snuff` variant of the tobacco industry`s smoking campaigns, which advertise ground tobaccos in `snuff tins`.



 Britney Spears` Thunderbirds` air hostess, Tin-Tin, is the `snuffed in tin` movie of `The Hood` if it isn`t the plane in Thunderbirds To The Rescue because, as smoking is a euphemism for killing, so `snuff` is a euphemism for killing in movies, and filming it as a sales` item. The suicide planes hijacked by the Arabian terrorists on 9/11 and crashed into New York`s Twin Towers, `live on CNN`, were their `snuff tins` and the World Trade Centre were the `snuff boxes` of pederasty`s wasting disease.  Britney Spears` observation is that, just as HIV/AIDS is related to homosexuality`s enslaving of the hostess, that is the `host` wombs of women to spread its contagion of war, so smoking and its variants are also related to pederasty and its contagions.



 In Russia smoking is a euphemism for fellatio, but the image becomes vile if we know that `Woman` is a species with her own penis as `futanarian` because it suggests that she`s been snuffed before and is still being snuff for the evil `serpent`s seed` and its pogroms of `perpetual enmity` against `woman`s seed` through its hate-filled wars upon the Earth.



 Although Britney`s superheroine isn`t named, because of Thunderbirds and the unspoken question posed by Doctor Who, Britney Spears is Dr Thunder PhD.  Her heroine`s `vampish` activities seem escapades, but escaping AIDS is what `Woman` as a species needs to do. Otherwise she`ll be just heroin addicts` `smokes`. The parasite is evil and represents addiction to parasitism, which is homosexual pederasty and its contagions. Because the `vamp` is the woman who `uses her sex to entrap and exploit men`,4 she is what women perforce are if their species has to live with men. As Dr Thunder PhD Britney Spears is the vampire, because she represents what Jesus understood, which is that the term parasite should be applied where the term vampire had been applied.

 The long lived woman is what the term vampire actually designates insofar as men don`t want her to have the wisdom and knowledge of her own species` reproductive capability, which would be women`s if they were to be long lived and could pass on their understanding to new generations but, as God observed with Onan in the Bible, men would rather look at young women`s bodies and masturbate than have any thought for their intelligence.

 God killed Onan, but God`s promise of a `perpetual body` as opposed to the `perpetual enmity` of the `serpent`s seed` for `woman`s seed`, suggests the eternally young woman with wisdom and knowledge still wouldn`t be wanted by men because the women with their own penis` reproductive capacity and socio-economic valence wouldn`t want them. So blood science is what men don`t want to know because it would mean `Woman` as a species` independence and freedom.

 Jesus` crucifixion scene upon the hill at Calvary outside Jerusalem is his understanding of parasitism, which is described by reference to legend as vampirism, but the long lived woman with her own penis as `futanarian` human species seems to have always been the target of those addicted to torturing, and that`s why the witch riding her broomstick is a ubiquitous symbol of the misunderstood wiccan wisdom of women, because her broomstick and brush denotes the female penis and mons veneris.

 Jesus` offer of his `body and blood` to the disciples is his recognition that he`s engaging with a parasite. Humans have been taught that longevity is vampirism, whereas it represents blood science, and Jesus` torture by those addicted to bloodthirstiness represents opposition to the scientific concern of Jesus, as representative of `woman`s seed`, with medicine and the lengthening of lifespans, which would result in the constructing of the individual human`s `perpetual body` of Salvation; through science but as promised by God.

 In the 21st century the Earth corresponds to the `Woman` as a spcies` `host` womb for its parasitical alien that seeks to emerge and spread its contagions further. Britney Spears` role as Dr Thunder PhD in Toxic is the prototypical role of the medical practitioner whom the patient can trust, but the doctor can`t trust the patient to take the medicine. Britney can be trusted but, as any woman living with the threat and fear of HIV/AIDS disguising itself as a caring professional man, she can`t trust anyone else, because desirability attracts desirefulness, and men have no respect for themselves as a disease when it comes to preferring sexual gratification over longevity and immortality for `woman`s seed`.

 Earth has become a game of `space Invaders` developed for the human species by the parasitical aliens that have feigned friendship as symbiotes and taken over the `host` wombs of the species of the planet Earth, which is `woman`s seed`. God gives the `serpent`s seed` a chance to stop its `perpetual enmity` for `Woman` in Revelation, but perdition is the punishment for the evil who do not repent, and God`s depiction of the devourer as a smoking `red dragon` isn`t accidental. Nor is God`s `blood plague`, which represents HIV/AIDS feigned friendship for its victims in homosexual pederasty and its witchery of mixing blood, shit and semen to produce its `killer disease` and biological weapon. The HIV/AIDS` cell itself feigns friendship before practicing treachery against the body it kills, and so the fake friendship of the serpent`s pederasty since Eden is what God is punishing.


3 Virgil The Aeneid, Bk II, 19 B. C.


Foxy Lady

14/09/2013 08:45

Foxy Lady


The  story of the fox and the cheese is a fable written in ancient times by the slave Aesop (c. 620-564 B.C.) as a part of his educational program. Fables are couched as narrative with a point to make in social terms. In the tale the fox persuades the crow that the bird can sing so that it will drop the cheese in its mouth from the tree in which it sits so that the fox can have it. The moral is don`t be deceived by flattery.



 In Britney Spears` Oops I Did It Again (2000) video Britney`s spaceman visitor to the red planet Mars discovers her after he picks up a miniature cameo painting of her in the sand. She appears doubled in a red jumpsuit and a white bikini dress. Hanging the spaceman above herself in the white bikini dress by means of a hook and pulley, her red suited self dangles him there to film her with the camera affixed to the side of his spacehelmet. He represents the crow.



 Britney doesn`t need a spacesuit because on her Mars there`s `98% oxygen` so the spaceman appears as an anachronism. He resembles Neil Armstrong, `the first man on the moon`, after Apollo 11`s spacecraft landing:


`One small step for a man, one giant leap for mankind.`1



 Britney`s steps are smaller. Appearing inside a giant`s ring as she descends to the stage set for the dancers` accompaniment to her song, her suspended spaceman has the foreboding tines of a giant`s fork beside his spacehelmet. Unable to do anything other than look, he`s the French Camembert cheese, that is, she`s calmed his member or penis so that he only functions as a camera.



 In Russia a `camera` is a teacher, so Britney is teaching the viewer.  The most famous teacher is Jesus, who was born uncontaminated by male semen, because men represent the `serpent`s seed` that has been growing since Eden (3. 15) and, in Revelation, appears as the devouring `red dragon` waiting in vain to devour the `New Redeemer` in his `Second Coming` born from `the woman clothed with the sun and with the moon at her feert` (Rev: 12. 1).



 In historical terms, the sun is the red sun of Japan, and the USA was `clothed with the sun` of Hiroshima and Nagasaki`s atom bombs, which were dropped there as a punishment for the Imperial red suns of Japan`s sneak suicide attack on Pearl harbor in 1941 where Japanese kamikaze pilots emblazoned with their red suns crashed their aircraft into the US Pacific fleet at anchor in Hawaii. 



 The moon is that of the terrorist group Al Qaeda whose suicides crashed hijacked civil airliners into the Twin Towers of New York`s World Trade Centre on 9/11, 2001. The woman of Revelation is `Liberty` standing in her birth waters in New York harbor withstanding the devourer.  If woman will not be devoured, the parasite suicides her and her Earth, which is its history and parasitology. Al Qaeda`s terrorist attack on Manhattan`s WTC precipitated the carnage of the second Gulf war (2001-11) and that`s how the devouring parasite operates.



 According to Revelation `woman`s seed` will receive a `new heaven and Earth`. Because Jesus was born from the Virgin Mary without fertilization by male semen, his mother and he are `woman`s seed`. Women have a penis of their own as `futanarian` and so they`re the human species, while men correspond to their parasite that has inveigled its way into her womb so that it can emerge as her devourer.



 All of human history has emerged from woman`s womb despite her parasite`s depredations against civilization, culture and art, while the teachings of Jesus suggest men aren`t even human unless they convert and accept Christ:


`Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11)


 Their disease is men made because it`s HIV/AIDS, described as the `blood plague` in Revelation, and produced in homosexual pederasty by mixing blood, shit and semen in anal sex between `brothers` in the freemasonry of homosexuality. The problem is ancient and God attempted to eradicate it when destroying Sodom (Gen: 16, 19) where sodomy was practised, and in Greece pederasty was institutionalized and women`s wombs were enslaved for the sole purpose of spreading war and its devourer`s contagions further.

 In Oops I Did It Again Britney Spears is the red sun in her jump suit and the white moon in her bikini dress, which presciently places her in sympathy with the `woman clothed with the sun and with the moon at her feet` as she sings and dances on Mars. After 2001 Britney`s video is a watchable celebration of the birth of the `New Redeemer` from `Liberty` in the waters of New York harbor after the US victory over Al Qaeda on 9/11 to complement the defeat of the red sun of Japan in WWII.

 There is a symbolic tree on the set of the video for Oops I Did It Again and Britney runs around it in her red jump suit before launching herself in a somersault that transforms her and she lands in front of her spaceman visitor wearing a white blouse, black mini-skirt and matching black boots. He gives her a gift in a black box and the assumption is it contains the icon he uncovered in the desert sands of Mars that, acting like a `cookie` giving access to a website, results in the catapulting of Britney`s domain out from beneath the surface of the red planet:


`It couldn`t be ..!`



 Though barely visible in the reflection from the visor of the astronaut`s space helmet, the impression is of some huge vastness emerging from the Martian plains. She`s the cheese, but the picture collector wants her image, because it`s arousing for the penis:


`But I thought the old lady dropped it into the ocean in the end?`


 In the developmental psychology of Carl Gustav Jung (1875-1961) the unconscious contains archetypes, that is, impelling imagery that appear in the dreams, imagination and art of humanity as the developmental seeds of human nature. In Oops I Did It Again red and white Britney`s the cheese because she`s the shes archetype of woman, that is, `futanarian` with her own penis` seed, which men don`t want to grow. WIthout her penis she`s the Camembert, that is, the calm member, which dismembering men crow over in triumph. Women can`t grow as a species without her own penis` membered desirefulness for herself and capacity to fertilize.

 In her red jump suit and white bikini dress, Britney represents herself as the human species, that is, the woman capable of the self-reproduction of the Virgin Mary. Inside the tight red body suit Britney doesn`t seem to have space for a penis of her own, but white bikinied `alternative Britney` may have future

possibilities hidden under her skirt.

 Britney`s a seal beneath the fork beside the helmet of the spaceman because the imagery relates to Jimi Hendrix`s single Foxy Lady (1967), that is, she`s sealed from the devourer of the future. The giant`s fork is that of the devourer while Britney`s seal A.D. Instead of the corrupted hunting vernacular of `let the dog see the rabbit`,2  which is deliberately applied by the evil to associate the killing of women with the penis` desire, it`s fork see lady, that is Foxy Lady, because homosexual pederasty wants to devour women`s human product, and Britney doesn`t:


`I wanna take you home 

I won't do you no harm, no.

You've got to be all mine, all mine.

Ooh, foxy lady.`3


 Britney has to be foxy so as not to be devoured, and so the crowing, that is, those who have grown in triumph by enslaving her human species, must be made to drop their cheese so that woman can live. The spaceman`s interest in her drops, because she`s not his species and so her image is more important because the penis is still aroused by it. Because it`s her own penis and the parasite has attached itself to her by invading her womb somehow at some point in the dim past. Without any vested interest in the shes, the astronaut drops them, which is what happened after the Apollo moon landings. For women the advances in science due to space technology meant an improved washing machine and microwave oven that increased her optimism but maintained her as a domestic slave. 

In psychology the instinctual libido of desire is transformed by the individual into spiritual or intellectual endeavour, which is why Jesus is normatively depicted as celibate. The parasites are only concerned with devouring the products of human ingenuity. Although the archetype of the male appears in dreams, art and the imagination as heroic, men function as devourers of the human species of woman. The appearance of the male imago is that of the devourer of the psyche rather than a helpful figure.

 In 1983 President Ronald Reagan implemented the USA`s Strategic Defense Intiative (SDI), a ground and space based missile system to enclose the `woman`s seed` upon her Earth and prevent her from escaping to the stars without her devouring parasites. The Great Seal of the USA is an eagle, and the `woman clothed with the sun and with the moon at her feet` is given the `wings of an eagle` to take her to a place of safety after she`s given birth to the `New Redeemer` and so Britney in Oops I Did It Again on Mars represents the haven of the mother:


`The Eagle has landed.`4


  Neil Amstrong`s message to `Mission Control` reflects upon Mars Lander, which was called `Phoenix` and was an unmanned spacecraft sent in 2007 to the red planet to explore. Oops I Did It Again presents Mars Lander as woman rising from the ashes of men`s veiled pogroms against her species at Belsen, Auschwitz, etc., and on into the 21st century by way of Srebrenica, Dharfur, and 9/11. Phoenix was the first spacecraft to be filmed landing,5 which is what happens when Britney`s spaceman lands on her Mars:


`Earth to Mars Lander. Report status please.`


 Mission Control is filming her through the camera that is effectively the spaceman but he is being filmed by the equivalent of NASA`s Mars Reconnaisance Orbiter with its High Resolution Imaging Science Experiment (HiRISE) camera`s capturing of the Phoenix spacecraft as it descended onto the Martian surface:


`... the first time that a spacecraft has imaged the final descent of another spacecraft onto a planetary body.`6


  Men want their own imago to prevail, that is, the devourer, so they want high resolution images of themselves, while woman has to get the male more interested in its own penis than in her shes archetype, so that she doesn`t activate the male`s devouring imago and can accept the cheese it drops to her by way of technological advancements after activation of the penis` creative libido by means of her allurements. In simple terms, the desirable woman encourages the male to construct a house for her, which she doesn`t want to be destroyed, so she encourages desire for her.

 Women ought to discourage men`s desire to be with each other because the parasitism of devouring homosexual pederasty means war and `a plague on both your houses`,7 that is, WIlliam Shakespeare`s observation of the `perpetual enmity` of the Montagues and Capulets in his Veronese drama Romeo and Juliet (1591-5). In the 12th and 13th centuries the red or Ghibelline faction supporting the Holy Roman Emperor was the political opponent of the white or Guelph faction supporting the Pope. In red and white in Oops I Did It Again Britney represents the house of the woman that`s broken because of men`s faction. There`s no semantic difference in the titles of his Holiness the Pope and that of the Holy Roman Emperor, but woman is the human species and so her womb is the `host` that priests ask men to accept in the Catholic Communion service. Without the Holy Spirit of acceptance of woman as the human species, men are faction because they`ve created the liars` fiction of women`s faithfulness to their enslaver and devourer rather than create truthful fictions by which humans can live. Trapped within their false fictions, men cannot convert from their sin, and the beast with seven heads in Revelation becomes comprehensible as the seven hills of Rome`s support for pederasty, war and its contagions:


`And I stood upon the sand of the sea, and saw a beast rise up out of the sea, having seven heads and ten horns, and upon his horns ten crowns, and upon his heads the name of blasphemy.` (Rev: 13. 1)


 The seven are the Popes and the ten are those who`ll have authority from Rome during the period of pederasty before the `serpent`s seed` receive perdition, that is, eternal unendurable pain from God, as their punishment for enslavement of women`s `host` wombs to devour her product of civilization, culture and art before `woman`s seed` has ascendancy in heaven. Oops I Did It Again is Britney`s Revelation that, duplex, women don`t need men because they have their own penis as the `futanarian`  human species. In Jungian psychology the mouth is associated with eating, drinking and speaking, which means it`s duplex and so is representative of `futanarian` woman.

 In Revelation a `two-edged sword out of his mouth` is how Jesus` commanding figure is depicted, because he represents the duplex nature of self-reproducing woman uncontaminated by male semen and unable to speak with truth, whereas Jesus represents the `Word of God` because that`s what he preached and it isn`t fiction:


`I think I did it again.

 I made you believe

 We're more than just friends.

Oh, baby ...`



 Beneath the camera lens of her spaceman she`s `cam` member, that is, cheese Camembert, while in her red jump suit she`s Dutch Edam with its coat of `red paraffin wax`8. `Cheese` is what is traditionally said to the photographer`s camera, whereas `cheesy` is the term denoting women who are photographed because of their face and body. To pederasty`s enslaver and devourer woman is red and white cheese, because homosexuality maintains its power by removing the woman`s penis from the scene and persuading her into a false love like Shakespeare`s pairing in Romeo and Juliet or elsewise forcing her to marry in misogynist monogamy.

 Without longevity the woman can`t know herself as a species because she can`t remember her own dismembered penis. Advances in medicine are curtailed so women will die young as a victim of men`s contrived `killer disease` HIV/AIDS, for example, which keeps women in fear and faithfulness to their enslavement. Oops I Did It Again is Foxy Lady because the aim is to prevent those crowing over woman`s demise from continuing to devour the shes, while assisting the growing to grow, and Britney`s done it again! She`s the Bible of pop because, teaching others how to grow, she isn`t crowing:


`It is the springtime of my loving.

The second season I am to know.

You are the sunlight in my growing. 

So little warmth, I've felt before.`9



1 July 20, 1969, 20: 18 UTC.

2  Get out of the way, so that I can see what I`m doing.

3 Hendrix, Jimi `Foxy Lady` from Are You Experienced, 1967.

4 Armstrong, Neil 20: 17 UTC.



7 Act 3, Scene 1, 90-92.


9 Led Zeppelin `The Rain Song` from Houses of the Holy, 1973.

Grave Robbers and Oops I Did It Again with Britney Spears, Or What Have You Done With The Humans, Man?

14/09/2013 08:43

Grave Robbers and Oops I Did It Again with Britney Spears, Or What Have You Done With The Humans, Man?


The concept of the `cargo cult` is well known. South sea islanders were found to have built model aeroplanes based on what they`d seen. The theory is that, given long enough, they`d build real aeroplanes, or something similar. The idea of the Earth as `cargo cult` is to show people something and wait until they produce from what they have seen from their imaginations. In the developmental psychology of Carl Gustav Jung (1875-1961) the engines of human endeavour are the archetypes, which appear in the dreams, imagination and art of the unconscious before becoming realized through the intellectual efforts of the individual who perceives their meaning. According to Jung the archetypes correspond most closely to what humans think of as the unknowable God.



 In India`s Hindu religion, karma is the Hindu belief that reincarnation, that is, rebirth after death, is the repetition of circumstances and events that are repeated until individuals have progressively learned humanity so that God can accept them into heaven. The learning method is applied in schools where children are required to `repeat after me` by their teacher in order to learn something that, according to the reincarnation theory, they`ve repeated before but haven`t learned from the archetypes.

 The concept of the media is that everything is recorded and so can be repeated. In Britney Spears` Oops I Did It Again (2000) accompanying video for the pop song a spaceman appears on Mars where he delivers a gift:


`But I thought the old lady dropped it into the ocean in the end?`



 The reference is to the Titanic movie (1997) in which Rose wears a blue diamond in the shape of a heart called `the heart of the ocean`, which is a metaphor in psychology for the unconscious depths of the psyche from which the archetypes emerge. Seen walking backwards in the video, the spaceman is symbolic of the Earth as `cargo cult` and karma:


`Well baby I went down and got it for you.`



 The spacesuit was developed by science fiction writers, Robert A. Heinlein, L. Sprague de Camp and Isaac Asimov, at the Philadelphia Navy Yard from 1943, when they were asked to adapt divers` pressure suits for the North American Space Administration (NASA) Apollo space program to put a `man on the moon`, which eventually happened in 1969 when Apollo 11`s astronauts landed the lunar module spacecraft there and Neil Armstrong proclaimed:


`One small step for a man, one giant leap for mankind.`2



 Britney`s spaceman in Oops I Did It Again tells her he`s dove into the ocean of the unconscious and has developed a spacesuit to bring her the `heart of the ocean` from the wreck of the ship, the Titanic, which sank when it hit an iceberg on its maiden voyage from Liverpool, England, to New York in 1911. Towards the end of the Oops I Did It Again video the spaceman astronaut`s space age technology is displayed for the viewer`s edification when he`s whimsically shown walking backwards to his starting position at the beginning of the recording. He`s recorded and can be replayed as a `workslave` of the `cargo cult` and, as a  human `space monkey`, he`s learned. Monkeys were used when the original NASA spacecraft were `too advanced` for men to feel `in control`.



 Like the automobile industry, which has been controlling humans with its pedal vehicles and little or no progress in terms of the controls since the first cars were mass produced by the Ford company in the USA in 1908, men`s fetish for control over the machine has led to humanity`s allowing of itself to be disabled by the automotive and other industries` disabling of humanity`s machines because men fear women`s liberation from enslavement to them and the kitchen sink drudgery they`re used to. In Arabia men don`t allow women to drive cars, because they`re disabled. The men have disabled the cars so that they can feel in control with their pedal vehicles, and so have disabled themselves, and the women are disabled because they can`t drive and travel, because the men are frightened they`d escape.



 In Britney Spears` video Oops I Did It Again she appears in a red pilot`s suit because the original NASA spacemen were pilots in the X-15 spaceplane program, which was cancelled because of expense and `blackouts`. Pilots discovered that, outside of the Earth`s stratosphere, the pressure upon the suit to provide oxygen was too great for the occupants of the X-15 and some planes crashed because the pilot fainted. One of the more famous incidents involved Chuck Yeager, who was discovered in the desert standing to attention by his crashed plane and the legend arose of the NASA chosen who had the `right stuff`:


`... to fall one hundred goddamned thousand feet in a flat spin and punch out and make a million-dollar hole in the ground and get half his head and his hand burned up and have his eye practically ripped out of his skull ... while screen doors bang and the pictures of a hundred dead pilots rattle in their frames ... `3



  Britney`s album Blackout (2007) contained the single, `Piece Of Me`, and the cover of the single was of her as Jesus upon the cross, because Christ was sold to his torturers for `thirty pieces of silver` when he was betrayed by one of his disciples, Judas. As the founder of Christianity, Jesus became a hero of the Earth`s `cargo cult` and repetition, because of the Bible. Born of the Virgin Mary, uncontaminated by male semen, Jesus was the first of `woman`s seed`, because women have their own penis and `seed` as the independent `futanarian` human species. But men don`t preach that; they catechise, "repeat after me, `Jesus has redeemed me from my sins`, hasn`t he?" without explanation. The meaning of Britney`s Blackout album is `censorship`, because men don`t want women to know the truth, which makes men betrayers of the human species, and so Britney Spears appears crucified on the cross of Jesus on the cover of her CD single release, `Piece Of Me`:


`I'm Miss bad media karma; another day another drama. Guess I can't see no harm in working and being a mama. And with a kid on my arm, I'm still an exceptional earner. You want a piece of me...`



 Britney Spears` observation in Oops I Did It Again is that the Earth`s a `cargo cult` based on reincarnation and repetition through what the Hindus call `karma`, and so it`s possible that the spaceplane program had been run before, so `woman`s seed` could have gotten to Mars first, which is why Britney Spears is able to appear there in her red pilot`s suit.



 Placing a hook in the backpack of the astronaut she suspends him above herself in a white bikini dress so that he can film her `space alien` with the camera attached to his spacehelmet while herself in the red pilot`s suit looks on. Although it isn`t explicit, the penis beneath the white bikini skirt of the second Britney is implicit because she represents the `futanarian` human species of woman, who has her own brains if she`s bred with herself and so could make it to Mars faster if she didn`t have to learn how to pedal herself:


`Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)


 Britney`s `bad media karma`, because she gets the message through like Jesus. The pop phenomenon of the 20th century was the combination of the drug `ecstasy` with what was called `techno music` that gave rise to often illegal `rave parties` in giant abandoned warehouses where the party goers consumed huge quantities of the sexually stimulative drug `E`, which contained a mixture of amphetamine, known as `speed`, and the hallucinogenic mind-altering substance lysergic acid or `LSD`, while viagra, the wonder cure for impotence among the exhausted male popultaion, was used to revivify the male to satisfy the insatiable sexual demands of the females high on the `love drug`.



 What the males discovered was that they didn`t like women, because women liked each other. Pop bands like The Spice Girls (1994-) or Destiny`s Child (1990-) with Beyonce Knowles represented the `girl power` phenomenon of women with brains, but that could only materialize if the women were able to breed with each other, and so God created women with a penis and their own `seed` as `futanarian` breeders of their own human species` socio-economic independence and future without men.



The band 10cc (1972-) was named for the average amount of male ejaculate, and the average time taken in ejaculating for a male is perhaps a few seconds, whereas a `futanarian` woman`s ejaculated semen could fill a bucket and take minutes. Moreover, she is female and so has a vagina, which is also capable of ejaculation and, for a woman, orgasm may build for hours without release. Because of the perfunctory nature of the male orgasm, the human species is dealing with a parasite that, having fertilized its host womb, has finished with her. The woman will live only as long as it takes to produce another parasite, which explains the amount of money spent in devouring wars and the paucity of expenditure on curing the parasite`s killer disease of HIV/AIDS, which is just one of its devices to prevent the woman from living and learning about herself as the human species.



 The emergence of the `snuff movie` as an all but acknowledged Hollywood, Babylon, genre in mainstream cinema during the latter part of the 20th century, when the action hero removed his mask to reveal a woman stalker, in movies like Silence Of The Lambs (1991) and Scream (1996), represented the males` discovering that pop culture`s description of their penis as a `love gun` wasn`t metaphorical, because when they`d finished ejaculating, their role as `serpent`s seed` was to `snuff out` her life with guns, because the `biological weapon` of homosexual pederasty`s HIV/AIDS `blood plague` sent by God to convert men from their sin wasn`t quick enough for the numbers of the beast:


`Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11)



 The giant fork rave symbolism is of a giant for a grave, that is, the death of the human species of `futanarian` woman with her own penis` seed, because her enslaving and devouring parasites didn`t want her:Beside Britney`s spaceman`s  `camera helmet` are what appear to be the tines of a giant fork, which is in keeping with the metaphor of the spaceman as `giant` and of herself as a small footed woman, that is, the human species` `futanarian` woman, who descends upon her film set inside what seems to be a giant`s ring to begin a `rave party` with her dancers:


`I think I did it again. I made you believe we're more than just friends. Oh, baby; it might seem like a crush, but it doesn't mean that I'm serious. 'Cause to lose all my senses... that is just so typically me. Oh, baby; baby.`



 Britney Spears` performance in Oops I Did It Again suggests she isn`t for grave parties, where the parasitical enslavers and devourers prepare to satisfy their giant`s fork cravings for a `snuff` party. The women, `love drugged` on ecstasy, are killed by the almost immediately sexually satiated males who, having made the women believe in their love, lose their senses, frustrated at watching others receiving sexual satisfaction from the still capable, and vent their impotence in snuffing the orgiastic, so expressing the devourers` functionality of their enslaving `serpent`s seed` origins.

 Usually the spade is a gravedigger`s tool, but Britney Spears` take on set is that the fork is also the gardener`s tool since Adam and Eve were expelled from Eden, because even  if women are well bred, the devouring and enslaving `red dragon` and its `serpent`s seed`, symbolized in Christian iconography with their fork tails as what devils humankind, have ensured that men only have a grave mouth yawning open for what remains of her species:


`You see my problem is this: I'm dreaming away; wishing that heroes, they truly exist. I cry watching the days. Can't you see I'm a fool in so many ways?But to lose all my senses... that is just so typically me. Baby, oh.`



 If the `woman`s seed` is culled by the `snuff` industry, or even by assassins, who are called `gardeners` by their grave-digging employers, she`s lost her `senses` and remains a brainless slave of her devouring parasite. In Revelation Jesus is born while the `red dragon` waits in vain to devour him in his `Second Coming` after his crucifixion, death, Resurrection and Ascension to heaven, as described in the corroborating histories of the Gospels of the Christian New Testament of the Bible written by the traitor Judas` passive accomplices in his crime, the apostles Mark, Matthew, Luke and John. Born uncontaminated by male semen from the Virgin Mary, his mother, Jesus gave `bread and wine` to the disciples at the `Last Supper` before his death, as a reminder to them that his mother and he were good hosts, that is, neither the `futanarian` woman nor Jesus are parasitical devourers of humans.

 In the developmental depth psychology of Carl Jung the devouring imago is the dragon ourobouros archetype that represents the woman bred so that the parasites can devour what she produces from her womb in the way of civilization, culture and art despite the depredations of the parasites that emerge thereform to wage their wars of `perpetual enmity` that God warned Eve the `serpent`s seed` would have with hers before she left Earth, `crushing the head of the serpent with her heel` (3. 15). Consequently, the hero imago in dreams, imagination and art is the enemy of `woman`s seed` and not her support:


`I`m dreaming away; wishing that heroes, they truly exist.`



 The `woman`s seed` will only  have heroines of her own when she`s able to breed herself and be self-possessed of her own brain power, which is exclusive of the enslaving and devouring parasites that want to be in the movie with her so they can fake friendship before killing her, which is the method adopted by homosexual pederasty since at least the time of the ancient Greeks when institutionalized enslavement of women`s host wombs to spread war further was the foundational principle of what came to be Western civilization.

 Rave parties were known for permissive sex in which condoms were instantly forgettable in the naive belief in the love drug `E` as a panacea. Because HIV/AIDS was the main fear in sexual matters at the end of the 20th century, warehouse parties with their plentiful suppliers and supplies of the uninhibiting drug `ecstasy`, were places to surrender the life of the human species` potential. HIV/AIDS spread like wildfire from sharing and injecting from drug-filled syringes with needles dirtied by unclean blood. Women who discovered love for their own species when their inhibitions were lost through ecstasy found their rejected boyfriends feigned love turned to killers` lust because their sex slave was liberating herself for self-reproduction as `futanarian` woman with her own penis` independent socio-economic human capacity to exclude men and produce her own species` brains exclusively. Because men`s brains aren`t human, and they`re seeking to kill the women`s, whose brains are those of the human race, and it won`t have the brains to run from its parasitical devourers until it`s told.

 All Britney Spears was able to with Oops I Did It Again is try to deal with the censorship `blackout` by alluding to the penis of the woman beneath the skirt of her white bikinied self and ask the viewer to understand that she, in her red pilot`s suit, isn`t a trick of the camera, but someone with her `futanarian` bride, and the space program needs to be wrested away from such `Strategic Defense Intiatives` (SDI) as President Ronald `ray gun` Reagan`s ogrish 1983 plan to `ring` the planet with missiles and prevent `woman`s seed` from escaping in the spaceplanes she might conceivably construct by means of her own brain power.



 The Arabian terrorists that crashed hijacked planes into the World Trade Centre of New York on 9/11 2001 were guests of their American host, `Liberty`, reestablishing the `rough trade` of pederasty and war, which would ensure that women would remain enslaved and devourable. Britney Spears, in her red pilot`s suit, would never leave in her spaceplane with her `futanarian` bride in white because the technology of `woman`s seed` would be devoted to escaping her devouring parasites and men don`t want her to.

 The argument would be that the American men were the hosts of the terrorists, but Jesus is born from `the woman clothed with the sun and with the moon at her feet` in his `Second Coming` (Rev: 12. 2). The red sun of Japan precipitated the USA into global conflict after its unnanounced attack on the US` Pacific fleet at Pearl harbor in 1941. The attack upon the Twin Towers of New York by the moon of Al Qaeda`s flags on 9/11, while the statue of Liberty observed from her birth waters in New York harbor, means she`s the host of Jesus in his `Second Coming` as the `New Redeemer`.  Born from the woman, `clothed` in her victories over the red suns of the Japanese flags and the yellow moons of the flags of Al Qaeda, the silver moon of the Earth is reflected in the waters of Jesus` birthing at New York`s harbor.

 Not only is the Earth a `cargo cult` in which the enslaving parasites of the `serpent`s seed` devour the products of the host wombs of women in its ceaseless wars of `perpetual enmity` for her `seed`, they`re robbing the grave of the human species they`ve killed, that is, the self-reproductive `futanarian` woman with her own penis` seed, and to whom God gives a `new heaven and Earth`, according to Revelation, because like Jesus and his mother, the Virgin Mary, she`s remained uncontaminated by male semen, before she leaves with the bride.



2 21 July, UTC 2: 56.

3 Wolfe, Tom The Right Stuff, Farrar, Straus and Giroux, 1979.


She`s Us and Jesus Is A Single Species

14/09/2013 08:34

She`s Us and Jesus Is A Single Species


Jesus was a carpenter, but two pieces of wood don`t make a picture frame, and Jesus` crucifixion on two crossed pieces of wood wasn`t a pretty picture, despite Hollywood, Babylon, wanting to frame him repeatedly in movie remakes of the same picture.



 On the cover of her CD single for `Piece Of Me` Britney Spears is depicted on the cross instead of Jesus. The song is taken from the album Blackout (2007) because `censorship` is what makes it impossible to see the picture in the frame. If there are three pieces that make up the CD single cover for `Piece Of Me`, Britney Spears is one piece and the two other pieces make up the cross on which she mocks her crucifiers: `I'm Mrs 'Most likely to get on the TV for strippin' on the streets when getting the groceries`, no, for real ...  are you kidding me? No wonder there's panic in this industry. I mean please... do you want a piece of me?`



 Why is it necessary for the music industry to censor? To make Britney Spears` picture of an almost nude self on the cross a missing piece is needed, and a picture frame needs four pieces of wood. According to masonry `foursquare men` is the goal of the builders, that is, the picture of man has a four piece frame, but the picture of Britney Spears on the cross of Jesus is censored, because it`s a cave painting made by cave dwellers who don`t want the picture to be understandable lest the woman know.



 In Islam the Koran is the holy book of the Moslem faith dictated to the Prophet Mohammed by the angels (610-30 CE). The Koran is made up of chapters, or Suras, and one of them is The Cave (18), because men are cave dwellers. In the Bible Cain kills Abel because he`s able to cook, which means Able is a `light bringer` to the cave dwellers. In the same way, Prometheus is a bringer of illumination in Greek mythology when he shows men how to make fire to illuminate their cave dwellings, and he is punished by having his liver eaten each day by an eagle after it has regrown during the nightime.



 In the North American Space Administration (NASA) program to land a man on the moon, the Apollo module had to be disabled because it was automatic for the chimpanzees, who were able to use the controls because they were simpler. The Apollo astronauts demanded that the module be disabled so that they could feel more in control, and so Neil Armstrong landed on the moon with the other Apollo 11 astronauts, as cave dwellers: `One small step for a man, one giant leap for mankind.`1



 The first mass produced car was the Model-T Ford, named for Henry Ford, its developer, and production began in 1908. Despite space technology derived from the NASA programs, the 21st century automobile still had pedals, because men are cave dwellers and don`t want to leave their caves.



 John Logie Baird, a Scotsman, invented the television in 1925, after World War I (1914-8) and before World War II (1939-45), and the cave dwellers have used it to watch smaller cave dwellers, because it makes them feel less disabled, and more in control, to observe the films that Hollywood, Babylon, makes of World War I, II, and other `action` movies of different historical epochs from inside the safety of their cave.



 In the Moslem faith the Ka`Ba is the shrine of Abraham, the founder of Judaism through the line of his son Isaac, and of Islam through the line of his son Ishmael. The Ka`Ba is a cave and the pilgrimage to Mecca or `Hajj`, is an obligation upon every Moslem to complete at least once in a lifetime, because they`re cave dwellers and the Ka`Ba is an important place of cave worship: `(Some) said, "Construct a building over them": Their Lord knows best about them: those who prevailed over their affair said, "Let us surely build a place of worship over them."` (21)

 The verse from The Cave Sura is part of a narrative in which `sleepers` awake to find themselves in the future and God is accepted everywhere. The people of the future want to build a place of worship over the cave, which is reminiscent of how cave dwellers became desert nomads. First they`d build a covering over the cave where they dwelt and, afterwards, when they were braver, they`d move away from their cave in tents, which they`d pitch at or upon water holes. Because water is the stuff of life, the `sleepers` of The Cave Sura have a place of worship built over their cave because water and the `spirit of God` are commensurate.



 In the developmental psychology of Carl Gustav Jung (1875-1961) water is a symbol of the unconscious `Self` from which emerge the engines of humanity`s progress that Jung calls archetypes. These exist in the waters of the unconscious and emerge in dreams, imagination and art. Because the womb of woman is equivalent to the cave of men with the temple of her body and mind constructed above, The Cave Sura represents elision, which is familiar to Western literature from the story of Rip Van Winkle, who sleeps until he awakens into a future he doesn`t recognize. In the Christian Bible `woman`s seed` is promised a `new heaven and Earth` by God, because the womb of women is a literal archetype insofar as it represents the cave of the `Self`  from which humanity emerges: `Dost thou deny Him Who created thee out of dust, then out of a sperm-drop, then fashioned thee into a man?` (37)



 God tells Eve she`ll have `perpetual enmity` with the `serpent`s seed` before she `crushes the head of the serpent with her heel` (Gen: 3. 15) before she leaves Earth. Because women have their own penis` `seed` as `futanarian` the independent human species doesn`t need men, which is why The Cave and Rip Van Winkle are partial truths. What emerges from The Cave is `woman`s seed`, but she won`t be able to; if her devouring parasites kill her before she can escape.



 In Greek history institutionalized pederasty was the basis of homosexual society`s enslaving of women`s host wombs to spread their contagion of war. If women have their own penis` `seed` in `futanarian` socio-economic independence from men as the genuine human species` capacity for self-reproduction and human brain power, rather than the brain of men`s devouring parasite, her `host` womb is the cave from which men don`t want her to emerge.



 Jesus` story is of a teacher born uncontaminated by male semen from his mother, the Virgin Mary, who broke bread and gave wine to his disciples as tokens of his body and blood, because he didn`t want to be eaten as the host by his guests. The disciple Judas betrayed him to the local security forces as a dissident, and Jesus was tortured to death on the cross, before being placed in a cave with a large stone in front of it to make a tomb. His miraculous Resurrection and Ascension to heaven is almost identical to the story of the `sleepers` in the Koran, who awake to discover God is everywhere: `At the resurrection people will neither marry nor be given in marriage; they will be like the angels in heaven.` (Matt: 22. 30)



 People will be `woman`s seed` and a single species without marriage because `futanarian` woman with her own penis` `seed` will always be a single woman. If men blind woman to her species` identity by killing her as she emerges from her holes, she will never escape from The Cave, man, which is why Britney Spears` Blackout album represents The Cave where woman is kept in blind ignorance by men who don`t want her to know. Depicted upon the cross as Jesus for the cover of the single CD, `Piece Of Me`, Britney Spears doesn`t seem to have a penis and her own `seed`, but the `New Redeemer`, who is Jesus in his `Second Coming`, `will rule the nations with an iron sceptre` (12. 5), according to Revelation, and that`s the fourth piece that frames the picture. If censorship is lifted, and the sceptre of the woman`s penis` `seed` is revealed to be the human species` future, men are out of the picture frame and women are `foursquare`, man.



 In worship the woman`s parasites are propitiating God, because of what they`ve done to the woman, and they live in fear of what God and the woman will do to them for keeping her as a cave dweller and killing her `futanarian` children if her humanity appears to be on the verge of emerging from The Cave, man. The 20th century saw the development of men`s latest `biological weapon` devised by the enslaving and devouring homosexual`s instinctuality. Mixing blood, shit and semen in each others anuses, men created the HIV/AIDS virus, which is called the `blood plague` in Revelation, and is the killer`s disease that enslaves the woman through fear to monogamous faithfulness to her parasite. In simple terms, it`s a `biological weapon` designed to keep the human species out of The Cave, man.



 The 9/11 2001 Arabian Al Qaeda terrorist attack on the World Trade Centre was an attempt to follow the plot of the US` Hollywood, Babylon, movie and TV series Logan`s Run (1976, 77-8) in which `sandmen` kill all those who have reached 21 because of the scantiness of the Earth`s resources, which is the socio-economic backsrop for the `scifi`. The Al Qaeda `sandmen` killed the 21st century for `woman`s seed` by crashing hijacked planes from Logan, Boston into the World Trade Centre to precipitate `rough trade`, which is a euphmism for the brutality and violence of homosexuality`s pederasty of war. Forcing the human species back into The Cave, man, the light of the technological advances possible for `woman`s seed` would soon be extinguished in defense spending rather than dissemination of information and education to cure the `killer disease`, while the heroic efforts of the firemen of 9/11 2001, immortalized in statuary apart from the statue of `Liberty` in New York`s harbor, is but an aspect of the flames of the devourer asking to be well thought of:


`The police went first and adhesive-taped the victim's mouth and bandaged him off into their glittering beetle cars, so when you arrived you found an empty house. You weren't hurting anyone, you were hurting only things! And since things really couldn't be hurt, since things felt nothing, and things don't scream or whimper, as this woman might begin to scream and cry out, there was nothing to tease your conscience later. You were simply cleaning up. Janitorial work, essentially. Everything to its proper place. Quick with the kerosene! Who's got a match!`2



 In his novel Fahrenheit 451 Ray Bradbury presents a future in which firemen are heroes because they burn books and impose censorship so that growth and progress will be prevented. The Two Towers was the second part of British fantasy writer J. R. R. Tolkein`s The Lord Of The Rings (1954) and the Twin Towers were New York`s World Trade Centre before they were just plain burned by the Dark Lord, Sauron`s air raids to reestablish global `rough trade` in publishing. For homosexuality the Twin Towers were a couple`s dicks rubbed together to make fire. Their statue of the New York `fireman` was a celebration of the male imago as pederasty`s dupe.


 In Jungian psychology the male imago is thought of as an archetype but, if it`s the visible sign of parasitism in the world, its appearance in dreams, imagination and art is of the devourer. The statue of `Liberty` in New York harbor is the woman `clothed` with the red sun of the United States` victory over Japan in World War II after the mitsubishi zero `fighters` suicide attacks on the unsuspecting US Pacific fleet at Pearl harbor on 7 December 1941, and the yellow moon of the flag of Al Qaeda after 9/11 2001`s suicide `martyrs`. These were the birth waters of `Liberty` and humankind`s Redemption from pederasty and war`s efforts to suicide the `futanarian` human species` growing awareness of woman`s seed`s socio-econoic independence from the devouring `red dragon` grown since its days as a serpent in Eden and lying in vain to devour.

 The devouring `red dragon` of Revelation is the parasite that the cave dwellers don`t want the woman to know is there, because men have enslaved her so that she can be fed to their unappetizing `Self`. The notion of human individuality disappears once women are known to have a penis` seed of their own as `futanarian` independence for her species, which means that men would have to be bigger animals to keep her from escaping to the planets and stars through her own brain`s power through self-reproduction: `You see my problem is this. I'm dreaming away. Wishing that heroes, they truly exist. I cry, watching the days. Can't you see I'm a fool in so many ways?`

 If women have their own penis, Britney Spears` appearance, in her video single Oops I Did It Again (2000), as a red besuited woman, together with her white bikini dressed self, is a picture of a species that`s kept blind to its own knowledge of herself as `biune` by what she`s been taught to think of as her species` heroes. A single human woman`s individuality is two, that is, with and without her penis` `seed`, whereas men want her to understand that she`s one individuality, because they`re her devouring parasites and don`t want her to breed her own brains, but accept her parasite`s. Jesus` best teaching on the subject of women`s `futanarian` human `biunity`, as a species with her own penis` seed and independence, is: `Love your neighbour as you love yourself.` (Matt: 22: 36-40)

 Because, if men can`t be taught to respect woman`s `futanarian` human species` nature, `woman`s seed` hasn`t got a chance. Jesus` perception is the obvious one that one`s nighbour with a host womb is oneself, and she doesn`t need men`s parasitism, so males might as well understand that they`re supplicants before God`s mother as their hostess. Men tell humans that they`re unique individualities, although women are `biune` and a single species, but that`s how women are enslaved: `Mystery, Babylon, mother of harlots and of the abominations of the Earth.` (Rev: 16. 11)

 She`s a `biune` enslaved for devourment of the civilization, culture, and art she`s able to produce from her host womb in pederasty by her parasite in its wars of `perpetual enmity` against her. HIV/AIDS` `blood plague` tells us that women`s boys and sons are her poisons in pederasty and war. She`ll never escape from The Cave, man, because it wants her at the back, where she`ll produce and reproduce for the pot. The Cave, man, isn`t a cannibal, because women are a single species, so men are her parasitical enslavers and devourers, and so correspond to her diseased riders:


`Behold! We said to the angels, "Bow down to Adam": They bowed down except Iblis [Satan in Christianity]. He was one of the Jinns [,that is, a guardian angel of the djinn], and he broke the Command of his Lord. "Will ye then take him and his progeny as protectors rather than Me? And they are enemies to you! Evil would be the exchange for the wrong-doers!"` (50)


 Iblis` refusal to accept Adam was a mistake, because it was a refusal to accept the future of `woman`s seed`, that is, `futanarian` woman,  who will be `as the angels`, according to Jesus` teaching of the Resurrection. Jesus is the `Second Adam`, according to scripture, and Eve was emerged from his rib`s side, which is where Jesus` side was pierced after his death by the Roman guard Longinus. If the Holy Spirit, foretold by Jesus as the teacher after him, is the `Second Eve`, she`d emerge from his side, when pierced by the spear of Longinus, which would explain why it`s known as the `Spear of Destiny` insofar as it prefigures the ascendancy of the importance of the woman`s phallus in terms of human species` reproduction and the wisdom that comes from breeding for her own brains` power.

 Men`s HIV/AIDS virus kills the brain from the base of the spine where it gains access through the anus, which is why Al Qaeda means `the base` and HIV/AIDS is a homosexual killer`s disease. How, then, can men be the protectors of humans? The HIV/AIDS virus `feigns friendship` for the `white cells` of the human body`s immune system that protects the individual by eating alien parasitical invaders. The devouring of the host after faking friendship is, socio-historically, what men do, which makes them believers in the powerless whisperings of Iblis, parasites, and traitors to humanity.



 By the 21st century the HIV/AIDS virus had become men`s paradigm. Replacing the `Trojan horse` of the Greeks` fake friendship for the women of Troy, emerging from within the huge hollow wooden construction to enslave the host wombs for pederasty and the furthering of war`s contagiousness, the brainy `geeks` developed the `Trojan horse` virus of the computer age to crash the `female` brains of its human systems` endeavourings and provide a paradigm for the fake friendship of Al Qeda`s Arabian guests, hellbent on precipitating global conflict with their host, and the human species` suicide, by crashing the brains of the US` defense systems to demolish New York`s Twin Towers at the `cities of the planes` for pederasty and war.

 In the Bible God destroys the `cities of the plains`, Sodom and Gomorrah (Gen: 18, 19), because they`re homosexuality and `rough trade`, while New York and Arlington, Virginia, that is, the Pentagon, where another suiciding plane crashed into the building that housed the US Defense Department, made the world a centre for `rough trade` once more, and God had warned the Earth. President George W. Bush Jnr declared `War On Terror` (2003-) and began a global surveillance war on knowledge. Blinded and ignored by her heroes` feats of self-perpetuating devourers` `action movie`, `woman`s seed` supportively embraced the `perpetual enmity` God warned Eve the `serpent`s seed` had for her `seed`, while the NSA, CIA and FBI, amongst other spy networks, made sure that Hollywood, Babylon, would continue substituting their guns for the woman`s penis in the `big picture`.

 9/11 was seen `live on CNN` cable satellite television, which is where the cave dwellers watch themselves as smaller cave dwellers, and feel bigger. In cinemas they see the bigger devouring imagos of their heroes and so feel protected, even though they know they`re small. Watching the TV wars of the Gulf as the United States invaded several nations to assassinate Al Qaeda leader, Osama Ben Ladan, in `friendly` Pakistan, a generation of plague gamers were being prepared to devour the human species of `woman`s seed` at the press of a button lest she live.

 Inured to death and destuction at play, game consoles manufactured by Playstation or Nintendo, the `trained` killers of the 21st century`s plague games were the `abominations` birthed by `harlots` for pederasty`s `big game` of species` desecration and genocide. Watching satellite guided bombs find their desert bunker targets in Iraq, a few people wondered what was lost. Traditionally desert peoples pitch their tents as caves over water, because they lived in caves before braving the killing heat, and The Cave, man, is the womb of the `woman`s seed`, where she gestates before giving birth to new life: `And to the woman were given two wings of a great eagle, that she might fly into the wilderness, into her place, where she is nourished for a time, and times, and half a time, from the face of the serpent.` (Rev: 12. 14)

 The eagle of the United States `Great Seal` is the protector of the hymen of the `woman`s seed` and The Cave, man, is where she`s `hidden`. US` airmen told where to drop their precision bombs on The Cave, man, were following orders, and so were the German Nazis when they pogromed `woman`s seed` in their death camps during and before World War II (1939-45). The `chosen people` are the Jews, according to the Bible, and one can`t be born a Jew unless one`s born from a Jew, which means that women are Jews. So the Nazis and those following the war `rules of engagement` within the `conventional marriage` during the Gulf wars (1990-1, 2001-11) were bombing The Cave, man, where the `woman`s seed` was hiding.

 US Navy Seal Team Six killed Osama Ben Ladan on May 2 2011, where he was sheltering under the protection of the nearby Pakistan Military Academy, and so were performing a task protective as `seals` of the hymen of `woman`s seed`, so preventing her contamination by male semen, which is the message of Jesus Christ born uncontaminated by male semen from his mother, the Virgin Mary, as the first of woman`s `futanarian` and `biune` human species to recognize herself as a man and advocate praying for forgiveness from the host in hope of attaining Redemption from God.

 The cave dwelling men don`t want the woman to develop, because then they`d lose their cave, that is, her species` womb, as she`d breed herself and be brained enough to build her own starships and leave for the `new heaven and Earth` God says he`s prepared for her, while the `serpent`s seed` are punished with eternal unendurable pain from God. The sun star is the light in The Cave, man, but the cave of the womb of God`s mother nature can be seen by the light of the moon, while the cave dwellers retreat further back into the womb, God`s heaven beckons to `woman`s seed` and at the back of The Cave, man cowers fearful of meeting his maker.


1 20 July 1969 UTC.

2 Bradbury, Ray Fahrenheit 451 in Galaxy Science Fiction, Vol. 1 #5, 1951, p. 36.


Dr Who and the Chair Legs, and Britney Spears` `Stronger`

14/09/2013 08:33

Dr Who and the Chair Legs, and Britney Spears` `Stronger`


The Time Lord and his time machine, `the Tardis`, is the protagonist known simply as `the Doctor` in the perennial British `science fiction` television series, Dr Who (1963-) in which the most famous of the recurring threats to humanity are the enemies of the Doctor, `the Daleks`, aliens resembling pepper pots broadcasting the alarum, `Exterminate! Exterminate!` whenever the Doctor and his pulchritudinous, seemingly virgin assistant, appear.



 Parallels between Dr Who and the story of Jesus and his renowned celibacy are plain. Born uncontaminated by male semen from his mother, the Virgin Mary, Jesus doesn`t seem interested in women, which has been the standard for role models in television and movies almost since Hollywood, Babylon, began. Taboos against the penis reinforce a picture of heroic celibate males impervious to the obvious sexual allurements of their companions; for example, David Addison and Sybil Shepherd in Moonlighting (1985-89), `Bosley` in Charlie`s Angels (1976-81) or Jon Pertwee, the third actor in the role of Dr Who, (1970-4) and whatever feminine beauty `the Doctor` is given as his assistant. The subplot revolves around the unspoken question,


`Will they, or won`t they?`



 They often don`t because of the taboo against the penis` implicit presence in romantic scenes between a man and a woman, which is deemed unimportant because lacking in spiritual, that is, intellectual, value. But Jesus` `Mission` was to point out the value of the `host` to the guest, that is, according to scripture men are the enslaving and devouring parasites of what God describes as `woman`s seed` and its `perpetual enmity` with the `serpent`s seed` before `she shall crush the head of the serpent as she leaves` (Gen: 3. 15) for the `new heaven and Earth promised to her by God. At the `Last Supper`, before his crucifixion and death, Jesus broke bread and gave wine to his disciples as tokens of his `body and blood` because he wanted his adherents to understand that he didn`t want to be killed by the parasites. In ancient Greece institutionalized enslavement of women`s host wombs for the furtherance of war and its contagiousness was the model for Western society while in the East was:


`Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 16. 11)


 In the Greek drama by Sophocles, Oedipus Rex (c. 429 BC) the Sphinx`s riddle has to be solved by Oedipus, `What has four legs in the morning, two in the afternoon and three in the evening?` Oedipus consults a seer, who tells him `Man`, because he crawls as a baby, walks as a biped, and uses a cane in old age. Britney Spears` pop video for `Stronger` suggests another interpretation. `Whatever!` she says huffily to a man and woman in a bar resembling the interior of the Tardis from Dr Who and marches straight through a pair of exit doors that, in the TV show, would leave her outside the Tardis on whatever planet `the Doctor` had arrived at:


`There’s nothing you can do or say, baby. I’ve had enough. I’m not your property as from today, baby. You might think that I won't make it on my own. But now I’m ... stronger ...`



 The scene change reveals Britney Spears inside a room of total darkness apart from a single chair she dances with. Instead of the movie Doctor Who and the Daleks (1965), it`s Britney Spears and the chair legs, because an adult needs four chair legs. Britney goes on to dance with a cane, to emphasize the almost total darkness of the cave-like scene, because blind people use a cane. In the story of Oedipus, he`s blind metaphorically, at the beginning of the drama, and blind in reality at the closure, because he`s married his mother and is so horrified, because of the incest taboo, that he blinds himself:


Blind who now has eyes ... he will grope his way toward a foreign soil [Iraq, Baghdad; for example], a stick tapping before him step by step.` (517-9)



 Although the answer to the Sphinx`s `riddle` is `Man`, the idea of a three-legged man relates to the notion of the saurian `serpent`s seed` whose instinct is to devour and balance on its tail while eating its victims. In modern day usage the cane is a gun, which relates to the Bible tale of Cain and Abel in which the murderer of the able bodied person is called Cain, because he brings blindness. The developmental psychologist Carl Gustav Jung (1875-1961) observed that instinctuality is transformed into spirituality, that is, intellectuality, in the course of individual growth or progress, so the spinal column and the brain of the human are the vestigial remains of the saurian tail of the reptilian desire to devour. The third leg of `Man` is the brain, but the murderer, Cain, is disabled and needs a gun to walk with, because he`s a suicide and he`s blinded himself:


`Love your neighbour as you love yourself.` (Matt: 22. 39)



 Because you are your neighbour, and if you kill you lose brains and eyes, which result in men`s fall to the level of the ape. Oedipus` mother Jocasta is concerned solely with her line`s continuing. Men will become extinct because they kill their own developed selves For A Few Dollars More (1965), as is indicated by Oedipus` unwitting killing of his father, Laius, King of Thebes, during a typical male argument, and the title of Hollywood, Babylon`s `spaghetti Western`, one of a series of movies about killers in the United States` early days. Men want to explain that their instinct to kill is natural, and so the human species is all but extinct. Women have their own penis` `seed` as `futanarian`, because they`re a separate and distinct `biune` species capable of self-reproduction and socio-economic independence, but they`re `hidden` and not visible because Hollywood, Babylon, and Cain, the murderer, don`t want the species to see herself, because then the producer would leave together:


`Cameras are flashing while we're dirty dancing. They keep watchin'.`



 Women`s orgasms take longer to reach and so they need more time and privacy when they`re vulnerable to the `serpent`s seed`. In the garden of Eden Adam and Eve noticed that they were naked after eating `the fruit of the tree of the knowledge of good and evil` given to them by the serpent, because they were watchable. Men`s instincts are to kill what`s watching, whereas women as a `biune` species are single and each other, without predators, if they`re alone. God`s given `woman`s seed` her own penis along with her clitoris and self-reproducer`s womb, so that she can be `private` and not seen while she`s engaged in sexual pleasure, reproduction and self-production by means of her own single species` brain power:


`Here I go, on my own. I don’t need nobody, better off alone. Here I go, on my own now. I don’t need nobody, not anybody. Here I go, alright, here I go.`



 Dancing with a chair and a cane in a cave-like room, Britney Spears` `Stronger` video says she`s an intelligent biped who knows that men are her blinders. Because a baby may crawl on all fours in its innocence, but a woman would see that she needs a chair if she weren`t prevented from seeing that. The video single features a car, which has four wheels rather than four legs, and so represents greater technological development, while Britney Spears is seen driving a car alone. The idea is that men have built a car for her, but everything the human species creates comes from the host wombs of women. With their own penis` `seed`, women would be able to create from their own species` brain power and self-production. The first mass produced car was the Model T-Ford, but the system of pedals didn`t change from 1908, because the four wheeled motor vehicle is used to disable the driver, and the infantiled crawler behind the steering wheel is blind to that:


I used to go with the [traffic] flow. Didn’t really care ‘bout me. You might think that I can’t take it, but you’re wrong. ‘Cause now I’m… stronger ...`



 Reincarnation is the principle of rebirth and Britney Spears` time-travelling Tardis` occupant in `Stronger` represents the `car go` cult. If the car goes, that is, if it remains as a functioning vehicle, the reincarnated human species will go on as a `cargo cult` in which the car is always ready and waiting to disable its occupants, who are reborn to work before they`re killed again after producing. Because HIV/AIDS is the `biological weapon` of homosexuality`s mixing of blood, shit and semen as a `killer disease`, keeping women in fear and faithfulness to her enslaving and devouring parasites, pederasty is what keeps the foot on the pedal, that is, woman`s biune species of `futanarian` enslaved as the consumed pet `trull` of her car owner.



 In Egyptian mythology the `Ba` and `Ka` are personality and spirit, which come together as the `magic personality`, the `Akht`, after death. Jesus` Resurrection and Ascension to heaven after his death and crucifixion, is a `magic Akht` in mythological terms. In `Stronger` Britney Spears` chair has bars, because her `Ba personality` needs support for her spine, and the car she drives away in is the symbol of her spirit or `Ka`, because hers is a `magic Akht` too.



 In the video for the single `Gimme More`, from Blackout (2007), which is the cave-like metaphor for the blindness that comes from men`s censoring of her eyes through murder, blonde Britney Spears sits at the bar, while brunette Britney Spears performs the song for herself:


 `It's Britney, bitch. I see you, and I just wanna dance with you.`



 In Egyptian mythology they`d be `Ba` and `Ka`, because brunette Britney Spears is the `bar personality`, while `Ka` means `spirit` and so blonde Britney Spears drinks `spirits`. Together they`d be a `magic Akht` because the human species of `futanarian` woman is biune, but apart they`re imprioned by bars and their `spirits` induce unconsciousness because they tell their daughters the lies they`ve been taught.



 In `Gimme More` Britney Spears is biune, which is what she says when asked about her sexuality, `I`m bi.` In the video single `Oops I Did It Again` (2000), Britney Spears appears in a red pilot`s suit on Mars, presumably having gotten there in a spaceplane, and she encounters an astronaut wearing an Apollo spacesuit, who she hoists above herself in a white bikini dress by means of a hook and pulley, so he can film the biune species with the camera attached to his spacehelmet and then `Mission Control` might finally get the picture:


`You think that I'm sent from above. I'm not that innocent.`



 Just as the car`s controls haven`t been changed in a hundred years or more, so that the drivers remain disabled, the Apollo spacecraft was disabled to make it operable by the astronauts to make them feel like men. The original crews were apes and so Apollo 11 for the moon landing to put the first man on the moon, Neil Armstrong, on 20 July 1969, had its automated controls removed so that the crew could be disabled enough as operators to feel like men, which is what homosexuality is, disabling for `woman`s seed`. So Britney Spears` astronaut has the tines of a giant`s fork beside him as a motif corresponding to the giant`s ring Britney descends to her stage set inside at the beginning of the video for `Oops I Did It Again`. It`s a devour ring, if men keep on disabling themselves and `woman`s seed`:


`And the world is spinning and she keeps on winning, but tell me what happens when it stops?`



 In her video for the single `Lucky` (2000) Britney Spears is `the Doctor` again and for  her role she has several assistants who are herself, because women are a biune species capable of self-reproduction and so she needs `production assistants` she can rely upon. In `Hold It Against Me` (2011), she`s surrounded by video images of herself performing songs like `Gimme More`, `Oops I Did It Again` and `Lucky`, and she`s seen fighting herself as another means of getting the message across to `Mission Control` that the female species of woman is `futanarian` with her own penis` `seed` and wants to be free of its tendency to sucide her, which is the subject of the lyric in `Till The World Ends` (2011) from the album Femme Fatale:


`See the sunlight, we ain't stopping. Keep on dancing till the world ends. If you feel it let it happen.`



 Men`s perception is that, whoever is in space, is in their space, whereas women as a biune species encountering itself observes that it`s some more space where they can be together with themselves. Consequently, men are women`s `space invaders` and wherever men are women`s space is being invaded by her enslaving and parasitical devourers that have somehow taken over her host womb to emerge as the destroyers of the civilizations, cultures and art she`s able to produce despite their depredations.



 By the late 20th century men`s ejaculations into the wombs of women had actually become virulent as what the Bible calls the `blood plague` of HIV/AIDS, which was the consequence of their `love gun` penis` `seed` becoming uncontrollable. The sexual permissiveness of the 1960s `love generation` proved men to be a `killer disease`. HIV/AIDS emerged as their `biological weapon` against the host wombs of women, created in their mixing blood, shit and semen in anal sex with their penis` `serpent`s seed` prefering men to women in order to spread homosexuality`s main contagions of pederasty and war further.



 In socio-biological terms men`s contaminate ejaculate is a sign of their devourer`s functionality, because they`re saying to women, as the biune human species, that they`ve finished with their love: gun. Men are eaters of human flesh, whereas women are self-lovers and self-reproducers in biunity, which is a single species when unembroiled in a parasitical relationship.



 In the science fiction novel Starship Troopers (1959) by Robert A. Heinlein there`s war between spiders and `boys` who are delivered by their mothers, the starship pilots, which is probably why Britney Spears appears in her `scifi` video `Oops I Did It Again` in a red pilot`s suit with an Apollo astronaut, because he`s her `boy`. Juan Rico is the leader of his troop, `Rico`s Roughnecks` because Starship Troopers was based on US President John F. Kennedy`s newly created elite fighting force of 1952, the Green Berets, who were paratroopers that descended on parachutes, because they`re the image of parasitical enslaving and devouring spiders:


`I think I did it again. I made you believe we're more than just friends. Oh baby.`


 Whether Heinlein knew that women were the biune human species is moot. What he was able to convey is that the imago of the male paratrooper isn`t a developmental archetype, but an image of the devouring spider, which is how men behave as parasites. At the end of Britney Spears` video `Stronger` she repeals her verdict upon herself in `... Baby One More Time` (1999):


`My loneliness Is killing me (and I) I must confess I still believe (still believe) when I'm not with you I lose my mind. Give me a sign. Hit me baby one more time.`



 A `hit` in mafia terms is an execution and women as a biune species has her own indpendent single brain, so Britney Spears is saying that she knows she`s been murdered, because there`s no sign of herbiunity due to men`s censoring and blinding of `woman`s seed` in death. `Stronger` is a different tune, and Britney Spears seems to have changed her opinion:


`Stronger than yesterday. Now it’s nothing but my way. My loneliness ain’t killing me no more. I’m stronger.`



 Because she`s declared herself `bi`, which is species` cognition, but if the brains of her parasites are stronger, `woman`s seed` will be murdered again so that her brains will never recover and that`s what the mafia are for. In 1963 John F. Kennedy was assassinated in Dallas, Texas, and many believe that Lee Harvey Oswald, trained by the US secret service, the Central Intelligence Agency (CIA), and discovered to have been a Russian Committee for State Security (KGB) operative, was acting as a mafia gunman because of Kennedy`s insightful speech about Jesus` teaching, `love your neighbour as you love yourself`:


`... to discuss a topic on which too often ignorance abounds and the truth is too rarely perceived - yet it is the most important topic on earth: world peace ... I speak of peace because of the new face of an age when a singular nuclear weapon contains ten times the explosive force delivered by all the allied forces in the Second World War ... an age when the deadly poisons produced by a nuclear exchange would be carried by wind and air and soil and seed to the far corners of the globe and to generations yet unborn ... I speak of peace, therefore, as the necessary rational end of rational men ... world peace, like community peace, does not require that each man love his neighbor - it requires only that they live together in mutual tolerance ... our problems are man-made - therefore they can be solved by man. And man can be as big as he wants.`1



 Like Jesus, Kennedy understood that `love your neighbour as you love yourself` was the necessary palliative to men who were endangering the biune human species` growth and progress. Britney Spears` `Stronger` finds her more optimistic because her brains are strong enough to declare herself `bi`, but the motif of the Tardis from `Dctor Who` indicates the severity of the problem. If men can travel through time, her species is an endangered one, because men want the pet `trull` for their cars, and the bars where she`s imprisoned, so she can`t escape from men`s `black magic Akht`, which is to use the evil of their `Ka` (spirit) and their `Ba` (bar) to keep `woman`s seed` blind drunk and unconscious of the murder and death of her species` brain power.



 Robert A. Heinlein` novel The Number Of The Beast (1980) featured a `space-time continua vehicle` modelled on the futuristic Ford aircars of the future he was describing. The sentient onboard driver is called `Gay Deciever` because pederasty is what women need to avoid as a biune species. Handicapped by the conventions of the genre, the most Heinlein could do was depict the psychological conflict. His four characters, Zeb, Jake, Deety and Hilda correspond to the four functions of Jungian psychology, Thinking (ear), Sensation (eye), Feeling (mouth) and Intuition (nose), and they squabble constantly while being pursued by the `black beast`, because the function of pederasty is death:


`Who is more real? Homer or Ulysses? Shakespeare or Hamlet? Burroughs or Tarzan?`



 The perception of the Hollywood, Babylon, actor is of the writer as a `ghost writer` because they`re actors of scripts by dead people. War and Peace is the novel written by Leo Tolstoy (1869) about the French dictator, Napoleon, and his army`s retreat from Moscow. The movie Waterloo is about Napoleon`s final defeat in 1815 by the British Duke of Wellington and stars Rod Steiger, but noone perceives Tolstoy as having the same reality as Steiger.



 Robert Heinlein`s perception is that he isn`t real unless he`s an acceptable character, but men are `gay` because they want each others` space and wives or daughters, which is the enslaving and devouring homosexual parasitism, and its wars of pederasty, represented by the `black beast` in The Number Of The Beast, that are what the two men, Zeb and Jake, and the two women, Deety and Hilda, are trying to avoid.



 The `scifi` repressive genre conventions Robert A. Heinlein (1907-88) was perforce required to accept don`t permit of his depicting a biune reality, and being reborn as `futanarian` woman is a lot to have faith in, which is why Jesus` teachings of the host and the guest advocate acceptance of woman`s womb. William Shakespeare, in his play Antony and Cleopatra (1623), faced the same difficulty: how to depict biunity? Enobarbus descries Anthony, but is apprised of his mistake by Charmian:


`Not he; the queen.` (I, ii)



 If the biune species of `woman`s seed` is to live as the human species, she has to deceive, which is why Heinlein`s `continua vehicle` that can access all of the number of the universes contained in the `number of the beast` of Revelation, that is, `six raised to the power of six raised to the power of six, according to the novel, is `Gay Deciever`, and the wrong spelling is intentional because it means that woman will `ever deceive` in order to deliver her human species` Salvation. Rather than have it eaten by spiders descending on parachutes, or dropping its daughters with them, which is what happens in the movie version of the novel, Starship Troopers (1997), where Denise Richards is a heroine alongside the males, to fight against more obvious spiders in an arachnoid joke:


`One day someone like me is gonna kill you and your whole fucking race!`2



 A woman`s rack are her breasts in US slang, so if someone`s annoyed by her rack, that`s arachnoid, which is why the Gulf wars (1990-1,  2000-11) with Iraq were about Arabian perceptions of arachnoid men, where the women of the desert cover themselves cave-like, beneath tents and burkhas, and the USA`s perceptions, which were of men annoyed with the men of annoying Iraq, but not by the ancient seat of Babylon, who was `a woman`, according to the Bible, enslaved by the men of Iraq, and not for her rack.



 The book of Revelation is prophetic of the `mark of the beast` being required in future socio-economic history or one can`t `buy or sell`, so the idea that the `number of the beast is the number of a man` is interpretable in manufacturing terms. The `red dragon` of Revelation is depicted as waiting to devour the `New Redeemer` born from the `woman clothed with the sun and with the moon at her feet` because it represents Communism in which `ownership of the means of production by the workers` was a fallacy because women`s host wombs are the means of production, and `state ownership` and direction of the `means of production` is slavery of women.


 In ancient Greece women`s host wombs were enslaved for pederasty and devouring war. By the late 20th century what Revelation describes as the `blood plague` of HIV/AIDS had emerged from pederasty and war as its `biological weapon` keeping women in fear and faithfulness to their enslavers. The paradigm of the 20th century was the virus, and from `Greek` emerged computer `geek` as the parasite wormed its way into the systems of developing human technological advancement. The earliest example was the huge hollow wooden horse left outside the city of Troy by the Greeks who emerged once inside the city to enslave the host wombs of the women and spread war and pederasty further:


`Beware Greeks bearing gifts.`3



 On 9/11 2001 Al Qaeda terrorists from Arabia hijacked civil airliners and crashed them into the World Trade Centre in New York to reestablish `rough trade`, which is the euphemism used by homosexuals for the `brutality and violence` associated with gay sex, which had produced the `blood plague` of HIV/AIDS in mixing blood, shit and semen in the sterility of anal penile penetrations amongst homosexuals. Because the red sun of the flags of Japan were defeated by the USA after an attack similarly designed to plunge America into a suicidal war, the Japanese Empire`s (1868-1947) sneak attack, in which kamikaze suicide mitsubishi zero `fighter` pilots` planes were crashed into the decks of the carriers of the US Pacific fleet at Pearl harbor, Hawaii, 7 December 1941, was the `red dragon` of devourment.



 `Liberty` in New York harbor was the `woman clothed with the sun` of her victory over Japan after the USA used the power of the sun to destroy the cities of Nagasaki and Hiroshima in Japan with atomic bombs to end hostilities. The flags of Al Qaeda bear the symbol of the moon and the legend, `There is no God but God,` but `Liberty` in New York harbor, after the assassination of Al Qaeda`s terrorist leader, Osama Ben Laden, by US Navy Seal Team Six, on May 2, 2011, reflects upon the sun and the moon in her birth waters. The statue of `Liberty` is `the woman clothed with the sun and with the moon at her feet` of Revelation, and the `red dragon` that had waited in vain to devour her child was enslaving and devouring pederasty and war.



 Al Qaeda were an expression of the viral paradigm of the 20th century, which Jesus had forewarned against at the `Last Supper` with the disciples when he was the `host` and gave `bread and wine` as tokens of his `body and blood` because he wanted to assure himself that Judas Iscariot understood that his act of treachery in selling Jesus to the executioners of the Roman Empire as a dangerous dissident was the act of a parasite against the host.



 Born uncontaminated by male semen, Jesus` birth from the `host` womb of his mother, the Virgin Mary, prefigured the `futanarian` seed of woman`s own penis, which God tells Eve of in the Bible when he says she`ll have `perpetual enmity` with the `serpent`s seed` but `woman`s seed` `will crush the head of the serpent as she leaves` for the `new heaven and Earth` promised to her by God.



 What humanity has been taught is that technological advancement will come and that will liberate, but `woman`s seed` is kept at a low level of technology so that she can be enslaved and devoured as a `biune` self-reproductive species, and the taboos against the penis are simply designed to keep the woman in blindness, through censorship to her owning of her own penis and socio-economic valence for her `ownership of the means of production`, which is hers anyway because it`s her host womb and that`s why Jesus` teachings are of respect for the host.



 The mode of the parasite is treachery. Even the HIV/AIDS virus itself pretends to be a white defender cell of the immune system of the body before killing it, which is why women have their own penis` seed and socio-economic self-reproductive system as `futanarian`. In Revelation it is written, `Let he that has wisdom understand. The Number Of The Beast is the number of a man and his number is six hundred three score and six`, that is, 666, which was interpreted by `the Dean of science fiction`, Grand Master, Robert A, Heinlein, as `six raised to the power of six raised to the power of six` in his novel The Number Of The Beast because women reproduce exponentially and men don`t want them to as `woman`s seed` would then have their own brain power and could escape to the planets and stars through technological development. 



 In Robert Heinlein`s The Number Of The Beast novel, the biblical `number of the beast` is 10, 314, 424, 798, 490, 535, 546, 171, 949, 056, that is, the initial number of parallel universes accessible through the `continua device` which, like the Tardis in Doctor Who, a police `telephone box`, is bigger on the inside than it is on the outside, because it represents freedom from the prison reality of the slave collars, handcuffs, and the ties that bind worn by the men in suits in the enslavement of women and their devourment by pederasty. Heinlein`s Ford `aircar` is named `Gay Deciever`, because avoiding `gay culture` and the plague aims is the `game play` for `woman`s seed`, to borrow a US football term for success in the game through strategy. If she`s to develop a technology of escape from her parasite; identified in the novel as the `black beast` which pursues the husbands and wives: Jake, Hilda, Zeb and Deety.



 It is later theorized by the character Jacob that `The Number Of The Beast` may be merely the instantly accessible universes from a given location, and there is a larger structure that implies an infinite number of universes. Because `666` is the reverse of 999, the telephone number of the emergency services throughout most of the world due to the influence of the British Empire (1583-1997), 9/11 was 911, that is, the number of the emergency services in the United States, because women`s birthing of her own species is the emergency that men don`t want to respond to as she might develop a technology of escape, which is what Robert Heinlein posits in The Number Of The Beast.



 Genre conventions about sex and gender in science fiction prevented Robert Heinlein from depicting his couples as `futanarian` women with their own penis `seed` and socio-economic valence for liberation, although that would be more science fictional and sociologically explorative, which is what `scifi` is for. Because Heinlein posits `six raised to the power of six raised to the power of six` as the minimum number of universes accessible to his escape vehicle, `the beast` represents men who want to chase after his wife`s brain power and kill it so she can be enslaved and devoured along with the rest.



 The biblical `666` is the reverse of 999 because the police are kept as enforcers of woman`s censorship and blindness, while her medical treatment that could include longevity for memory and youthfulness of body is poor, so that money can be spent on wars ceaselessly prosecuted against the civilization, culture and art `woman`s seed` is able to produce from her `host` womb despite her enslaving devourers` preying on her mind. 9/11 was Hollywood, Babylon, because it was designed to present men, particularly the firemen of New York`s emergency services, who now have one of their own as a statue to rival `Liberty`, as heroic, which blinds `woman`s seed` to her destiny as an independent species unrepresented sexually and publically, or even privately and cinematically, in Hollywood, Babylon.



 Jesus` advice is to pray to God and not to prey on the host womb of the human species, which is what the socio-economic system does. If women are independently viable as a biune species she has an enslaving and devouring parasite and not a partner. With one `futanarian` woman with her own penis` seed, and one woman with a womb, lies the possibility of `woman` seed` exploring her own socio-economic valence for independence and liberation from parasitism and devourment. But one woman with her own penis` `seed` needs another to fertilize her womb, which means that `biune` species is reproductively `triune`, because one woman without a penis and one with her own penis` `seed` require a third to fertilize the woman with a penis because the woman without can`t fertilize her. So women are a single species and unmarried insofar as they are exponential breeders of their own brain power but not chained to an owner:


`Looking back, I could have played it differently. I could have played it some other way; learned about the man: before I fell. I was just a little girl, but I was ever so much younger then; maybe, so much younger then: now at least I know.`5



 Some have wondered at the title, Grand Master, for a science fiction writer, but Robert A. Heinlein was awarded the honorific because it`s used for expert chess exponents. The `chessboard` analogy is often used in mathematics to demonstrate exponentiality. There are sixty four squares which, doubled, is one hundred and twenty eight, and is what occurs if sixty four women are together, because all of the wombs will be filled. After that the numbers increase exponentially, with at least two hundred and fifty six full wombs from an initial pool of women`s semen, that is, `futanarian` women with penis` `seed` of their own. Because men would want to be the fertilizers, they`re the `beast` and the `mark of the beast` is slave branding, where there are `market brands` in terms of `mass production`; like Afro-Caribbean, Asian, Caucasian, etc., whereas women are a single `biune` socio-economic species independent of men:


`Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 17. 5)



 The `blood plague` of Revelation, that is, HIV/AIDS, was sent by God to convert men from their enslaving and devouring of their host, which is what is described in the Bible as `the wages of sin is death`, because `woman`s seed` has been killed so that her parasites can live off her flesh. When Adam and Eve left Paradise as the `biunity` of the human species accepting the `fruit of the tree of the knowledge of good and evil` from the serpent, that is, their enslaver and devourer, God told them they had to work and Eve would have pain in childbirth, while Jesus` teachings were of the work of Redemption, which required men to convert and accept the host womb of women and her own penis` seed as `futanarian`, which Jesus prefigured as the `first of woman`s seed` and so offered hope of Redemption even to the parasites:


`Forgive them for they know not what they do.` (Luke: 23. 24)



 What men do is occlude so that they can continue pretending that they don`t know what they do, and young boys think themselves forgivable. The true human picture is of a `biune` species under slavery, which isn`t forgivable. Unless you live in darkness and ignorance, and that`s murder. Censorship, particularly of women`s penis, by making the penis generally taboo, especially in Hollywood, Babylon, is blinding. Such occlusion is already the consequence of `woman`s seed` being exterminated by devils who we`re taught to think of as our fathers, and they want to continue secretly killing her.



 In socio-economic terms the division between those who have and those who don`t isn`t a human one, but is based on `consumption` in Capitalism, where `consumption` was the term used by early medical science for dissolution of the body due to cancerous illnesses such as the HIV/AIDS virus, and is pederasty and war`s enslaving and devouring paradigm. The often discussed `collapse of capitalism under its own weight` theory, which was developed from the German Karl Marx`s Das Kapital (1867) that is, the text that formed the basis for Russian Soviet Communism`s (1922-1991) platform of `state ownership of the means of production`, would become a reality if women were perceived as the human species` biune and self-reproductive socio-economic latent independence enslaved by her devourers.



 Marx`s Das Kapital observed that the value attributable to product fell when `mass production` was reached, which means that, in terms of `rate of value`,4 because women reproduce exponentially as a `biune` species, men value women less when there are more. So the scarcity of females is a socio-economic aspect of her enslavement and devourment, because the less women there are the more they are valued, which makes scarcity economically desirable for the capitalist. The less women there are the more competition there is between males for women, and the system remains deluded in its belief that the scarcity of women is because they can`t breed themselves and haven`t been pogromed until there are few enough for the element of capitalist competition for female slaves to be reintroduced.



 Because few people know, or accept, that women have their own penis` `seed` and self-reproductive socio-economic valence, they remain convinced of their redeemed nature as liberals who espouse `free market forces` and socio-economic development through the interplay of `demand and supply` for needed and wanted goods, whereas the human species is enslaved and devoured in pederasty and war masquerading as `healthy competition for females`; one of whom, the `futanarian` woman with her own penis` seed and socio-economic capacity for independence for woman as a `biune` species, has been almost extinguished by men, whose boy sons believe themselves to be human and redeemed, because they`re not cognizant of men`s shame and their role as woman`s poisons. Capitalism must fall, because women with their own penis` `seed` are a biune socio-economic independent species enslaved by her consumers, and God promises her a `new heaven and Earth` when she leaves.



1 June 10 1963 .

2 Words spoken by `trooper` Zander from the movie Starship Troopers, 1997. .

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